在心中

Small wonder Mr. Wang goes about his business with a song in his heart.

毫无疑问，王先生在发展他的业务时一定也在唱着他心中的歌。

From then on,the roses bloom in my heart and fly smelt in my dream.

从此，玫瑰在我的心中盛开、在我的梦中飘香。

Music In My Soul, In My Kitchen As Well

音乐在我心中，也像在我的厨房

You are the sparkle in my eyes and the fire in my heart.

你，在我的眼中，是火花；在我的心中，是一团火焰。

Just like you只是喜欢你/ You are the sparkly in my eyes and the fire in my heart.

你，在我的眼中，是火花；在我的心中，是一团火焰。

Just like you只是喜欢你/ you are the sparkly in my eyes and the fire in my heart, I love you from the bottom of my heart.

你在我的眼中，是火花；在我的心中，是一团火焰。我从心底爱着你。

It was as if the far-off events at Versailles and the mounting evidence of the spinelessness of corrupt local politicians coalesced in people's minds and impelled them to search for a way to return meaning to be Chinese?

在遥远的凡尔赛所发生的事件，以及腐败地方政客的怯儒，似乎已经烙印在中国人民的心中，进而逼迫他们重新探索中国文化蕴涵的意义。

Isaiah also warns the people to not trust in witchcraft and spiritism, something that the Lord detests (Deut. 18:9-20; Lev. 20:27). Those who get involved in such evil practices have "no light in them"(Jesus, the Light, is not in their hearts), and therefore they "will be driven into darkness" 8:19-22; cf.

以赛亚亦同时警告人们不要求问鬼魂和行巫术的，因上帝厌恶此等事（申18：9~20；利20：27），和邪恶有关的事物必不得见光（耶稣是真光，这光不在他们心中），他们必在黑暗中（8：19~22；林后4：4，6）。

To get straight to the subject, and to make a long story short, technically speaking, I can't step on the brake when I am in the curve and when I see that there is a time loss in the middle of the curve, I want to step on the gas all the way and the traction control can't keep up with it.

直接进入主题吧，把冗长的事情弄得短点，专业的说，在进弯时我无法刹车，当我看到在弯心中损失的时间时，我一直想要加油但是牵引力控制却跟不上。

I am literally one taste with the entire ocean and all its waves. And that taste is wetness, suchness, Emptiness, the utter transparency of the Great Perfection.

处在一味中，你可以一口饮尽大西洋的水，一口吞进整个宇宙，超级新星在你的心中生灭，你觉得那不断运转的银河就是你的头，这一切都像知更鸟在水晶般清澈的黎明唱出的歌声一样清纯

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。