在心中

Look at the high-rise that sees in the ability on the picture only originally, go in wane to the close lights all night eternal street, the extensive in yellow hill heart removes a kind hard of Yan Yu acerb: This is not a world that belongs to me, I am a passing traveller merely just.

看着原本只在画上才能看到的高楼，走在阑珊灯火彻夜不灭的街头，黄山心中泛起一种难以言喻的酸涩：这不是一个属于我的世界，我仅仅是一个过客而已。

In Zhu Lin remote mountains anchoret, in why putting down a heart halcyon, give all corners of the country again; Be in alive contemporary why do we move back and forth again return age the Warring States, art of secret of search ancient time, because of recrudesce of dispute of all corners of the country, the world is uncertain.

在竹林深山的的隐士，为何放下心中的宁静，重出江湖；活在现代的你我又为何穿梭回到春秋战国，探求古代秘术，只因江湖纷争再起，天下未定。

Our lonely existence of this silent desolation in their own homes, as lone travelers, the fate of the landscape across all channels, no purpose, no meaning, existence itself is everything, no choice of life path was set off as arc, is the only way to stick to the hearts of silence, in silence, insights and life.

我们孤独的生存在自己这个沉默的荒凉家园，如同独行的旅行者，命运是穿越所有景观的通道，没有目的，没有意义，存在的本身就是一切，无从选择，生命的轨迹就像被设置过的弧线，唯一能固守的就是心中的沉默，在沉默中感悟人生、生命。

From that on,the rose opens in my heart, aroma float in the air in my dream.

从此，玫瑰在我的心中盛开、在我的梦中飘香。

The most important change that has occured in my life because Christ arose is that He lives in my heart.

最重要的变化已发生在我的生命，因为基督的出现是他的生命在我心中。

Forget the old Ash tree in the entrance to the village, after years of vicissitudes, the baptism of wind and rain, it is still tall and straight so bold.

杜鹃花开在春天里，绽放在麻城儿女的心中。杜鹃花为什么那么红？那是革命烈士用鲜血染红了它，这是血染的风采。

When cooking the lampblack will often spread in the kitchen, the excessive inspiration can cause " the lampblack sickness ", in the medicine called that it " the lampblack syndrome ", should sickness symptom be the anorexia, although will have the sense of hunger, actually will eat the tastelessness, in the heart fed up, the spirit will not be good, is addicted to rests, the whole body will be incapable; The lampblack will also stimulate person's five senses, people's eye in the contact excessive lampblack, will often feel that will do astringently, itches, the vision blurring, the hyperemic conjunctiva, the time often will have formed steadily the chronic conjunctivitis, the throat could feel the itch, coughed, the time, often has been steadily able to result in the chronic tracheitis, bronchitis.

烹调时油烟往往会散布在厨房内，过量吸入会引起"油烟病"，医学上称之为"油烟综合症"，该病的症状是食欲减退，虽有饥饿感，却食之无味，心中烦腻，精神不佳，嗜睡，全身无力；油烟还会刺激人的五官，人们的眼睛在接触过量油烟，往往会感觉干涩、发痒、视力模糊、结膜充血，时间长了往往会形成慢性结膜炎，，喉咙会感觉刺痒，干咳，时间长了，往往会得慢性气管炎、支气管炎。

At such close quarters, the soldier literally feels the sentry fight for his life.

在行动中的视线、声音和嗅觉都会在袭击者的心中留下烙印。

Ancient gods and the name of Athene still persist in people minds and are still alive in many people hearts.

古希腊神话和雅典娜的名字，至今也仍深埋在人民的心中，也活在不少人的心里。

Chun Can you like, and silking complaint or regret, only for the benefit of the world bear the cocoon; you like an umbrella, duty-bound to be rain Dashi, only for the protection of millions of your well-protected by the Tao Li; you like Chuanjiang, and willingly To assist sailing, Chuanke only lead to a better distance, high teacher, and perhaps you do not know its own subtle magic, but in my mind long ago left a Thanksgiving excitement, you may not be your wing So warm, high teacher, I thank you in the last semester of my education is precisely because you are well taught, I know a lot of truth in life.

您就像春蚕，无怨无悔地吐丝，只为结出造福天下的茧；你就像雨伞，义无反顾地被雨打湿，只为保护千万被您悉心呵护的桃李；你就像船桨，心甘情愿地辅佐驾船人，只为带领船客通往美好的远方；高老师，您或许并不知自己那潜移默化的神奇魔力，却早已在我的心中留下了感恩的激动，您或许不知您的羽翼是如此温暖，高老师，我谢谢妳在上个学期对我的教育，正是因为你悉心的教导之下，我才懂得了那么多人生的道理。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。