在当时

Lincoln hoped that, in time, these efforts would win Kentucky's support for his war effort.

在当时，林肯希望这样，这些努力将会赢得肯塔基州的支持者能够支持他所领导的战争。

At that time, however, she was not only the largest ship but also regarded as an unsinkable liner, for she has sixteen water-tight compartments

然而在当时，她不仅是有史以来最大的一艘船，而且被认誉为永不下沉，因为她有16个防水舱

Wang Guangyi had recalled his works as this, The North Polar Region I created at early time of my career was a academic empathy of northern landscape of wild weald.

在当时的文化情景中，'极地'的艺术应当是一种'文化强权'思想的追求。

At that time a soldier who showed the white feather in battle would be punished.

在当时，临阵畏缩的士兵将受处罚。

This is in at that time is a very terrible workload.

这在当时是个很可怕的工作量。

Twice, in 1888 and 1929, Barcelona hosted the Universal Exhibition, the then equivalent of a world's fair.

这在当时是与世界商场等同的。

"The high stern castle was a riot of carved gods, demons, knights, kings, warriors, mermaids, cherubs; and zoomorphic animal shapes ablaze with red and gold and blue, symbols of courage, power, and cruelty, were portrayed to stir the imagination s of the superstitious sailors of the day."

船尾高耸的船楼刻满神仙、鬼怪、骑士、国王、勇士、美人鱼和小天使，美不胜收；用红、金、蓝三色绘成的光彩的兽形图，是勇敢、力量和残忍的象征，在当时是用来激起有迷信思想的水兵的想象力。

"The high stern castle was a riot of carved gods, demons, knights, kings, warriors, mermaids, cherub s; and zoomorphic animal shapes ablaze with red and gold and blue, symbols of courage, power, and cruelty, were portrayed to stir the imaginations of the superstitious sailors of the day."

船尾高耸的船楼刻满神仙、鬼怪、骑士、国王、勇士、美人鱼和小天使，美不胜收；用红、金、蓝三色绘成的光彩的兽形图，是勇敢、力量和残忍的象征，在当时是用来激起有迷信思想的水兵的想象力。

"The high stern castle was a riot of carved gods, demons, knights, kings, warriors, mermaids, cherubs; and zoomorphic animal shapes ablaze with red and gold and blue, symbols of courage, power, and cruelty, were portrayed to stir the imaginations of the superstitious sailors of the day."

船尾高耸的船楼刻满神仙、鬼怪、骑士、国王、勇士、美人鱼和小天使，美不胜收；用红、金、蓝三色绘成的光彩的兽形图，是勇敢、力量和残忍的象征，在当时是用来激起有迷信思想的水兵的想象力。

"The high stern castle was a riot of carved gods, demon s, knights, kings, warriors, mermaids, cherubs; and zoomorphic animal shapes ablaze with red and gold and blue, symbols of courage, power, and cruelty, were portrayed to stir the imaginations of the superstitious sailors of the day."

船尾高耸的船楼刻满神仙、鬼怪、骑士、国王、勇士、美人鱼和小天使，美不胜收；用红、金、蓝三色绘成的光彩的兽形图，是勇敢、力量和残忍的象征，在当时是用来激起有迷信思想的水兵的想象力。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。