在当时

And also the SS Great Britain, which was a steamship that was quite revolutionary at the time.

还有大不列颠号蒸汽轮船，这在当时是具有革命性的创举。

He had been working for Stephens, Inc., then the largest bond house outside Wall Street.

他一直为史蒂芬斯公司工作，在当时是除了华尔街之外最大的债券公司。

I imagine my father's expression remained stoic through it all.

我回想父亲在当时游戏中的表情一直很坚定。

His views palyed an important part in calling on the people to plunge themselves into the straggle of saving their country from perishing from the world.

这在当时对唤醒民众投身救亡图存斗争之中，无疑起了积极作用。

But the stress of the re-integration fractured Banner's subconscious, creating the street-smart gray Hulk.

通过催眠， Samson 创造了由智力的绿色的"巨人教授"，并且在当时认为这是 Banner 各种性质的合成体，从此，他也成功的把巨人的破坏力量控制下来。

At that time, however, they would not have expressed this in such strident terms as some of them have done since.

但这些人在当时的表达并如之后他们所做的那样直白。

At that time there seemed little probability of success.

在当时成功的可能性似乎没有。

His works of prose,known for succinctness and deliberation were considered to be the apotheosis by the students and had a wide influence.

散文创作上，他以为文精悍简练、议论缜密而著称，成为太学生推崇的文章典范，在当时产生了广泛的影响。

However, this quarter, which had a superannuated rather than an antique air, was tending even then to transformation.

此外，这个区域的外貌，与其说是古老，不如说是过时，在当时就已有改变面貌的趋势了。

In my view, suppositive forms are themselves representative of the critical attitude of Bulgakov to reality.under which Bulgakov could ridicule and criticise the ugliness of the society and the people in this society.The second part is a symbolistic anylysis of Bulgakov"s works,stressing that only symbolic reading can reach the works" inner meanings and the author"s intentions, which are philosophical thoughts upon the meanings of war,people"s responsibilities to nature and socity, people"s choices of sprirtual morals, and the future of nation and society.*"

笔者认为，在当时的文化背景下，作者选用假定性形式本身就已经表现了对现实的批判态度，另外采用假定性形式也有助于作者对社会的弊端和人们的丑恶行径进行讽刺和批判；第二节从象征的角度切入，认为布尔加科夫的作品应该用象征化的眼光来解读，只有读懂了象征的意蕴，体会它要传达的哲理内涵，才能真正把握作品的主旨，而作品的主旨就在于作者对诸如战争的意义、人对于自然和社会所应负的责任、人对精神道德的选择、国家和社会的前途等哲学问题的深入思考。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。