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Fishing in the Sea of Galilee seemed to have been a very prosperous business.

在加利利湖捕鱼在当时似乎是一个蓬勃的行业。

And she was especially fond of Kuchean music, a pleasure which she would continue to enjoy in the kaghan's palace where she would play on a gold-inlaid zither.

她极为爱好龟兹乐,不久她就可以在可汗的宫廷中拨弄嵌金的古筝,继续这一乐事了。西域音乐在当时的中国城市社会中风靡一时,宫中有数支来自番邦的乐队,专在宴饮和其它场合演奏。

The people of the Yangshao culture were some of China's first farmers and the grain, animals and fish that provided their staple diet were depicted on their ceramics.17 One of the most famous dishes from this site, bears not only depictions of fish, but also stylised faces surmounted by fish, which may have been ritual shamanistic masks attesting to the importance of fish to that society.18

仰韶文化的人们是中国最早出现的农民并且作为他们主要食物来源的谷物,动物和鱼被描绘在他们的陶器上。在这个遗址上的一件最知名的器皿,不仅具有鱼的描绘,而且弧形表面也模仿鱼的线条,它可能是被用来作为典礼上教徒带的面具,这证明了鱼在当时社会的重要地位。

The nullifiers held a majority of seats in South Carolina's legislature at that time. They called a special convention. Within five days, convention delegates approved a declaration of nullification. They declared that the federal import tax laws of eighteen twenty-eight and eighteen thirty-two were unconstitutional, and therefore, cancelled.

在当时,赞成&废止理论&者在南卡罗莱纳州议会中占多数,他们召开了一个特别会议,在五天的会议中,与会代表批准了一项&无效宣言&,他们公然声称,1828年和1832年的联邦政府进口关税法是违宪的,因此应该取消。

Fortunately, as regarded this circumstance at least, his painful past gave to his countenance an indelible sadness, and the glimmerings of gayety seen beneath this cloud were indeed but transitory

幸而,在当时,过去的痛苦的经历,帮了他的忙,那惨痛的往事在他的脸上映现出一种不可磨灭的哀伤,在这一重阴云之下,偶尔流露出的欢快的神情也只象是昙花一现而已。

La Villa Rouge's colorful past bagan in the area when moving pictures gramophones and early jazz musicians were just starting to take world by strom,the Franch colonial three-story structure,then called the "Little Red House" was built in 1921 to accommodate a French recording studio "Pathe-Phone-Cinema-China" owened by two businessmen ,Charles and Emile Pathe.

小红楼多姿多彩的过去是在那个电影、留声机和早期爵士乐在世界刚刚盛行的年代而诞生的。1921年,远道而来的两位法国商人。Charles和Emile Pathe在当时的上海法租界,建下了这座三层的法式小洋楼,用于他们的唱片制作公司。

The first part presents a comprehensive scene of the art environment in which Soutine was involved, the influences he received and his opinions on the problems he confronted. This is achieved by analyzing the relationships between his paintings and those of his contemporary as well as between his paintings and the classical art works in museums. The second part will, through his landscape, still life and portrait paintings, explore the forming of Soutine\'s characteristically expressive art language and the development of his art style, which integrated the modernism paintings with classical art elements. The third part will discuss the culture background of his art, the psychology of his creation and his techniques in order to point out" the intuitively expressionist nature "of his art. This part will also analyze the achievement of Soutine\'s art and its contribution to art history through critics\' opinions of him and his influences on other artists.

第一部分分析了苏丁绘画与同时代的艺术家的创作及博物馆中的经典作品的关系,尽力全面地描述苏丁在当时所面对的艺术环境,对其所受到的影响及面对的问题有所认识;第二部分分别从风景、静物、人物三个方面,从苏丁艺术自身的形成、发展来论述他在现代艺术的框架下,借助古典艺术以形成其独特的表现性语言的过程;第三部分从苏丁绘画的文化、心理以及艺术技巧等多个方面进行分析,指明其&富于直觉的表现主义&的特质,并通过批评家的评论与他对后来艺术家的影响来认识苏丁艺术的成就及在美术史上的作用。

In less than 50 years after the defeat of the Paris Commune, beginning in the midst of the first world war among imperialists, a much more sweeping and deep-going revolutionary transformation was carried out in what had been the Russian empire.

在巴黎公社失败不到50年后,在帝国主义之间的第一次世界大战期间,一场更猛烈、更深刻的革命变革在当时的俄罗斯帝国爆发。

A century later Father Griffet, the historian of Louis XIII's reign, displayed considerable embarassment at this point in his narrative, which he only circumvented by taking refuge in a lame excuse:"It is certain", he wrote,"that the sentence was pronounced on evidence that would not be admitted today, but it was then the custom for all courts of justice to accept such evidence."

一个世纪后,路易十三一朝的编年史家格里菲神父在他的著作中谈及此事时,表现出了相当大的困窘。他仅以一个苍白无力的借口搪塞:&当然,&他写道,&这样的判决在今日是不会被采纳的,但在当时,显然所有法庭都会接受它。&

A century later Father Griffet, the historian of Louis XIII's reign, displayed considerable embarassment at this point in his narrative, which he only circumvented by taking refuge in a lame excuse:"It is certain", he wrote,"that the sentence was pronounced on evidence that would not be admitted today, but it was then the custom for all courts of justice to accept such evidence."

一个世纪后,路易十三一朝的编年史家格里菲神父在他的著作中谈及此事时,表现出了相当大的困窘。他仅以一个苍白无力的借口搪塞:&当然,&他写道,&这样的判决在今日是不会被采纳的,但在当时,显然所有法庭都会接受它。&我是引路人,还是诱拐犯?

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