在头上的

Whiz Kid, Boy Wonder, the pride of MIT– until, one week into his sophomore year, Martinez had suddenly left school.

数学鬼才，神奇小子，麻绳理工的骄傲等一股脑都冠在他的头上－到有一天，在大二的一周，马丁内兹突然辍学不念了。

Whiz Kid, Boy Wonder, the pride of MIT – until, one week into his sophomore year, Martinez had suddenly left school.

数学鬼才，神奇小子，麻绳理工的骄傲等一股脑都冠在他的头上－直到有一天，在大二的一周，马丁内兹突然辍学不念了。

Most people who have been suddenly put out to pasture tend to panic,when,in fact,they really should be maintaining their poise and sorting out their options.the interesting thing about career panic is how many ways it manifests itself.panic isn't just the sweaty－browed terror of searching for the next job.it can also be a failure to say "no" to a job that's wrong for you,a failure to consider all your options,or a failure simply to put the unpleasant memories of your old employer behind you.

多数被突然解职的人容易惊惶失措，而实际上他们应该保持镇静，选择出路。有意思的是，事业上的恐慌可在多方面表现出来。恐慌不仅仅是头上冒汗，心里害怕，急着再找一份工作。它也使你面对一份不适合你的工作说不出&不&字，忘记考虑所有其他的选择，也不能把关于从前雇主的种种不愉快的记忆从你脑海里抹去。

Maxi grew up in Rosario, Sante Fe and lived just a few streets away from the Estadio Marcelo Bielsa - home to his boyhood heroes, Newell's Old Boys. At the age of 18 he realised the dream of wearing the red and black of 'The Lepers' and went on to score 20 goals in 56 league appearances in his first three seasons.

马克西在罗萨里奥长大，他住在离他儿时偶像纽维尔老伙计球星马塞洛·比尔萨很近的地方。18岁的时候他实现了自己的梦想穿上了纽维尔老伙计的红黑球衫，在头三个赛季里他出场56次打进20球。

Pass me da dam ball I dont need a pick at alland dont worry bout my shotcause imma get that offyeaaI drops 40 on ur double teamthen I drop 81 on another teamyeaa..u better guard me wit cautionn watch how I'll work em like auctionHa hano such thing as exhaustion no time for resting cause I dont take breaksI I just break recordsHaand I prefer da ball with 3 secondsand I bet we gon win it all in 3 secondsYa diggThat is a guarantee apparently and please tell ur defense dont ever man to man with medouble team triple teamur defenders sick of mebutI never let them get to meliterallystep back and give dem a three ain ain't no defending me.

你他妈的把球给我，我才不需要挡拆，不需要担心我的投射，我会搞定一切。yeaa…双人包夹得40分，我还会在别的队头上得81，yeaa…你防我的时候最好全心全力，然后眼睁睁看我轻松搞定你。哈哈！我永远不会精疲力尽，我不会浪费时间休息，我从来不会停息，我只会让记录停息。我最喜欢在最后三秒绝杀你，我保证我只要最后三秒就能搞定你。嘿，告诉你，要想防我千万不要用一对一，双人包夹三人包夹都不行，你们的防守在我面前不堪一击。我永远不会被你们逆鳞，事实就是，后撤步，三分球，我根本无人能敌。

My grandmother, Marzia, whose pet I was, came to me, bathed my face with cold water, and, unknown to everyone in the house, took me with her in a gondola as far as Muran, a thickly-populated island only half a league distant from Venice.

不过，我在几小时后醒来时看见了一个光彩夺目的美人儿从烟囱里下来，身穿一件质地华贵的撑箍圆裙，头戴一顶宝冠，镶嵌在宝冠上的大量宝石在我看来犹如点点火花。

Listen, son; I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead.

静听，我儿：我在你睡熟的时候这样说，一只小手掌，被你的小脸压皱，金色头发帖在你潮湿的额头上。

Teucer saw the spear coming and swerved aside, whereon it hit Amphimachus, son of Cteatus son of Actor, in the chest as he was coming into battle, and his armour rang rattling round him as he fell heavily to the ground.

壮士随即倒地，轰然一声，铠甲在身上铿锵作响。赫克托耳随即冲扑上前，试图抢夺心志豪莽的安菲马科斯的盔盖，顶在他的头上，边沿紧压着眉梢。

And there, slumped in a little heap, was Celia, her round head in its furry bonnet all dirty at the back where it had hit against the pipe, and she was hiccupping with fear.

消沉在一边的是西莉亚，她戴着毛皮童帽的头的背面完全弄脏了，因为碰撞在管道上，她仍然惊恐地抽泣着。

Century follows century, and things happen only in the present. There are countless men in the air, on land and at sea, and all that really happens happens to me…The almost unbearable memory of Maddens long horseface put an end to these wandering thoughts.

多少年来平平静静，现在却出了事；天空、陆地和海洋人数千千万万，真出事的时候出在我头上……马登那张叫人难以容忍的马脸在我眼前浮现，驱散了我的胡思乱想。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。