在头上的

As the eye darts into these dusky chambers of death it catches glimpses of quaint effigies—some kneeling in niches, as if in devotion; others stretched upon the tombs, with hands piously pressed together; warriors in armor, as if reposing after battle; prelates, with crosiers and mitres; and nobles in robes and coronets, lying as it were in state.

当目光扫入这些死人之室的时候，我瞥见许多奇形怪状的雕像：有的跪在壁龛里，好像正在祈祷；有的横卧在坟上，虔诚地合着手掌；武士身穿铠甲，好像刚从战场归来；主教戴着法冠，手持圭杖；贵族身穿礼服，头戴小冠，好像殡殓以前供人瞻仰似地躺着。

And together they had sat and woven a crown of dandelions for her hair.

然后，他们一起坐下来，用蒲公英编了一顶花冠，戴在萨拉的头上。

"Death to all defilers."

让死亡降临在每个污染者的头上！

The prize for the dodgiest figures goes to the labour market.

&最不可信数据&的称号落在就业数据头上。

They wear yarmulkes on their heads and their hair in traditional earlocks.

在他们的头上戴着传统服饰圆顶小帽。

Go forth, ye daughters of Sion, and see king Solomon in the diadem, wherewith his mother crowned him in the day of his espousals, and in the day of the joy of his heart.

熙雍女郎！出来观看撒罗满王，他头戴王冠，是他母亲在他新婚心灵欢乐之日，给他戴上的。

In southernmost Greece's Mani region, feasters gorge on a type of deep-fried knots and twists of sourdough. These are eaten with roasted meat, sprinkled with cheese, or drizzled with honey.

在希腊最南部的马尼地区，参加宴会的人要大吃一种用酵头发酵的油炸麻花，同时还吃抹上奶酪或洒上蜂蜜的烤肉。

Then, aiming at the center of the floor tile, he drove the tip into it.

他将披风包在铁棒头上，然后瞄准那块地砖的中心，将铁棒砸了下去。

When I paid with my State Parks Foundation day pass for the parking, he insisted on cash.

人在气头上，不愿意接受我手持的州立公园基金会停车证，坚持要现金。

Genies were haste to retreat, a foot pedal, stomping on my head....

精灵们仓皇地败退，一只脚踏来，踩在我的头上。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。