在头上的

But it is difficult for saints to see through their own halos; and in practice an aureola about the head is often indistinguishable from a mist.

圣人一般都难以看到自己头上的光环。在现实生活中，头顶上的光环总会和雾气混淆在一起。

At the moment, she's there with a hole in the ceiling over her head.

现在，在她的头上的天花板上就有一个破洞在那里。

Like Whitney or Olga, we may screw up in precisely the places we want most to succeed, not realizing that we're subconsciously trying to force a resolution, to stop the anxious feeling that's hanging over our heads, to lose the job rather than continue to worry about a pink slip.

就像Whitney 或者Olga一样，我们也许会在最希望成功之处弄糟糕，而没有意识到我们潜意识地在硬拽出一个解答，在停止悬在我们头上的焦虑感觉，去丢掉那份工作而不是要继续担心被解雇。

Hill blocks in the hard-living, the processing of very fine, especially in the first courtyard, the brick Bo wind, etc., is also a significant local features of a high artistic level, on behalf of the local artisans in the high-watt level做上originality of the mature and designers.

在硬山的砖活上，处理的相当精细，尤其是墀头、博风等处的砖雕，既显地方特点又具很高的艺术水平，代表了当地工匠在瓦做上的高超水平和设计者的成熟匠心。

The lily I condemned for thy hand, And buds of marjoram had stol'n thy hair, The roses fearfully on thorns did stand, One blushing shame, another white despair: A third nor red, nor white, had stol'n of both, And to his robbery had annexed thy breath, But for his theft in pride of all his growth A vengeful canker eat him up to death.

我申斥百合花盗用了你的手，茉沃兰的蓓蕾偷取你的柔发；站在刺上的玫瑰花吓得直抖，一朵羞得通红，一朵绝望到发白，另一朵，不红不白，从双方偷来；还在赃物上添上了你的呼息，但既犯了盗窃，当它正昂头盛开，一条怒冲冲的毛虫把它咬死。

The lily I condemned for thy hand,And buds of marjoram had stol'n thy hair:The roses fearfully on thorns did stand,One blushing shame, another white despair;A third, nor red nor white, had stol'n of bothAnd to his robbery had annex'd thy breath;But, for his theft, in pride of all his growthA vengeful canker eat him up to death.

我申斥百合花盗用了你的手，茉沃兰的蓓蕾偷取你的柔发；站在刺上的玫瑰花吓得直抖，一朵羞得通红，一朵绝望到发白，另一朵，不红不白，从双方偷来；还在赃物上添上了你的呼息，但既犯了盗窃，当它正昂头盛开，一条怒冲冲的毛虫把它咬死。

Communicated by him, the platoon leader also talked about how frightened they were when they joined the fighting at the beginning; how their antiaircraft machine guns were dive-bombed by the American attackers, cutting their gun tubes into halves as if done by a knife; how a tall soldier was stupefied in the battlefield put a shot box over his head with shivering, and insisted on returning home anyway; how a new military medical university female graduate cried and refused to go to the front when boarding the train and was sent under escort back to her original unit; how the Chinese train drivers went through all kinds of hardships and difficulties, and definitely died after ten times of going to the front at most; how the recruits of 17 or 18 were frightened to cry like a child by the shellfire; how they were reorganized in Kunming, Yunnan Province; how they marched to the front in the Vietnamese military uniforms without military ranks.

受他的感染，排长也讲些他们刚出国打仗是多么害怕；架着高射机枪如何遭到美国飞机的俯冲轰炸；枪筒如何象刀削似地一折两段；讲一个高个战士战场上如何吓破胆，把炮弹箱顶在头上发抖，如何死活要回国；讲一个女军医大学毕业生如何上了火车又哭着喊着不去，被押送回原单位；讲中国的火车与汽车司机如何历尽风险，他们的寿命是十趟去前线肯定要牺牲；讲到刚入伍的十七八岁还像孩子一样的新兵如何被炮火和到处的死人吓得大声哭泣；讲他们如何在云南昆明整编；如何换上越南没有军衔的军装开赴前线。

Digitaria has been traditionally divided on the nature of the spikelet hairs, which may be clavate, capitate, verrucose, or with crooked tips.

Digitaria在小穗毛的性质上传统上裂，可能是棍棒状，头状，瘤状，因为好放大被要求看这些特征，在总状花序上的小穗的集团是对鉴定的一个更实际的帮助。

Sunglasses perched on her head, the heels of her chunky sandals announcing her every step, Cyndie clomps across the polished floors.

太阳镜顶在头上，宽松的凉鞋的鞋跟在发出她每一步的声音， Cyndie 重重的步子蔓延在光滑的地板上。

Again, harmony vocals – Beatle-esque ones, in this instance – help set the mood, and an ascending chord progression led by Morse spreads its arms heavenward, eventually settling into a circular pattern that becomes one of the more moving codas not just in Purple history, but, yep, in the history of heavy rock itself.

再次，和谐的人声-披头四成员非常霸道，在这一点上-协助成立的情绪，以及一个升序弦级数率领摩士利差其武器出口天地，最终沉淀到一个循环模式成为一个较为动c o das不仅在紫色历史，而且， yep ，在历史上的重摇滚本身。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。