在头上的

The birds take liberties with the mannikin, foul creatures alight upon it, the bourgeois laugh at it.

飞鸟已和草人混熟，鸠雀停在它的头上，资产阶级把它当作笑话。

It falls to me to finish the work.

完成这项工作的任务落在我头上。

Can be her unexpectedly not care a cent, sit on bed edge slightly crooked head inclined have sth in mind looks at me, the chaff of one face and complacent, across of two long legs is worn put up come, below the eyelid in me wanton like demonstrate and aggressive ground shakes will shake.

可是她居然毫不在乎，坐在床沿上微微歪着头斜着眼看着我，一脸的揶揄和自得，两条长腿交叉着搭起来，在我的眼皮底下示威似的放肆而嚣张地晃来晃去。

Of cloth; worn over the head and around the neck and ears by medieval women.

布做的；中世纪妇女围戴在头、脖子、耳朵上。

Then take the box of oil, and pour it on his head, and say, Thus saith the LORD, I have anointed thee king over Israel.

9：3 将瓶里的膏油倒在他头上，说，***如此说，我膏你作以色列王。

Then take the box of oil, and pour it on his head, and say, Thus saith the LORD, I have anointed thee king over Israel.

圣经9：3 将瓶里的膏油倒在他头上，说，耶和华如此说，我膏你作以色列王。

Then take the box of oil, and pour it on his head, and say, Thus says the LORD, I have anointed you king over Israel.

将瓶里的膏油倒在他头上，说：耶和华如此说：我膏你作以色列王。

In fact we heard he kicked the bucket down in Texas last winter, he got kicked in the head by a horse he was trying to saddle up.

事实上，我们听说他去年冬天在得克萨斯州死了。他在套马的时候，那匹马往他的头上踢了一脚。

In fact we heard he kicked the bucket down in Texas last winter; he got kicked in the head by a horse he was trying to saddle up.

事实上，我们听说他在去年冬天在得克萨斯州死了。他在套马的时候，那匹马往他的头上踢了一脚。

In fact we heard he kicked the bucket down in Texas last winter; he got kicked in the head by a horse he was trying to saddle up.

事实上，我们听说他去年冬天已经在得克萨斯州死了。他在套马的时候，那匹马往他的头上踢了一脚。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。