在头上的

Just like the splinters we found in Wendy Barger's head wound.

就像我们在温蒂。巴杰尔头上发现的碎片颜色一样

For on what day soever thou shalt go out, and shalt pass over the brook Cedron, know that thou shalt be put to death: thy blood shall be upon thy own head

你应当知道：你那一天出来，渡过克德龙溪，你那天就一定要死；你的血必归在你头上。

200 years ago on December 2, napoleon has grabbed imperial crown from pope hand, wear with one's own hands go up in him head, oneself became an emperor to him coronate.

200年前的12月2日，拿破仑从教皇手上抢过皇冠，亲手戴在自己头上，自己给自己加冕成了皇帝。

Keeping the aorta in view slide the transducer cranially until you find the left renal artery.

保持主动脉在荧屏上，把探头向头端滑动，直到发现左侧的肾动脉为止。

Keeping the aorta in view slide the transducer cranially until you find the left renal artery.

b； E# h7 r* \6 L A中国宠物医生圈保持主动脉在荧屏上，把探头向头端滑动，直到发现左侧的肾动脉为止。

Keeping the aorta in view slide the transducer cranially until you find the left renal artery.

d4 a/ n， s$ X$ F中国宠物医师网|中国宠物医生论坛|中国宠物医生圈|宠物医院联盟|宠物医院|宠物医生圈|宠物人才求职招聘|客服电话：15712309465保持主动脉在荧屏上，把探头向头端滑动，直到发现左侧的肾动脉为止。

That is like the sword of Damocles over his head.

那事仿佛利剑悬在他的头上，使他恐惧不安。

None of the judges realized that they had this sword of Damocles hanging over them.

没有一位法官认识到这把达摩利剑正悬在他们的头上。

Meriones took aim at him with a spear, nor did he fail to hit the broad orb of ox-hide; but he was far from piercing it for the spear broke in two pieces long ere he could do so; moreover Deiphobus had seen it coming and had held his shield well away from him.

其时，墨里俄奈斯举起闪亮的枪矛，瞄准投射，不偏不倚，击中后面，打在溜圆的牛皮上，但枪矛不曾穿透――还差得老远――长长的枪杆从杆头上掉落下来。德伊福波斯挺出皮盾，挡住抢击，惧怕精于搏战的墨里俄奈斯的投枪。

Jim puts his head on desk, bursting out in great gulping, gasping sobs

吉姆把他的头埋在桌子上，一边费力地吞咽着，一边喘着大气抽泣着。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。