在头上的

It's on your head!

在你的头上啊！

I can put a book on my head.

我可以放一本书在我的头上。

They're on your head!

他们在你的头上！

Vastness of Land, millions of people - the endless blue sky above your head and the wind land under your feet.

大地辽阔，人海茫茫，在您头上有片无际的蓝天，在您脚下有片荒凉的土地。

Vastness of Land, millions of people - the endless blue sky above your head, the wind around you and the land under your feet.

大地辽阔人海茫茫，在您头上有片无际的蓝天，在您脚下有片荒凉的土地。

In doing this, you will heap burning coals on his head.

因为你这样行、就是把炭火堆在他的头上。

You hit it /the nail right on the head.

你的头正好撞在钉子上。

You hold an umbrella over your head.

你拿着一把伞在你的头上。

It was an accident. The hood of my car fell on his head.

那是意外。我车的防护罩掉在了他头上。

Every time I think about that car hood falling on your head...

每次我想起车的引擎盖落在你头上。。。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。