在头上的

The paper, clinging my head,make me can't see.

这张纸粘在我的头上，让我无法看见。

Above me towered the colossal edifice of society,and to my mind the only way out was up.

在我头上耸立着一座社会的巨大建筑，对于我，只有向上才是出路。

I found the company commander lying on the ground with a large piece of armor sticking out of his head.

我发现连指挥官躺在地上，一大块装甲碎片从他的头上穿出来。

A cornice falls, that it hits every citizen on the head, every last man in town.

倘有屋檐坠落，那就相当于砸在每个公民的头上，没有谁可以幸免。

Ro----"exclaimed the third, meaning to say "robbers:, but he was not allowed to finish the word, a tempest of solid and half-lire descended upon their heads and shoulders, and leaped upon the table and the floor with a demoniacal.

强——"第三个则叫出"强盗"的第一个"强"字，还没喊出"盗字时，突然之间，钱币就像雨点似的打在他们头上，肩上，有的落在桌上和地上乱滚，发出吓人的声响。

She will put on your head a graceful diadem; a glorious crown will she bestow on you.

将华冠加在你的头上，将荣冕赐给你。

In those times, pontiffs could dodder on in senility for months, even years, without anyone being the wiser, and without the pope saying or doing anything about doctrine or dogma that would cause the faithful to scratch their heads.

在这些时候，教宗可能在衰老菟丝子几个月，甚至几年，而不会被任何人的聪明，没有教皇说，或者做有关理论或教条会令他们的头上从头忠实什么。

I knocked my head against the doorpost and hurt it.

我的头撞在门柱上，撞伤了。

I promise to dorp a piano on your head every time you drink too much.

我每一次答应到村落在你的头上一架钢琴你喝太多。

There was a dosshouse in Marlborough street, Mrs Maloney's, but it was only a tanner touch and full of undesirables but M'Conachie told him you got a decent enough do in the Brazen Head over in Winetavern street (which was distantly suggestive to the person addressed of friar Bacon) for a bob.

马尔巴勒街上倒是有一家马洛尼太太经营的尔客栈，可那不过是个六便士一宿的破地方，挤满了不三不四的人。然而麦科纳奇告诉他，在酒店街的黄铜头（听者依稀联想到了修士培根），只消花上一先令就能舒舒服服地住上一夜。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。