在头上的

Tipsy, sweating, blear-eyed, with wide-gaping mouths, bloated with drink, they were singing some sort of a song.

在一间肮脏的小房间里，十来个工人正围坐在一张桌旁的长凳上，他们都醉醺醺的，头上冒汗，眼睛浑浊，使劲张大嘴巴打哈欠，还在唱着一支歌。

Some ten factory hands were sitting on benches at tables in a little , dirty room . tipsy , sweating , blear - eyed , with wide - gaping mouths , bloated with drink , they were singing some sort of a song

在一间肮脏的小房间里，十来个工人正围坐在一张桌旁的长凳上，他们都醉醺醺的，头上冒汗，眼睛浑浊，使劲张大嘴巴打哈欠，还在唱着一支歌。

Wearing the broad-brimmed Breton hat that was her hallmark, her scissors hanging from a ribbon around her neck, and her four fingers held firmly together in spite of severe arthritis, she would feel for defects. Working directly on the model, she often picked a apart with the point of her scissors, complaining that it was unwearable.

头戴宽边布雷顿帽是她的标记，她的剪刀悬挂在围绕于她颈项的缎带上，同时她不顾严重的关节炎而把四个手指紧紧攥在一起，她寻找瑕疵，她直接在模特上工作，经常用剪刀尖指出其毛病，抱怨它不合身。

Both as to his dress and to himself, he was of an overlapping rhinoceros build, with folds in his cheeks, and his forehead, and his eyelids, and his lips, and his ears; but with bright, eager, childishly-inquiring grey eyes, under his ragged eyebrows, and broad-brimmed had.

从他的装束和他本人来看，都像是头满身皱折的犀牛，他的面颊上，额头上，眼皮上，嘴唇上和耳朵上，满都是皱折；但是，在他乱蓬蓬的眉毛和宽檐帽子下面，都是一双明亮，亲切，孩子般好奇的灰色的眼睛。

The ladle mask of "She Huo" derives from ancient "fake face" and "facial makeup". Those "fake face" and "facial makeup" were originally painted on wood shovels to exorcise the evil spirits. In 1980's, some folk artists began to paint the facial makeup of "she huo" on ladles. And those ladle

社火马勺脸谱是从古代&假面&、&涂脸&发展而来，最早是画在木锨头上作为辟邪之物。20世纪80年代，民间艺人将社火中的人物脸谱画到马勺等器物上，使其具有装饰和辟邪之功能。

You'll not use the manner of speaking,unless you wanna stop the relationships with your friend.

不要让别人把你抬到高处；不要坐在别人的背上和头上

It was the old substantial dinner you get in a country hotel and consisted of vol-au-vent a la financiere, fowl boiled in rice, beans with a sauce and vanilla creams, iced and flavored with burnt sugar.

娜娜感到需要谈这类事情，竟然向她讲到她怎样被他打耳光的事：上个星期，他把她的眼睛都打肿了；昨天晚上，他找不到拖鞋，一巴掌打在她的头上，她一下子栽在床头柜上。

If you want to go to the high place, use your own legs!

不要让别人把你抬到高处；不要坐在别人的背上和头上。

In those days, my parents had big hair, wore bell-bottoms and bright, flowered-print shirts with huge collars.

在那段年华里，双亲头上顶着大鬅松发型，腿上挂条大喇叭裤，身上穿着璀璨的大翻领印花衬衫。

Later, just before dawn, he added, Overhead is the terrific noise of V-1, of artillery—the voice of war.

稍晚，也就是凌晨之前，他在信上附加了一段，V-1火箭和大炮的可怕轰鸣越过我们头上——那是战争之声。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。