在周围

I saw the dirty yellow mouth of the river, the lights going up at Hankow, the sea of yellow faces, the sampans shooting down through the gorges and the rapids flaming with the sulfurous breath of the dragon. What a story!

中国苦力们如何每天围在小船周围，打捞被船上人扔下水的垃圾废物；汤姆·斯莱特里如何在弥留之际从病榻上撑起身子再看一眼汉口的灯光；那个英俊的欧亚混血儿如何躺在一间屋子里往自己血管中注射毒药。

Outside, workers had left their jobs to crowd atop balconies, huddle in doorways, and press against the iron fences around the building.

饭店外面，工作人员已经离开工作有的聚集在阳台上，有的挤在门口，还有的挤在建筑周围的铁栅栏边上。

In Nork city alone,six major institutions have spred up and out into the air space and neighborhoods around it or are pareparing to do so.

在 Nork 城市，独自地，六个主要的机构已经传布在和上面在外进入在它周围的空中和邻近地区之内或者正在准备这么做。

Theyhad perched by thousands on the islet and on the shore, and theydisappeared in the distance, leaving the colonists amazed as if they hadbeen present at some transformation scene, in which summer succeeded winterat the touch of a fairy's wand.

这些鸟成千上万地栖息在小岛和海岸上，直到它们已经消失在远处的时候，移民们还在目瞪口呆，周围的景象就好象在女巫的魔杖一触之下，忽然从寒冬变成了炎夏。

In the middle of an intersection in Kathmandu, villagers from the remote northwest mountainous Karnali zone -- one of the poorest in Nepal -- sing and dance in a circle around a traffic control post.

在从西北偏远山区格尔纳利河区中的一个在加德满都路口，村民们-在尼泊尔最穷的1 -唱歌跳舞周围交通管制后循环。

A deviation to enable business card printing and membership card making more neatly away material; business card printing and membership card Studio Center-drum for double-deck, using thermostatical hollow water circulation system structure, plated nickel plating avoids corrosion, Nano-imprint lithography drum machine, safe and reliable braking equipment; spam satellite business card printing and membership card, four business card printing and membership card production unit in the Centre of coining drum distribution around the business card printing and membership card making support adoption of the integral structure, intensity that cannot be easily; Center for the imprint drum version, roller roller, using separate servo motors between the gearless, Business card printing and membership card making length is not supported by gear pitch in roll-wide choice; business card printing and membership card making pressure, roller and roller pressure singlein servo motor and with memory with two types of regulation, accurate and rapid adjustment; closed ceramic Roller blade device ink to ensure that the business card printing and membership card making ink stability, blade-like device for pneumatic compression; taojian the plate cylinder, taojian-reseaus and roller, the portal structure of push-pull roller and taojian beckenbachannular roller to replace a simple and quick; roller servomotor-driven business card printing and membership card production and business card printing and membership card making machine be a certain speed, stopping the slow down to prevent the ink roller network hang dry knot, splash-proof ink installed equipment downtime or roller pressure, from the printing plate out of arrive﹖, stop to ink, the plate cylinder the full delivery from the pressure to keep the printing plate clean; stainless steel-monlchamus tuhung-glass to prevent ink prints get dirty; dryer direct to the wind, air flow loss small high efficiency, reduces noise scene, new oven heat energy to secondary structures, control temperature control system using intelligentized; traction roll at the same time acts as both a cooling rolls, new structure increases cooling effect.

纠偏，使制卡和会员卡制作走料更加整齐；制卡和会员卡制作部中心大滚筒为双层空心式，采用恒温水循环系统结构，表面镀镍处理可避免锈蚀，中心压印滚筒采用机械制动装置，安全可靠；卫星式制卡和会员卡制作方式，4个制卡和会员卡制作单元分布在中心压印滚筒周围，制卡和会员卡制作支架采用整体式结构，强度好不易变形；中心压印滚筒、版辊筒、网纹辊之间采用独立伺服电机无齿轮传动，制卡和会员卡制作长度不受齿轮节距限制，在版辊范围内任意选择；制卡和会员卡制作压力、网纹辊与版辊之间的压力分别用伺服电机调整，并具有记忆功能，调整有两种调节方式，精确调整与快速调节；陶瓷网纹辊封闭刮刀装置供墨，可确保制卡和会员卡制作过程中油墨稳定饱满，刮刀装置为气动加压；套筒式印版滚筒，套筒式网纹辊筒，门式推拉式结构使套筒版辊与套筒网纹辊更换简单快速；网纹辊由伺服电机驱动，制卡和会员卡制作时与制卡和会员卡制作机保持相对一定的速度，停机时则放慢速度匀墨，防止网纹辊网坑枯结，两边安装防油墨泼溅装置，在停机或离压时，网纹辊立即从印版脱离开来，停止给墨，印版滚筒把墨完全传递后离压，保持印版清洁；不锈钢接墨斗，防止油墨滴漏蹭脏印品；干燥箱采用直接进风型式，风量损失小效率高，减小了现场噪音，新型烘箱结构热能可二次利用，控制采用智能化恒温系统；牵引辊可同时兼作冷却辊使用，新型结构增大了冷却效果。

The intensity of the ultrasonic wave will increase when the ultrasonic wave is focused by the sound lens in rock stratum.

然而 ，这种方法要受到两个因素的制约：一是增大超声换能器的功率，必然要增大超声换能器的尺寸，这在本身尺寸就很小的油井中是有一定限度的；二是当超声换能器辐射出的超声波的强度过大时，在超声换能器的周围要发生强烈的空化现象，产生大量的气泡，这些气泡将对超声波产生强烈的散射作用，导致超声波的衰减，反而降低超声波在岩层中的传播距离[1] 。

In summary, various key experimental conditions in electron acoustic imaging of ferroelectric domains were systematically studied. The optimum experimental conditions to obtain EAI of domains with good quality and the factors important to image analysis have been presented. The piezoelectric vibrator model and calculation of motion equation are helpful for explaining the imaging mechanism and related experimental phenomena. The sample holder with variable electric field was designed. The domain movement of BaTiO〓 ceramics and crystal under lateral and longitudinal applied electric field and domain movement of PMN-PT crystal under longitudinal poling electric field were observed. The application of SEAM on revealing of ferroelastic domains, imaging of residual stress distribution in ceramics coatings and around the pores on the surface of ferroelectric ceramic composite have been reported respectively. All these works enriched the study of electron acoustic imaging and extended the application of SEAM in the characterization of materials.

综上所述，本文系统地研究了各项关键实验条件对电畴电声成像的影响，指出了获得最佳畴结构电声像的条件和成像分析中应当考虑的各种影响因素；提出了解释电畴电声成像的压电振子模型，在此基础上推导并求解了压电振子运动方程，并对一些实验现象作出了解释；成功地设计了可变电场的样品台，观察了BaTiO〓陶瓷和晶体在横向电场作用下的畴运动，PMN-PT晶体在纵向极化电场作用下的畴运动；探索了电声显微镜在铁弹畴成像，陶瓷涂层应力观察，陶瓷自然表面气孔周围应力成像的应用，这些研究，丰富了电声成像的学术内涵，拓展了电声显微镜的应用领域。

The rock-melting drill is of a shape and is propelled under sufficient pressure to produce and extend cracks in solid rock radially around the bore by means of hydrostatic pressure developed in the molten rock ahead of the advancing rock drill penetrator.

这种岩熔钻孔机具有着一种形状，它在足够的压力下才能推进，从而在坚硬的岩石中产生裂缝并使其在钻孔周围成放射状地扩展延伸，它是凭借液体静压力的方式推进的，而这种静压力产生于正前进的凿岩机弹头前方的熔融岩石。

She looks as if she were thinking of something beyond her punishment -- beyond her situation: ofsomething not round her nor before her. I have heard of day-dreams -- is she in a day-dream now? Her eyes are fixed on the floor, but I am sure they do not see it -- her sight seems turned in, gone down into her heart: she is looking at what she can remember, I believe; not at what is really present.

而她看上去仿佛在想惩罚之外的什么事，与她处境无关的事情，某种既不在她周围也不在她眼的的东西，我听说过白日梦、难道她在做白日梦，她的眼晴盯着地板，但可以肯定她视而不见，她的目光似乎是向内的，直视自己的心扉。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。