在后

In the latter case their government is weaker and more insecure, because it rests entirely on the goodwill of those citizens who are raised to the magistracy, and who, especially in troubled times, can destroy the government with great ease, either by intrigue or open defiance; and the prince has not the chance amid tumults to exercise absolute authority, because the citizens and subjects, accustomed to receive orders from magistrates, are not of a mind to obey him amid these confusions, and there will always be in doubtful times a scarcity of men whom he can trust.

在后一种场合，君主的地位是更加软弱无力和更加危险的，因为他们完全依靠那些被任命当官的人们的意志；而后者，特别是在危难时期，不是采取行动反对君主就是拒不服从君主，这就很容易篡权夺位。君主在危难中已经来不及行使绝对的权力了，因为市民和属民已经接受官吏的命令惯了，在这种危急之秋不会服从君主的命令，而且在动荡不安之日，君主往往缺乏自己能够信赖的人。这种君主不能够以太平时期所看到的情况作为根据。

Automatic Carrier Robot in the front and a Manual Carrier Robot in the rear shallcooperate to carry an automatic Traveller Robot in a Kago to the goal with the aim ofcompleting the journey before the other team.

一个自主搬运机器人在前，一个手动搬运机器人在后，他们合作来搬运坐在轿子中的自主旅行机器人以抢在对手之前完成旅行。

"Monkey Boys" remade the Monkey King Ming dynasty in Beijing 2006, they rebuild Monkey King which in subversion institutional feudalism dynasty into the background of globalization and electronic Monkey King post technology. No matter what games of their art is unthinkable, but the subject of Havocing in the welkin is also clear at a glance,"Monkey Boys" only increase a great many of entertainment and readability for new Monkey King that set up with the contemporary social background of consume, this generation can be seen as independent art students in a sign of China's rise, this generation of artists even see the network integration of this information, more use information itself, they let you feel the zooty and unclean art, also outpouring disdain with tradition art, or just make the tradition art become a back ground of art creative with themselves, only child artist is the first generation artist of the gibberish. This"control+n"group exhibition of artists forced to make fun of the lies about a monkey hero of the ancient Chinese legends and modern society link, trying to create a contemporary, and even is the pop cultural hero of network game.

公猿男孩'在2006年的北京重新制造了明版的孙悟空，他们将颠覆封建王朝制度的孙悟空改造成一个在全球化背景下的、在后科技背景下的电子版的孙悟空，不管他们的艺术游戏怎样的不可思议，但传统大闹天宫的主题还是一目了然，只不过'公猿男孩'他们增加了新孙悟空很多建立在当代社会消费背景下的娱乐性和可读性，这也可以被看作是独生一代艺术在中国崛起的一个标志，这一代艺术家更加看中网络上的这种信息整合，也更加利用资讯本身，他们就想让大家感觉到艺术的花里胡哨、艺术的模棱两可，甚至也流露出对传统艺术的不屑一顾，或者只是将传统艺术变为他们自己艺术创作的一个背景，独生一代艺术家首先是无厘头的一代艺术家，此次'control+n'群展的好玩之处还在于使艺术家强行的将一个中国古代的传说中的猴子英雄和现代社会链接，力图打造一个当代版的、甚至是网络游戏版的流行文化英雄。

Norbert (died 1686), preaching in 1663 at Termonde, determine five Beguines, among them Anne Puttemans (died 1674), to sell their property and found the congregation of Maricoles or Maroles, which was aggregated to the order 26 March, 1672; they occupy themselves with the education of poor girls and with the care of the sick in their own homes, and have still many convents in the Dioceses of Mechlin, Ghent, and especially Bruges.

在后一时期赫尔曼圣诺伯特（死於1686年），鼓吹在1663年在特尔蒙德，确定五个beguines ，其中安妮皮特芒斯（死於1674 ），出售自己的财产，并发现聚集maricoles或maroles ，这是汇总该命令1672年3月26日，他们占领本身与教育的贫困女童，并与照顾有病在自己的家中，并已仍有许多修道院在教区的梅克林，根特，特别是布鲁日。

No matter in studying and work, or in the society and life, she can give play to one^s own subjective initiative very well , Dare to develop criticism and self- criticism, take the lead to safeguard the civil order, develop the socialist new custom , Communist ethicses it recommends ,appear by the Chinese Party members"bear hardships in before, Outstanding quality that enjoying ".

无论是在学习和工作中，还是在社会和生活中，她都能很好地发挥自己的主观能动性，敢于开展批评与自我批评，带头维护社会秩序，发扬社会主义新风尚，提倡共产主义道德，在她身上更显现了中国共产党人"吃苦在前，享受在后"的优秀品质。

DJ.你让我兴奋你让我崩溃我的心在狂跳对,你已把我迷倒我举起双手也举起你的双手也举起你的双手等我来到后派对才能开始别停下,尽情摇滚,Dj让我嗨翻天今晚我要斗争到曙光乍现时钟在滴答走,但派对绝不会停下别停下,尽情摇滚,Dj让我嗨翻天今晚我要斗争到曙光乍现时钟在滴答走,但派对绝不会停下 Wake up in the morning feeling like P Diddy Put my glasses on, I'm out the door I'm gonna hit this city Before I leave, Brush my teeth with a bottle of Jack Cause when I leave for the night, I ain't coming back I'm talking pedicure on our toes, toes Trying on all our clothes, clothes Boys blowing up our phones, phones Drop-toping, playing our favorite CDs Pulling up to the parties Trying to get a little bit tipsy Don't stop, make it pop DJ, blow my speakers up Tonight, Imma fight Till we see the sunlight Tick tock, on the clock But the party don't stop Woah-oh oh oh Woah-oh oh oh Ain't got a care in world, But got plenty of beer Ain't got no money in my pocket, But I'm already here And now, the dudes are lining up Cause they hear we got swagger But we kick 'em to the curb unless they look like Mick Jagger I'm talking about everybody getting crunk, crunk Boys trying to touch my junk, junk Gonna smack him if he getting too drunk, drunk Now, now we goin' til they kick us out, out Or the police shut us down, down Police shut us down, down Po-po shut us - DJ, you build me up You break me down My heart, it pounds yeah, you got me With my hands up You got me now You gotta that sound yeah, you got me Put your hands up No, the party don't stop until I walk in

早晨醒来感觉就像吹牛老爹带上眼睛，走出房门，我要到城中狂欢，出发之前，再用杰克丹尼刷一下牙，因为一旦我离家就会彻夜不归，我说我要去做美足，美足试穿了所有的衣服衣服男孩们打爆了电话，电话坐上敞篷车，播放最喜欢的CD 一路开到派对然后喝得有点醉醺醺别停下，尽情摇滚， Dj让我嗨翻天，今晚我要斗争到曙光乍现时钟在滴答走，但派对绝不会停下才不管世界会变成怎样，只要有大量啤酒口袋里一分钱也没有，但我已经在这儿了现在小伙们排起了长队，因为他们听过我们超有型但我们把他们踹到了路旁，除非他们打扮成mick，jagger 我说每个人都想要疯狂，疯狂男孩们想要摸我的美臀，美臀如果他们喝的太醉我会抽他们耳光，耳光现在他们在追，我们在逃，逃否则条子会把我们抓到，抓到条子会把我们抓到，抓到别停下，尽情摇滚，Dj让我嗨翻天今晚我要斗争到曙光乍现时钟在滴答走，但派对绝不会停下别停下，尽情摇滚，Dj让我嗨翻天今晚我要斗争到曙光乍现时钟在滴答走，但派对绝不会停下 DJ。你让我兴奋你让我崩溃我的心在狂跳对，你已把我迷倒我举起双手你把我抓住你用那种声音对，你已把我迷倒

Norbert (died 1686), preaching in 1663 at Termonde, determine five Beguines, among them Anne Puttemans (died 1674), to sell their property and found the congregation of Maricoles or Maroles, which was aggregated to the order 26 March, 1672; they occupy themselves with the education of poor girls and with the care of the sick in their own homes, and have still many convents in the Dioceses of Mechlin, Ghent, and especially Bruges.

在后一时期赫尔曼圣诺伯特（死于1686年），鼓吹在1663年在特尔蒙德，确定五个beguines ，其中安妮皮特芒斯（死于1674 ），出售自己的财产，并发现聚集maricoles或maroles ，这是汇总该命令1672年3月26日，他们占领本身与教育的贫困女童，并与照顾有病在自己的家中，并已仍有许多修道院在教区的梅克林，根特，特别是布鲁日。

And we've learned that life is one big game Where the winners are all getting paid So stop dragging your feet behind You can't live with the folks all your life So on those days home in your car We jerked the steering wheel to the median Joking that we'd end our lives But we weren't joking all the time Start a band or throw a brick You lazy hipsters make me sick Don't clap your hands; don't start to dance Don't let them know that you're a fan You may be living in Manhattan But where are you really from?

而且我们有了解生活是一场大的游戏胜利者全部正在得到哪里支付在后如此停止故意拖延你一生和人们不能居住在那些天如此在你的汽车中回家我们痉挛了对中动脉的掌舵轮子戏谑的我们将会结束我们的生命但是始终我们不戏谑开始一条乐团或丢砖块你懒惰的 hipsters 使我成为病人不鼓掌你的手；不开始跳舞不让他们知道你是一个狂热者你可能住在曼哈坦但是你在哪里真的从？

Later, Sucre wrings out a shirt that he's washed in the small sink in their cell. He hangs shirts on a makeshift laundry line that spans the width of the cell. The clothes, dangling off the line, obscures the back wall of the cell from any potential onlookers.

稍后，在牢房里， Sucre 在小水槽里将洗过的短衫拧干了水，挂在了临时的一条晾衣线上，晾衣线横跨过牢房两侧，悬挂的衣物摇晃着搭在晾衣线上，有了这个遮挡，在后墙那的状况就不可能看得清了。

Insiders will recall that the day after the Backstreet Boys filed their breach of contract suit against Zomba Recording Corp., German media giant Bertelsmann completed its acquisition of Zomba, adding another twist to the arcane and ever-shifting Backstreet Boys business story.

知道内情的人马上就会想到，在后街男孩对Zomba唱片公司提出其违约诉讼的第二天，德国传媒巨人贝塔斯曼就已经完成了对Zomba唱片公司的收购，这对富有传奇色彩的后街组合来说，无疑是火上浇油。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失