在传播中

Jean francois blondel,and later with gilles marie oppenord.from the former he acquired great respect for traditional french design and frpm the latter great facility in the new picturesque,or rococo,manner.he also developed fine techniques as an engraver.although he traveled throughout france,there is no record of travel to other countries.his knowledge of the history of architecture outside france was extensive and based on the study of published sources.his knowledge of architecture in france, its history and techniques, was wide and based on a deep familiarity with the literature and with the buildings of france.

Jean francois blondel ，之后和 marie oppenord 学习。从前者他为传统法兰西设计获得了极大的回响和尊重并且从中获得了新独特的技巧，或者从洛可可形式，在模式中的最后这让他更为纯熟。他也为铭刻者发展更好的技术。虽然他遍及法兰西运动，但是对其他国家并没有传播的记录。他的架构建筑学和历史的知识是广泛的。是基於出版动力的学习研究。他在法兰西，它的历史和技术中，建筑学的知识广泛用文学和用法兰西的建筑基於一个很深很熟练的基础。

In mass communication,"interaction" refers to audiences taking part in the process of communication.

在大众传媒中，"互动"指的是运用各种方法在传播过程中体现受众的参与。

In Quantum Gravity theory, gravity is produced by massless gravitons so that gravitons now represent individual packages of curved space that travel through space at the speed of light.

在量子引力论中，引力产生于无质量的引力子，只有这样才能解释引力子何以以独立的空间弯曲因子的形式在空间中以光速传播。

Basing on electromagnetism theory characteristic of light wave, the formula of the relation of refringence e light is inferred under any axis location and any angle, when it is refracting.

基于平面光波在晶体中传播的电磁理论特性，推导了光波在晶体表面折射时，双折射光波中e光线透过晶体出射点的位置受到任意光轴取向、任意入射角影响的关系式；利用MATLAB对关系式进行了数值计算分析，绘出双折射e光与任意光轴取向、任意入射角关系曲线，并给出了对应的定量关系式；实验验证了该公式是正确的。

In terms of the study of the most fundamental and interesting problem in optics, the result given in this work has the practical and significant meaning to help people understand more about the Snell\'s law based on the phenomena of the light transmitting through the interface consisting of two different media in wider physical conditions.

本研究工作涉及到对经典物理光学中最基本定律的认识和理解，无论是在理论还是应用上都有着很多现实意义，能促使人们更好的认识基于Snell定律的电磁波在物质中的传播规律。

Non-linear harmonic US signals may arise also in tissues themseles due to a distortion of the sound wae during its propagation through the tissue.

非线性的谐波超声信号也可以在组织本身中产生，原因是在组织中传播时声波的变形。

The kite creates,develops,inherits and spreads in folk culture system,the kite and the key element of folk culture system, such as folk custom,folk literature,folk drawing etc,has interacted and interwove mutually.

在纵向的时间延续传承中，风筝依靠家族传承和谱诀传承两个体系实现其代代相继；在横向的空间延展传播中，由于各个地域文化生态环境的不同，形成了风筝的各个流派。

In the study, as expected, human flu viruses spread easily among the ferrets.

在研究中，象预期的一样，人类流感病毒容易在雪貂中传播。

Volume 1 introduces the history of accordion , Volume 2 is about the preliminary spread of accordion in China . I dug into great amount of concerning historical data of four aspects, they are the early accordion textbooks, the accordion activities happened in Shanghai, Haerbin and Yanan, which veritably resurges the development of accordion art in China before 1949. Volume 3 reveals the development of Chinese accordion art from after 1949, I focused on five aspects, namely the production, education, performance, theoretical study and communication between China and foreign counties, in time order. This part comprehensively shows the plenty fruits of accordion art in around 50 years after the foundation of China. Volume 4 mainly concerns the development of Chinese accordion music composing. It reviews the history in four periods. Meanwhile, this part also analyses in detail the nationalization pursuit and the utilization of performance skills in composing.

第一章是对&手风琴历史源流&的介绍；第二章是&中国最初的手风琴艺术传播&，本人挖掘出大量的相关史料，从&早期的中国手风琴教科书、上海、哈尔滨和延安的手风琴活动&四个方面进行了研究，真实地再现了1949年以前的中国手风琴艺术发展；第三章是&新中国成立以来的手风琴艺术发展&，分别从&乐器制造、手风琴教育、表演、理论研究与中外交流&五个方面按时间顺序进行了论述，全面反映了手风琴艺术在新中国成立后50余年所取得的丰硕成果；第四章是&中国手风琴音乐创作的发展&，论文将手风琴音乐创作分为四个时期进行了历史的回顾，并对创作中的民族化追求以及手风琴演奏技巧在创作中的运用作了具体分析。

Then he lifted up his voice, and plucked the strings of his harp, and above the noise of the water the sound of his song and the sweet thrilling of the harp were echoed in the stone and multiplied, and went forth and rang in the night-clad hills, until all the empty land was filled with music beneath the stars.

然后他放声歌唱起来，同时拨动着自己竖琴的琴弦；凌驾于水流的喧嚣，他的歌声和竖琴甜美的颤音在石壁中回响放大，在夜幕笼罩的山丘中传播，直到音乐响遍星光下所有空旷的土地。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。