在人间

As when a Vultur on Imaus bred, Whose snowie ridge the roving Tartar bounds, Dislodging from a Region scarce of prey To gorge the flesh of Lambs or yeanling Kids On Hills where Flocks are fed, flies toward the Springs [ 435 ] Of Ganges or Hydaspes, Indian streams; But in his way lights on the barren Plaines Of Sericana, where Chineses drive With Sails and Wind thir canie Waggons light: So on this windie Sea of Land, the Fiend [ 440 ] Walk'd up and down alone bent on his prey, Alone, for other Creature in this place Living or liveless to be found was none, None yet, but store hereafter from the earth Up hither like Aereal vapours flew [ 445 ] Of all things transitorie and vain, when Sin With vanity had filld the works of men: Both all things vain, and all who in vain things Built thir fond hopes of Glorie or lasting fame, Or happiness in this or th' other life; [ 450 ] All who have thir reward on Earth, the fruits Of painful Superstition and blind Zeal, Naught seeking but the praise of men, here find Fit retribution, emptie as thir deeds; All th' unaccomplisht works of Natures hand, [ 455 ] Abortive, monstrous, or unkindly mixt, Dissolvd on earth, fleet hither, and in vain, Till final dissolution, wander here, Not in the neighbouring Moon, as some have dreamd; Those argent Fields more likely habitants, [ 460 ] Translated Saints, or middle Spirits hold Betwixt th' Angelical and Human kinde: Hither of ill-joynd Sons and Daughters born First from the ancient World those Giants came With many a vain exploit, though then renownd: [ 465 ] The builders next of Babel on the Plain Of Sennaar, and still with vain designe New Babels, had they wherewithall, would build

好像一只伊马乌斯山上生长的秃鹫，在雪岭环绕着鞑靼人流浪的地方，食饵的缺乏迫使他们到放牧羊群的诸小山上去，吃饱了羊羔的肉之后，飞向印度恒河或印度河的发源地；途中降落在丝利刻奈的荒野，那儿的中国人用风帆驾驶藤的轻车。魔王如同这鸷禽，独自徘徊在如海洋一样多风的大地上，寻觅食饵。他真觉孤单，因为那里还找不到其他生物，无论是活，是死；只是后来，罪恶用虚荣填满了人的事业，才从地上升起一切虚无缥缈的东西，像飘浮的气体一般升腾到那里：包括一切虚幻的东西，以及所有人，那些把他们的光荣希望、不朽声名、今生来世的幸福都建筑在虚无缥缈上的人们。有些人在今世得了报应，即可悲的迷信和盲目的狂热追求所结的果实，只追求凡人的称赞，和他们的空虚行为相称的酬报，空虚。自然所未完成的工程，流产的、畸形的、乱七八糟混杂在一块儿，在地上消灭了，都飞到这里来，在这里徒然彷徨，直到最后破灭；有些人把梦想寄托在邻近的月球上，那同样是荒谬的。在那银色的世界里，有各种各样的类族：近乎真实的居民，超升的圣者，介乎天使和人类之间的中性精灵；神的众子和人间女子所生的巨人族，首先从古代世界来，当时很出名，还带来了许多空幻的功业。其次是示拿平原上巴别塔的建筑者，他们还有虚空的计划，要是材料有余的话，还要建筑些新的巴别塔。

As showed above, we could draw the conclusion that H3 viruses could cause outbreaks or local epidemics in Shanghai for the immune of population to the new emerging antigenic drift was still unknown though there was strong immune barrier to the previous vaccine strain, H1 viruses also may caused epidemics as the population had a weak immune protection to the previous reference strains A/New Caledonia/20/99-like and part of the recent isolates were distingwishing from them and continued to evolute on the new reference strain, and H5N1 HPAI activities has expanded its geographical range thus increasing the size of the population at risk as the continuing emergence of human cases which give the virus an opportunity to evolve towards a fully transmissible pandemic strain. We should keep eyes on the human cases of avian influenza virus an its variation for the H5 isolates in Shanghai also has the possibility to infect human directly and the infection of H5, H9 viruses had previously occurred in the population especially in those contacting with animals.

综合上述分析结果，我们认为上海地区人群虽然对原有的H3亚型参考病毒株有较高的免疫保护，但H3亚型病毒HA已出现新的抗原漂移，人群现在对新变异株的保护水平尚未知，有可能在未来引起局限性暴发甚至地方性流行；人群对H1亚型流感病毒免疫保护水平低，同时H1亚型流感病毒株部分与原推荐疫苗株抗原性差别较大，并在现推荐疫苗株基础上继续变异，需警惕发生流行的可能性；H5N1亚型高致病性禽流感地域范围扩大，人间病例不断发生，存在演变成大流行株的威胁，上海市H5亚型禽流感病毒株存在跨宿主屏障感染人类的可能性，而且已发现人群尤其禽、畜类动物接触人群中存在H5、H9亚型流感病毒的既往感染，应警惕禽流感病毒的变异和人间病例的发生。

It抯 a four-story building, with the first two floors housing upperclassmen and the upper two floors housing freshmen for a total capacity of 192 students. Parrott is a traditional residence hall with two-person roomsand a community bathroom in the middle of each floor.

这是一个能够容纳192名学生的四层楼，楼中一二两层住高年级生，三四两层住一年级生的。P宿舍有传统的2人间、3人间，在每层楼中间有公共浴室。

In the "CountDown"the extraordinary achievements and the humdrum routine are equally set against the moon scene, the small "figures"wearing astronauts clothing with blurred faces are doing all sorts of irrelevant,humdrum and senseless things: holding a baby beside the warship, pulling out Chinese columes from the holes on the moon, carrying them and marching purposelessly in Tian An Men Square, brandishing picks in the Temple of Heaven, nursing a fire beside the tank,playing a flute beside the plane,standing guard and wielding sword under the Statue of Liberty,doing body building on pushing slant Pize Tower with flowers in it… All this is happening among the evergreen pine trees.

倒计时》把人间的伟大建造和无聊生活都搬上了月球景观中，身穿宇航服、看不清面目的"小人"，在梦寐以求登上去的月球上做着各种无相干的、无聊的、荒唐的举动：在军舰旁抱孩子、在月球坑中拔华表，抬着无目的天安门行走，在天坛前挥镐，在坦克上烤火，在飞机旁吹笛子，在自由女神下站岗、舞剑，推着插花的比萨斜塔健身……而这一切都发生在象征常青的松林间。

Thy Godlike crime was to be kind, 36 To render with thy precepts less 37 The sum of human wretchedness, 38 And strengthen Man with his own mind; 39 But baffled as thou wert from high, 40 Still in thy patient energy, 41 In the endurance, and repulse 42 Of thine impenetrable Spirit, 43 Which Earth and Heaven could not convulse, 44 A mighty lesson we inherit: 45 Thou art a symbol and a sign 46 To Mortals of their fate and force; 47 Like thee, Man is in part divine, 48 A troubled stream from a pure source; 49 And Man in portions can foresee 50 His own funereal destiny; 51 His wretchedness, and his resistance, 52 And his sad unallied existence: 53 To which his Spirit may oppose 54 Itself--and equal to all woes, 55 And a firm will, and a deep sense, 56 Which even in torture can descry 57 Its own concenter'd recompense, 58 Triumphant where it dares defy, 59 And making Death a Victory.

三 你神圣的罪恶是怀有仁心，你要以你的教训减轻人间的不幸，并且振奋起人自立的精神；尽管上天和你蓄意为敌，但你那抗拒强暴的毅力，你那百折不挠的灵魂——天上和人间的暴风雨怎能摧毁你的果敢和坚忍！你给了我们有力的教训：你是一个标记，一个征象，标志着人的命运和力量；和你相同，人也有神的一半，是浊流来自圣洁的源泉；人也能够一半儿预见他自己的阴惨的归宿；他那不幸，他的不肯屈服，和他那生存的孤立无援：但这一切反而使他振奋，逆境会唤起顽抗的精神使他与灾难力敌相持，坚定的意志，深刻的认识；即使在痛苦中，他能看到其中也有它凝聚的酬报；他骄傲他敢于反抗到底，呵，他会把死亡变为胜利。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

In this thesis, the characteristics of software agents and their behavior modes are analyzed to find the influences of characteristics on behavior modes and to infer the master-slave and provider-requestor relationships among agents. Testing orders could be founded by relationships between agents. After the analysis of reciprocal effects among characteristics, we proposed that in the testing on a single agent, the autonomy should be tested first, the mobility is tested then, and the collaboration is tested finally. The testing of learning is incorporated into the testing of autonomy. A rolling-style testing method of software agents is proposed. Our testing method takes the IBM Aglets software agent language as an example, and develops testing tools under the IBM Aglets execution environment.

本研究分析软体代理人的特性与行为模式来进行分析，找出软体代理人特性对行为模式的影响，并归纳出软体代理人间的主从关系与供需关系；藉由软体代理人间相互影响的关系，可找出多软体代理人系统的测试顺序，而对单一软体代理人程式的测试，经分析各项特性间交互影响后关系，提出必须先测试自动化特性，继而测试行动力特性，最后测试合作能力，而学习力则必入自动化特性中测试，进而提出一套滚动式的软体代理人程式测试方法，本研究的测试方法以IBM Aglets软体代理人程式语言为范例，并在IBM Aglets软体代理人执行环境开发测试工具。

First, we need to establish that the scholar class' utmost pursuit is to establish an ideal this-worldly order, which means harmonious between politics and Confucianism; then, by analyzing their ideas and actions, we can explain the way they perceive different people's different place in this ideal this-worldly order and how they put it into practice.

综合政教两面的观察方式，必须首先假设政教合一的理想人间秩序确为士大夫阶层的最高追求，则我们便可透过对此一阶层的思想与行动之分析来解释他们如何的去理解安排各色人等在其理想人间秩序中的合理位置，并在现实中又是如何将理论付诸实现的。

Fine the evening I like lying in bed, watching the sunset across the wall, and then gradually darken day, I fell away with the sleepy, feeling as if I walked in the edge of the world, traveled the human Chaoyang If people hope, and the sunset is the loss of people, especially someone like me, a young sons did not fame and fortune.

天晴的傍晚我总喜欢躺在床上，看着墙壁上的落日划过，然后天渐渐的变暗，我带着昏昏沉沉的睡意，那种感觉仿佛我走在了人间的边缘，踏遍了人间的朝朝暮暮，如果说朝阳给人希望，而落日给人的却是失落，特别是像我这样没有名利的青年游子。

Yet before the floating impress of the woods could clear it self, suddenly the gladsome light leaped over hill and valley, casting amber, blue, and purple, and a tint of rich red rose; according to the scene they lit on, and the curtain flung around; yet all alike dispelling fear and the cloven hoof of darkness, all on the wings of hope advancing, and proclaiming, God is here!

也许，那永恒的晨光就会这样降临人间，那时不再有险崖沟壑，不再有峰峦山谷，也不再有浩瀚无际的海洋；万物都将踊跃升腾，也许，那永恒的晨光就会这样降临人间，那时不再有险崖沟壑，不再有峰峦山谷，也不再有浩瀚无际的海洋；万物都将踊跃升腾，在造物主慈爱的光芒中生辉，因为太阳已经升起。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。