在中央

In September 1981, he was invited by Center of U.S. China Arts Exchange to the United States, where he studied with Prof. Otto Muller of Yale University. In 1982, he successfully conducted at Aspen Festival in the United States. Commissioned by French Music Sound Records Corporation, he made the recording of Beethoven's Symphony No. 1 and No 4. From September 1983 to January 1985, he was involved in the production of the Song Cycle of Chinese Revolutions. Since 1985, he has toured Russia, Japan, Italy, the United States, Britain, Switzerland, South Korea, Democratic People's Republic of Korea, Thailand, Singapore, Australia and Germany, as well as such places as Hong Kong, Macao and Taiwan. In January 1998 and February 1999, Chen Xieyang visited Austria, Germany, and Denmark with Central Nationalities Orchestra of China. He gave concerts on the New Year's Eve of the lunar calendar in the Golden Hall in Vienna, Berlin Philharmonic Hall and so on. In August 2000, with the Central Nationalities Orchestra of China Chen Xieyang participated in the project 'Chinese Culture Touring in the United States', during which they presented concerts in Lincoln Center.

1981年9月，陈燮阳应邀赴美国考察，师从耶鲁大学奥托·缪勒教授进修指挥课并指挥多个美国乐团演出。1982年他在美国阿思本音乐节指挥音乐节乐团获得成功。1983年8月，他应法国"音乐之声"唱片公司之约，指挥中央乐团录制了贝多芬的第一、第四交响曲。1983年9月至1985年1月，陈燮阳参加大型音乐舞蹈史诗《中国革命之歌》的指挥工作。1985年以来，陈燮阳先后赴前苏联、日本、意大利、美国、英国、瑞士、韩国、朝鲜、泰国、新加坡、澳大利亚、德国等国家和港、澳、台地区举办音乐会，均受到欢迎和赞誉。1998年1月和1999年2年，陈燮阳率中央民族乐团赴奥地利、德国、丹麦等地，在世界著名的维也纳金色大厅和柏林爱乐大厅以及其他城市音乐厅举办中国新年音乐会。2000年8月，他又率中央民族乐团赴美国参加"中华文化美国行"的巡回演出，其中包括在纽约著名的林肯艺术中心举办音乐会。

Essentially, it is concerned with the improvement of national structure so in pushing forward the constitutionality, we should avoid the following theoretical misunderstandings: our national structure is unitary; federal system advocates the principle of "double sovereignties"; compared with federal system, unitary system has the more authoritative central; we should stick to the unitary system to improve our national structure.

中央与地方关系的法治化问题在实质上就是国家结构形式的完善问题，在推进中央与地方关系法治化的过程中，应当注意走出国家结构形式的几个理论误区：我国的国家结构形式是单一制；联邦制奉行的是&双重主权&原则；单一制与联邦制相比，中央更具权威；完善国家结构形式，我们必须坚持单一制。

Who do we know on the Senate Appropriations Committee?

别紧张！我们在中央预算委员会认识谁？

Also present but barely visible in the foreground, just right of center, are the heads of two Indians in feather headdresses.

另外，同样出现在前景，但却不那麼显眼的，则是在中央右方，两个带著羽毛头饰的印第安人的头。

It might be able to use Bank of England funding when the central bank begins to buy company debt.

在中央银行开始为公司债务买单的时候，应该可以用到英国银行的资金。

Later was learned, in fact, at the Central Academy of Fine Arts also collected Ezhou tiger-shaped bib.

后经了解，其实在中央美术学院也收集了鄂州的虎形围涎。

During the school holidays last sumer,I worked as a waiter at the Central Hotel.

去年暑假，我在中央酒店做服务生。

From the Meiji Restoration to the Second World War, Japan has become the implementation of the dual system of constitutional monarchy, from the feudal imperial system into a modern .1868 emperor, the emperor in the central institutions should be "separation of powers," the cabinet system was established in 185, 189, was enacted "Great Japanese Empire Constitution."

从明治维新至第二次世界大战结束，日本成为实行二元制君主立宪制的国家，由封建天皇制转变为近代天皇制。1868年，天皇在中央机构实行&三权分立&，185年建立内阁制，189年颁布《大日本帝国宪法》。

But after the related Shanghai High court of justice this explicit expression_r no longer support "knows the vacation buys the vacation", reporter to Yang Hong and Wang Haidong's interview, but also broadcast in CCTV two set of legal system columns.

而有关上海高级法院此次明确表示不再支持&知假买假&后记者对杨鸿和王海东的采访，还在中央电视台二套法制栏目播出。

However, the government of the state of Madhya Pradesh wants to open it up to the public for the 25th anniversary, with the country's environment minister contending the chemical residue is no longer harmful.

然而，在中央邦政府要打开它的25周年向公众提供该国的环境部长争的化学残留物，不再是有害的。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。