在东方

2 And as they migrated from the east, they came upon a plain in the land of Shi'nar and settled there.

当人们由东方迁移的时候，在史纳尔地方找到了一块平原，就在那埵矰U了。

In the aspect of living example, linking in BPR practice of Yantai Dongfang electronics Co. this text demonstrates the applied possibility and procreant effect of this way in the enterprise.

在应用研究方面，结合烟台东方电子股份责任有限公司的业务流程再造的实践，论证了这一方法在企业中应用的可行性和产生的效果。

"We'll get them by a new technology called skyscape to speak from Miami to media persons in Mumbai at the launch of Sarkar Raj - which happens to be on the same evening as their wedding anniversary," said Amitabh Bachchan .

&我们将让他们通过一种新的技术，称为skyscape发言，从迈阿密到媒体人，在孟买推出东方网raj -这刚好是对同日晚，作为他们结婚5 0周年纪念日，&说，在2 8日b achchan。

By destroying the oriental civilization ,the leafy but aging tree, can it be grafted on the new branches if independence,strongness and individuality of the western world. After hundred year of suffering the war and integration of genes between the east and west, now the tree has becoming fruitful. Although it is still at its earlier stage, but it must be sweet overtime, and becoming the wonderful harvest of all human.

这些火炮在摧残了东方文明这株根深叶茂却有些衰老的大树后，也使它得以嫁接西方独立、自强、自我的新枝，它在百多年来饱受折磨极为痛苦的东西方文明基因的交战和交融后，现在它的枝头已经挂起了累累的硕果，随仍有青涩，但假以时日，必非常甘美，会成为全人类的美妙成果。

By destroying the oriental civilization ,the leafy but aging tree, can it be grafted on the new branches if independence,strongness and individuality of the western world. After hundred years of suffering the war and integration of genes between the east and west, now the tree has become fruitful. Although it is still at its earlier stage, but it must be sweet overtime, and becoming the wonderful harvest of all human.

这些火炮在摧残了东方文明这株根深叶茂却有些衰老的大树后，也使它得以嫁接西方独立、自强、自我的新枝，它在百多年来饱受折磨极为痛苦的东西方文明基因的交战和交融后，现在它的枝头已经挂起了累累的硕果，随仍有青涩，但假以时日，必非常甘美，会成为全人类的美妙成果。

In Tubingen, FC Baur in 1864 developed "tendency criticism," which reconstructed NT history under Hegel's thesis, antithesis, and synthesis (the later church of the second century).

在蒂宾根，财委会鲍氏东方艺术馆於1864年制定了&倾向的批评，&重构历史新台币根据黑格尔的论文，偶，并合成（后来的教会在公元二世纪）。

In Tubingen, FC Baur in 1864 developed "tendency criticism," which reconstructed NT history under Hegel's thesis, antithesis, and synthesis (the later church of the second century).

在蒂宾根，财委会鲍氏东方艺术馆于1864年制定了&倾向的批评，&重构历史新台币根据黑格尔的论文，偶，并合成（后来的教会在公元二世纪）。

Though the Benares of to- day , which the Orientalists call the Athens of India, stands quite unpoetically on the solid earth

但是在今天看来，这座被东方人文研究者称为印度雅典的贝拿勒斯却也是普普通通地建筑在土地上的，并没有什么特殊。

The Brahmin legends assert that this city is built on the site of the ancient Casi, which, like Mahomet's tomb, was once suspended between heaven and earth; though the Benares of to-day, which the Orientalists call the Athens of India, stands quite unpoetically on the solid earth.

但是在今天看来，这座被东方人文研究者称为印度雅典的贝拿勒斯却也是普普通通地建筑在土地上的，并没有什么特殊。

An essentialized and remarkably delimited Indian theatre consisting of just one genre, namely, the ancient Sanskrit theatre, with no space for the Ram Lila or other flourishing vernacular genres;(2) Histories from the nationalist period portray Indian theatre as primarily, though not exclusively, madeup of India's Western-influenced "modern" theatre genre but relegate the Ram Lila to the realm of unsophisticated folk theatre; and (3) Postcolonial-era histories offer a broad-based and plural Indian theatre encompassing all major genres, including the Ram Lila, but valorize postcolonial theatre withuntenable and extravagant claims.

我会在结论论证这些研究的源起，并列举三个现代印度文化和历史的不同阶段作为例证：（1）东方主义时期的印度剧场史，呈现出一个本质主义、明显画地自限的印度剧场，当中只有一个剧种：古老的梵文剧场，毫无肚量容纳罗魔节戏或其他盛极一时的地方戏剧；（2）国家主义时期的剧场史，此时最主要由深受西方文化影响的印度「现代」剧场构成，罗魔节戏被贬抑为难登大雅的地方小戏；（3）后殖民时期的剧场史，提供了一个宽广、多元，兼容并蓄的印度剧场，罗魔节戏也在其中，但此时期过於夸大了后殖民剧场的资产。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。