在下午

I'll be at the Flight line motel -- it's out by the airport -- until tomorrow afternoon.

我会在 Flight Line 旅馆，在机场附近的那家，一直等到明天下午

A hot and glassy calm had descended on the big lake that afternoon and you were lying on the foredeck, drinking beer and soaking up the sun while you waited for the first breath of the evening breeze that would enable the Cormorant to get under way again.

那天下午，当炎热和玻璃般的宁静笼罩着大湖，你正躺在前甲板上啜着啤酒，沉浸在午后的阳光下，等待傍晚的第一抹微风，以便让你能驾驶鸬鹚号回港。

This afternoon, our French chorus came to the Novotel hotel to celebrate the Galette des Rois with French friends who stay in Beijing.

今天下午，我们法语合唱团在诺福特酒店和在京的法国朋友们一起欢度国王饼节。

In Long Gang Primary School ,children saw a film on Friday afternoon each week .They had a simple discussion after it .

当时在龙港三小，每周上一次电影课，时间安排在每周五的下午，每次上课都先看一部电影。

Li has recorded several CDs and a DVD to his credit, including Prophetic Bird and Salut d'Amour on CDs with POLOARTS in 2002 and 2004 respectively, a DVD in 2005 entitled La Ronde Des Lutins performing on Stradivari BELLO 1687, Stradivari RIES 1693 and Guarneri BALOKOVIC 1729, and a SACD entitled The Soul of Violin recorded on four violins provided by Stradivari Society.

2007年4月8日下午3点半李氏将在三藩市Herbst Theatre举行首次个人独奏会，演译理察施特劳斯优美的小提琴奏鸣曲及由巴济尼、陈钢、萨拉沙蒂、秦咏城、衞斯曼作曲及米尔斯坦改编自李斯特和盖希文的经典小提琴精彩曲目，与李氏三重奏成员之一的钢琴家李天慧合作演出，门票分＄50＄28＄18，现已在City Box Office及三藩市吴兴记等发售，订票及查询请致电1-415-392-4400 或 1-415-781-8330，喜爱音乐的朋友不容错过。

It is uncertain if there is any connection between the Hebrews and the Habiru mentioned in 14th century BC Egyptian documents found at Tell el - Amarna.

这是不确定的，如果有任何关系希伯来和哈皮鲁人提到在14世纪公元前埃及发现的文件在告诉下午-阿玛尔纳）。

And yet we did unbend so far as to let our guns speak for us, when at length we had swept out of sight, and thus left the woods to ring again with their echoes; and it may be many russet-clad children, lurking in those broad meadows, with the bittern and the woodcock and the rail, though wholly concealed by brakes and hardhack and meadow-sweet, heard our salute that afternoon.

然而只要有油门在说话，我们就的确无需开口了。最后，当我们划出了人们的视线，渐远的树丛中再次回荡着送别的欢呼。河边宽阔的草地里有着麻鸦，鸟鹬和铁轨。躲在草丛中的一帮穿着黄褐色衣服的小孩，尽管有郁郁葱葱的绣线菊和不时传来的刹车声的掩盖，那天下午，应该也听到了我们这热闹非凡的出航。

I am twenty-two blocks from where Rudolph Valentino lay in state, eight blocks from where Nathan Hale was executed, five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose, four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle, thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska, one block from where Marceline used to clown on the boards of the Hippodrome, thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public, thirteen blocks from where Harry Thaw shot Stanford White, five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany (I could continue this list indefinitely); and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in, some of them on hot, breathless afternoons, lonely and private and full of their own sense of emanations from without..

二十二条街外，鲁道夫·瓦伦蒂诺的遗体曾供人吊唁；八条街外，内森·海尔被处决；五条街外的出版社办公室里，欧内斯特·海明威一拳打中马科斯·伊斯特曼的鼻子；四英里外沃尔特·惠特曼曾汗流浃背地为《布鲁克林鹰报》社论主笔；三十四条街外是威拉·卡瑟在纽约写内布拉斯加故事时的住所；一条街外的西波佐恩剧院台，西班牙小丑玛瑟林上台演出，三十六条街外，历史学家乔·古尔德当众将一台收音机踢得粉碎；十三条街外，哈利·绍枪杀斯坦福·怀特；五条街外的大都会歌剧院我当过引座员；一百一十二条街外，老克拉伦斯·岱于主显节教堂洗净了罪孽（这个单子可以无穷无尽地列下去）；而且说起来，我呆着的这个房间，或许就有不少尊贵的、各有其难忘之处的人物坐过，也曾有人在热得喘不过气来的下午，寂寞而私密，满心感受着外来之力。

Chien-Ming Wang dominated on Sunday afternoon, holding the Rays hitless through four frames.

王建民在周日下午的比赛中完全掌控了战局，使日光队在前四局中无安打出现！

It's a Thursday afternoon in Vegas, and Chris is in transit.

这是个周四的下午，在拉斯维加斯，克里斯在路上。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。