在一边

In between naturalness and unnaturalness there is a mist that continues to grow stronger and broader.

一走进会场右边，首先映入眼帘的是林俊兴董事长今年度油画新作〈自然迷雾〉，作品内涵为：自然演化到最近的百万年大乔木取得优势，出现了以十万年为周期的冰河现象，但最近一万年崛起的人类，先是以农业文明站在大乔木的这一边，阻绝了回温的过程，而又以工业文明站在地球与动物的一边，让温度快速上升而走回近百万年的规律，但这种人为演化强烈的加在自然演化之上，自然就有些不自然。

This is probably the rule most ignored these days: in the old days, people walking on the street would dress discretely, talk discretely, and never do anything which would draw attention to themselves

为了保护女士不被过往的车辆碰伤，男士总是走在人行道外侧人们不可以打量路过的陌生人或与之交谈，也不可以在马路的一边大声呼叫在另一边的朋友

It is sayd there be a raunge of mountaynes in the Easte, on one syde of the which certayn conducts are immorall, yet on the other syde they are holden in good esteeme; wherebye the mountayneer is much conveenyenced, for it is given to him to goe downe eyther way and act as it shall suite his moode, withouten offence.

据说东方有一条高大的山脉，在山脉的一边某些行为是不道德的，在山的另一边它们却是合乎道德的，因此住在山顶的居民视自己的心情而穿梭山的两边，为所欲为而不违反道德。

Finally I got home ,lifting my head ,I saw weiyuan ,a sense of benignity is arising in my heart I shook my leg forward ,shout out my son'name the servants happily hurried out to meet me ,little son had already waited at the gate of the wood door .the yard is lack of life ,unanimated ,but the Chrysanthemum is there like before .when I had taken my son to the inner room ,there stood a glass of wine waiting for me .swallowed it then I poured the wine myself and drink it up again .lean against the south window ,with a sense of leisure and pleasure ,I know the one-person-permit room is fit for me and makes me satisfactory .

终于到家了，抬头见到尾缘，一种亲切之感油然而生，我一边高兴的向前飞奔，一边喊着自己的儿子。仆人们欢欢喜喜的出来迎接，小儿子早已等候在屋门口了。院子里已经荒芜了，但那株菊花还在。携着儿子走进屋内，有酒满满的一樽，拿起酒壶自斟自饮。靠着南窗寄托傲然自得，深知住在仅能容身的小屋也能感到舒适。

It's unfanciful that having breakfast with business in some western countries;in China,commercial banquets are frequently,but few people talk about business on the table.

在一些西方国家，一边吃早餐一边谈生意，是不稀奇的；在中国，虽然经常有商业宴会，但人们却很少在餐桌上谈生意。

Hundreds of meters of happy cowboys on both snow and rock, hooking tools on the crest, and navigating rocks and cornices.

但下午典型的阿式路线让我们感到很兴奋，数百米高的&快乐的牛仔&（因为骑在上边就像骑着头牛）塔的两边一边是冰雪覆盖，一边是裸露的岩石，用锁具钩在岩顶上，行走在岩石和雪檐之上，那感觉棒极了。

Lest I am accused by my German friends of taking the side of the sinner against the sinned against, Ms Merkel has right on her side in saying that Athens must not be rewarded for disdaining its solemn obligations to its partners.

为避免我的德国朋友指责我站在过失方一边、而不是站在受害方一边，我承认默克尔有权站在她的立场上主张，雅典方面不得因藐视本国对伙伴国承担的庄严义务而受到奖励。

Under in the Moon this ring-like foot of a hill campaign headquarters, the hybrid area senior official jumbles together with black area senior official black Germany graceful as well as all direction personnel, all in is bustling about for this campaign, revenges cherished 黒 area senior official black Germany to be graceful in particular, fires since the fight, a quarter all has not left the direction post, covers entirely the capillary both eyes, at the same time is fixing the eyes in the display monitor fight picture, at the same time loudly is issuing with the wireless microphone in view of any battlefield change situation, but makes rapidly the exceptionally decisive order, this moment only then two flaming burning large brush-written Chinese characters - revenges in his heart, revenges, revenges, for allThe sacrifice allies revenge!

在月球这座环形山脚下的战役指挥部内，混血区长官混为一谈和黑区长官黑德曼以及所有的指挥人员，都在为这次战役忙碌着，尤其是报仇心切的黒区长官黑德曼，自从战斗打响后，一刻都没有离开指挥岗位，布满血丝的双眼，一边紧盯着显示屏上的战斗画面，一边用无线话筒大声地发布着针对任何战场变化情况，而迅速做出的异常果断的命令，在他心里此刻只有两个熊熊燃烧的大字－报仇，报仇，报仇，为所有牺牲的战友们报仇！

In fills the modern society which the desire for material welfare mistrusts each other, just like inside the movie said that middle society's development, the people nearby the one do more and more unceasingly the living environment complex, nearby the one obtains the survival diligently in this more and more complex environment.

在充满物欲尔虞我诈的现代社会，正如电影里面所说，在社会的发展当中，人们一边不断地把生存环境搞得越来越复杂，一边努力地在这个越来越复杂的环境里求得生存。

Just as the genius pianist Glenn Gould would hum along while playing Bach's Goldberg Variations, Lang likes to sing along, as well as jump around, his gifted fingers gliding along the keys, occasionally pummelling out chords with his fists, taking a kung fu approach to Tchaikovsky and Beethoven.

就像天才钢琴家Glenn Gould在弹巴赫的戈德堡变奏曲时一定要一边弹一边哼哼一样，郎朗喜欢合着乐曲唱歌，他还会跳起来，他天才的手指在键盘上滑行，有时用拳头砸出和弦，在弹奏柴可夫斯基和贝多芬时摆出中国工夫的架势。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。