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Love's Fidelity Set me whereas the sun doth parch the green, Or where his beams do not dissolve the ice: In temperate heat, where he is felt and seen; In presence prest of people mad or wise; Set me in high, or yet in degree; In longest night, or in the shortest day; In clearest sky, or where the clouds thickest be; In lusty youth, or when my hairs are grey: Set me in heaven, in earth, or else in hell, In hill or dale, or in the foaming flood; Thrall, or at large, alive whereso I dwell, Sick or in health, in evil frame or good, Hers will I be; and only with this thought Content myself although my chance be nought.

爱的忠诚不论我南方冒着赤日炎炎,或阳光无力融化冰雪之处,或阳光和煦的温暖国土,不论与狂人为伍或哲人之间,不论我身份是高贵或是低贱,不论是长夜漫漫或白昼短促,不论是晴空如洗或乌云密布,不论是年华正茂或双鬓斑斑;不论我人间,地狱或天堂,滔滔洪水中,或高山深谷,不论患病或健康,快乐或忧伤,不论住何处,自由或为奴,我永属于她;哪怕我的希望永成泡影,这念头已令我满足。

In some sense she seems to represent the supreme female principle, as for instance in the Ptolemaic system, in which the mother of the seven heavens is called Achamoth, in the Valentinian system, in which he ano Sophia, the Wisdom above, is distinguished from he kato Sophia, or Achamoth, the former being the female principle of the noumenal world, and in the Archotian system, where we find a "Lightsome Mother", and in which beyond the heavens of the Archons is he meter ton panton and likewise in the Barbelognosis, where the female Barbelos is but the counterpart of the Unknown Father, which also occurs amongst the Ophites described by Irenaeus Adv.

从一定意义上,她似乎代表最高人民法院女性的原则,例如,托勒密系统,该母亲的7天是所谓的achamoth ,valentinian系统,他其中年度索菲亚,智慧以上,是区别于他加藤索菲亚,或achamoth ,前者是女性的原则,本体世界,并archotian系统,我们那里找到一个" lightsome的母亲"(他米,他photeine ),并其中超越老天爷的执政官是他米吨潘汤同样,barbelognosis ,那里的女性barbelos不过是对口对未知的父亲,也会发生,其中ophites所描述的爱任纽

In the "CountDown"the extraordinary achievements and the humdrum routine are equally set against the moon scene, the small "figures"wearing astronauts clothing with blurred faces are doing all sorts of irrelevant,humdrum and senseless things: holding a baby beside the warship, pulling out Chinese columes from the holes on the moon, carrying them and marching purposelessly in Tian An Men Square, brandishing picks in the Temple of Heaven, nursing a fire beside the tank,playing a flute beside the plane,standing guard and wielding sword under the Statue of Liberty,doing body building on pushing slant Pize Tower with flowers in it… All this is happening among the evergreen pine trees.

倒计时》把人间的伟大建造和无聊生活都搬上了月球景观中,身穿宇航服、看不清面目的"小人",梦寐以求登上去的月球上做着各种无相干的、无聊的、荒唐的举动:军舰旁抱孩子、月球坑中拔华表,抬着无目的天安门行走,天坛前挥镐,坦克上烤火,飞机旁吹笛子,自由女神下站岗、舞剑,推着插花的比萨斜塔健身……而这一切都发生象征常青的松林间。

When motion is towards the location of the addressee,come is much preferable to go in English while both laiand quare common in use in Chinese.When motion is towards the location of the addressee at a past time,laimust be used in Chinese if the addressee is there at the time of utterance while qumust be used if the addressee is not there at the time of utterance.By contrast,come is used in English either when the addressee is there or when he is not there at the speaking time,while go is only used when the addressee is not there at the time of utterance. When both the speaker and the addressee serve as the figure,which is indicated by the phrases like with me/us/you in English and the phrases like he ni,he nimen,gen wo,gen womenin Chinese,come is much preferred to go for the figure"s motion,while in the same context,quis used for the figure"s motion.What"s more,come is more frequently used to indicate the figure"s movement towards a place where neither the speaker nor the addressee is located at the time of utterance,while quis often used in Chinese in the same case.

当移动体朝向听话人所方位移动时,英语多用come,汉语可用"来/去";当移动体一个过去的时间朝向听话人所方位移动时,汉语可用"来"表示听话人说话时间仍位移参照点,用"去"表示听话人说话时间已不位移参照点,而英语两种情况下都可用come,用go则表示听话人说话时间已不位移参照点;当说话人和听话人一起作为移动体而句中主语只是说话人或听话人一方时,英语多用come,汉语多用"去"。

Bindings worn, some corners showing cardboard at tips, hinges rubbed, most hinges starting to crack at top and bottom, 3 upper hinges cracked along half the length but covers still holding, some spines slightly chipped at top or bottom, title label missing on Volume I, label slightly chipped on 3 volumes, inscription to all pastedowns, occasional light staining and light soiling mainly to margins and chiefly in Volume I, some ink splashed on fore-edges of Volume II, just showing at edge of title page, small piece torn from fore-edge of 1 page in Volume I with loss of about 3 words on recto and verso, small closed tear to margin in Volume III, 2 in Volume IV, 1 just entering text, all neatly repaired with no loss of text, small piece missing from 1 corner in Volume V, no loss of text, title page of Volume VII slightly browned and with small piece missing from fore-edge margin, small hole in 1 text page with loss of a few letters, all still easily legible, map of the world has several repairs to reverse, no loss of image, plus several misfolds, lightly browned along 1 vertical fold, some calculations in old ink on reverse of 1 map, tiny hole in 1 map with very slight loss, a small brown stain to 1 plate, 3 tiny holes in lower margin of 1 plate.

条件绑定破旧,一些弯道显示提示纸板,摩擦铰链,铰链最开始打击顶部和底部,3上铰链沿长度的一半,但其涵盖破获仍然持有,有些刺略有顶部或底部缺口,标题标签上卷失踪一,标签上稍微切3卷,所有pastedowns题词,偶尔光染色和轻弄脏主要是利润率和主要余卷,一些墨水溅到突出,第二卷的边缘,就显示标题页的边缘,小件撕裂的前奏,1页边卷约3对直肠和Verso的损失我的话,小封闭撕裂,第三卷,第四卷2,1只输入文本,所有整齐,没有文字的损失修复保证金,从一小块角落的第五卷,没有文字的损失,卷扉页七略变黄,并从一小块突出失踪的边缘利润,1文字页小孔与几个字母损失失踪,所有仍然很容易辨认,世界地图上有几个维修扭转,没有形象的损失,再加上一些变异,轻轻沿1垂直倍褐变,对1地图,地图上,一洞非常小的损失,改变旧墨水一些计算小褐变1盘,3小孔低1板块边缘。

Partly it has great practical value – you can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapours; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a mini raft down the slow heavy river Moth; wet it for use in hand-to-hand-combat; wrap it round your head to ward off noxious fumes or to avoid the gaze of the Ravenous Bugblatter Beast of Traal (a mindboggingly stupid animal, it assumes that if you can't see it, it can't see you – daft as a bush, but very ravenous); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough.

一方面是由于它有着非常实际的使用价值——当你跳跃着穿越Jaglan Beta的冰冷的月亮中间时,可以把毛巾裹身上用来取暖;Santraginus V的灿烂的大理石沙子的海滩,你也可以躺毛巾上,呼吸浓烈醉人的海洋蒸汽;也可以Kakrafoon的沙漠世界里,红色的恒星照耀下,盖着毛巾睡觉;用它做帆,缓慢宽阔的Moth河上泛舟;近身搏斗中打湿了做武器;包住脑袋来防止毒气侵袭或者避开Traal的贪婪虫鸣兽的喋喋不休(一种发自内心的愚蠢的动物,它总是认为如果你看不到它,它也就看不到你——蠢得像灌木,却很贪婪);可以紧急情况下挥动毛巾表示求救信号;当然,也可以用来擦干身体——如果它看起来还是足够干净的话。

The farmer can work alone in the field or the woods all day, hoeing or chopping, and not feel lonesome, because he is employed; but when he comes home at night he cannot sit down in a room alone, at the mercy of his thoughts, but must be where he can "see the folks," and recreate, and, as he thinks, remunerate himself for his day's solitude; and hence he wonders how the student can sit alone in the house all night and most of the day without ennui and "the blues"; but he does not realize that the student, though in the house, is still at work in his field, and chopping in his woods, as the farmer in his, and in turn seeks the same recreation and society that the latter does,though it may be a more condensed form of it.

农夫可以一整天,独个儿地田地上,森林中工作,耕地或砍伐,却不觉得寂寞,因为他有工作;可是到晚上,他回到家里,却不能独自室内沉思,而必须到"看得见他那里的人"的地方去消遣一下,用他的想法,是用以补偿他一天的寂寞;因此他很奇怪,为什么学生们能整日整夜坐室内不觉得无聊与"忧郁";可是他不明白虽然学生室内,却他的田地上工作,他的森林中采伐,像农夫田地或森林中一样,过后学生也要找消遣,也要社交,尽管那形式可能更加凝炼些。

There in the horrors of prisons, lunatic asylums and hospitals, in drab suburban pubs, in brothels and gambling-hells, in the salons of the elegant, the Stock Exchanges, socialist meetings, churches, revivalist gatherings and ecstatic sects, through love and hate, through the experience of passion in every form in his own body, he would reap richer stores of knowledge than text-books a foot thick could give him, and he will know how to doctor the sick with a real knowledge of the human soul.

牢狱、精神病院、医院的恐怖中,沉闷的乡村酒馆中,妓院与赌场中,高雅沙龙中,股票交易所中,社会党人集会中,教堂中,信仰复兴运动者集会中,狂热宗教流派中——借助于爱与恨、借助于对每一种自身内激情的体验——人类心理的探索者能够收获更多的知识,远胜于厚厚的书本。从此,他学会如何使用有关人类心灵的真正知识,来医治病患者。

Of prisons, lunatic asylums and hospitals, in drab suburban pubs, inbrothels and gambling-hells, in the salons of the elegant, the StockExchanges, socialist meetings, churches, revivalist gatherings andecstatic sects,through love and hate, through the experience of passionin every form in his own body, he would reap richer stores of knowledgethan text-books a foot thick could give him, and he will know how to

牢狱、精神病院、医院的恐怖中,沉闷的乡村酒馆中,妓院与赌场中,高雅沙龙中,股票交易所中,社会党人集会中,教堂中,信仰复兴运动者集会中,狂热宗教流派中——借助于爱与恨、借助于对每一种自身内激情的体验——人类心理的探索者能够收获更多的知识,远胜于厚厚的书本。

Prisons, lunatic asylums and hospitals, in drab suburban pubs, inbrothels and gambling-hells, in the salons of the elegant, the StockExchanges, socialist meetings, churches, revivalist gatherings andecstatic sects,through love and hate,through the experience of passionin every form in his own body,he would reap richer stores of knowledgethan text-books a foot thick could give him, and he will know how to

牢狱、精神病院、医院的恐怖中,沉闷的乡村酒馆中,妓院与赌场中,高雅沙龙中,股票交易所中,社会党人集会中,教堂中,信仰复兴运动者集会中,狂热宗教流派中——借助于爱与恨、借助于对每一种自身内激情的体验——人类心理的探索者能够收获更多的知识,远胜于厚厚的书本。

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