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But in Calcutta, Bangkok and other cities in the developing world, these* problems of social pathology are less dominant in describing 'She urban situation. In societies where most people are poor, the urban peasant does not have the stigma of being labeled an outcast, as does his counterpart in the developed city. In making the difficult transition from what for most had been a rural origin, he/she seeks to create a friendly, supportive and informal social atmosphere in the urban bustee or kampong.

但是在发展中的世界在加尔各达，曼谷和其他城市，社会病理学的这些*问题在描述过程中不那么有势力在使困难转变从什么时最一乡村起源是，在都市的bustee或者kampong里他/她寻找建立一种友好，支持和非正式的社会气氛。

But at present he only practiced by fits and starts, when the terror of hell came upon him.

鞋跟踏在地上咚咚作响，只看见自己的影子在打转，在每一盏煤气灯的照耀下，先是影子渐渐变大，然后渐渐变小，就像躺在摇篮里被摇晃着，他的注意力完全集中在这种机械的动作里。

In modern physics research, the calculus of variations has a broad application of law. As a solid mechanics, structural mechanics and computational mechanics of the theoretical foundation, it has important value in theory and practice on the mechanics; Variation method ruled out the perturbation of the restrictions can be widely used in many state-level and the state function in the calculation in the optical; Calculus of variations can be calculated with the parameters, we can guarantee the reliability of the results, can effectively reduce the workload of calculation, It can be said that the applications of calculus of variations are very broad.

在现代的物理学研究中，变分法有着广泛的应用：在力学上，变分法作为固体力学、结构力学及计算力学的理论基础，在理论上和实践上都有重要的价值；在光学上，变分法排除了微扰法的限制，可以广泛应用于诸多定态能级和态函数的计算中；在量子力学的应用中，具有可算出系统的参数，既可以保证计算结果的可靠性，又能有效地减少计算的工作量等的优点，可以说变分法的应用领域十分广阔。

Graduated from Parsons School of Design in New York City, Drebin's photographic work has been curated around the world and has been represented by notable galleries such as: Camerawork in Berlin, the Young Gallery in Brussels, the Fahey Klein Gallery in Los Angeles and the Torch Gallery in Amsterdam.

从帕森斯设计学院在纽约市，Drebin的摄影作品已毕业策划世界各地，已被著名的画廊代表，如：在柏林的摄影，在布鲁塞尔的年轻画廊，画廊的费伊克莱因在洛杉矶和火炬画廊在阿姆斯特丹。

The Duke of Medina Sidonia now sent a message to the Duke of Parma in Dunkirk:"I am anchored here two leagues from Calais with the enemy's fleet on my flank. They can cannonade me whenever they like, and I shall be unable to do them much harm in return." He asked Parma to send fifty ships to help him break out of Calais. Parma was unable to help as he had less than twenty ships and most of those were not yet ready to sail.That night Medina Sidonia sent out a warning to his captains that he expected a fire-ship attack. This tactic had been successfully used by Francis Drake in Cadiz in 1587 and the fresh breeze blowing steadily from the English fleet towards Calais, meant the conditions were ideal for such an attack. He warned his captains not to panic and not to head out to the open sea. Medina Sidonia confidently told them that his patrol boats would be able to protect them from any fire-ship attack that took place.Medina Sidonia had rightly calculated what would happen.

1577年，他再次从英国出发，乘着旗舰"金鹿"号直奔美洲沿岸，一路打劫西班牙商船，西班牙人做梦也想不到，竟然有人敢在"自家后院胡闹"，当他们派出军舰追击时，德雷克早已逃往南方，但由于西班牙的封锁，他无法通过狭窄的麦哲伦海峡，在一次猛烈的风暴中，"金鹿"号同船队其它伙伴失散了，被向南吹了5°之多，来到了西班牙人也未曾到过的地方，自从麦哲伦海峡被发现以来人们一直认为海峡以南的火地岛就是传说中的南方大陆的一部分，但此时呈现在德雷克面前的是一片汪洋大海，德雷克被这意外的发现惊呆了，他很高兴的向大家宣布"传说中的南方大陆是不存在的，即使存在，也一定是在南方更寒冷的地方，"(直到今天我们还称这片广阔的水域为"德雷克海峡")，但德雷克却一直向西横渡了太平洋。1579年7月23日，他到达了马里亚纳群岛，8月22日穿过北回归线，9月26日回到了阔别已久的普次茅斯港，再次成为了"民众的英雄"，这次航行是继麦哲伦之后的第二次环球航行，但德雷克却是第一个自始至终指挥环球航行的船长(众所周知，麦哲伦在菲律宾被土人做成三明治吃掉了)。

There is an unmistakable similarity between Ecclesiastes and the Canticle of Canticles, not only in the pithy shortness of the composition, but also in the emphatic repetition of words and phrases, in the boldness of the language, in the obscure construction of the whole, and in certain linguistic peculiarities.

有一个明确无误的之间的相似性传道书和canticle的canticles ，不仅在口诀短促的组成，而且在强调重复的单词和短语，在大胆的语言，在模糊建设的整体，在某些语言的特殊性。

Character of strutting about, always is follow close behind tightly with Be dreaming of after death Once becoming nervous in the heart, is also stop over over there In just the start of the tramcar car compartment Start having secretly some sob The city that extend continuously in the space out of the car window Hope you to want to change never That hands over to old guitar my person once said This city in Tokyo, make him feeling good to fear Plane the affair that the root investigates bottom, have already no longer done Even was wrong and also don't relate to The rosy sunset of red were cut off view by the many-storied building Tears drive the 噙 is in the eye socket Next morning will suffer of the affair of on the travel Would also let the person feel captivation?

逞强的个性，一直都是紧紧跟随在梦想身后一旦心中变得胆怯，也是会在那里停留在刚刚启动的电车车厢里偷偷开始有一些啜泣在车窗之外的空间里不断延伸的城市希望你永远不要改变那个将旧吉他交给我的人曾经说过东京这城市，让他觉得好害怕刨根究底的事情，早就不再做了即使是错了也没有关系红色的晚霞被高楼大厦隔断了视线眼泪被噙在眼眶之中下一个早晨会遭遇的旅途上的事情是否也会让人感到迷惑？

Another confraternity was a guild established in 1280 at Bologna, and perhaps elsewhere, which held its meetings in the Carmelite church and from time to time made an offering at a certain altar, but otherwise was entirely independent of the order.

另一个帮会是一个人协会成立於1280年，在博洛尼亚，也许在其他地方，而举行会议，在carmelite教会和不时作出了提供在某一个温柔的态度，但在其他方面是完全独立的命令。

Fruit trees and flowers, birds and animals, shimmering tiles, and the gleam and murmur of running water—these are the vibrant and delicate substances from which, like a beautiful carpet, the Islamic garden is woven.Indeed, Islamic carpet design and garden layout go hand in hand.Garden carpets depict in a stylized manner the chahar bagh, or fourfold garden with its intersecting axial watercourses surmounted by a central fountain.In addition, they depict symbolically the vegetation planted in actual gardens:the shade-giving plane tree, identified with the Tuba tree in the Quran; the cypress representing death and eternity; and fruit trees standing for life and fertility.The central cartouche can interpreted as a platform, which in real gardens was often surmounted by a pavilion.These form the basic and timeless design formula of the Islamic garden—one or more quadripartite sections defined by narrow water courses—which has its roots in ancient Persia where the archaeological remains of Achaemenid palaces trace the outlines of pavilions overlooking carved stone channels.

果树和花卉，鸟兽，闪烁瓷砖，以及闪光和杂音的自来水-这些都是充满活力和微妙的物质，像一个美丽的地毯，伊斯兰园林woven.indeed ，伊斯兰地毯设计与园林布局齐头并进hand.garden地毯描绘在程式化地察哈尔巴格，或四倍花园与其相交轴水道克服了由一个中央fountain.in此外，他们还描绘象征性的植物种植在实际花园：耐荫给予平面树，确定与大号树在可兰经；桧代表死亡和永恒；栽果树，站立，生活和fertility.the中央cartouche可以解释为一个平台，而在真正的花园往往是克服由pavilion.these形式基本和永恒的设计公式伊斯兰花园式的一个或一个以上的四方节所界定的狭窄水道-其中有它的根在古代波斯，而考古遗迹的阿契美尼德宫殿追查纲要凉亭俯瞰石刻渠道。

Then with statistical analysis of the range of self-incriminating cases, the results of the first instance, the judicial organization of the first instance, the surrogate and advocacy of the first instance and of the second instance, I found, in practice, the self-incriminating cases have the following characteristics: The range of self-incriminating cases is small which mainly focus on 10 imputations; no public prosecution into private prosecution; the verdicts still lie a very important position, among which are lots of guilty verdicts; intermediation is the main way in ending a case, however, the intermediation system is not normative in practice; the cases of defendants escape is increasing, as a result, the suspension of private prosecution is also increasing; the court more depend on collegial bench, and less summary procedure; the party make less use of the system of surrogate and advocacy; the methods of processing mode are flexible in the second instance, etc.

在这样的基础上，通过对自诉案件范围、一审处理结果、一审审判组织情况、一审代理辩护情况、二审审理情况的统计分析，发现实践中自诉程序有如下特点：自诉案集中在10个罪名，自诉案件的范围很小；没有公诉转自诉案件；判决在自诉案件的审理中仍然占有重要地位，其中有罪判决占大多数；调解是自诉案件结案的主要方式，但是各地调解制度在运行中都不规范也不统一；被告人逃跑的案例在某些地方有增多的趋势，中止审理的自诉案随之增加；多种因素导致法院更多的以合议庭来审理自诉案件，而较少独任审判和适用简易程序；自诉案件当事人对诉讼代理和辩护制度的利用率不高；二审自诉案件的处理方式灵活等等。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了