在...心目中

Ritualistic death in Sologub's novels is of the same ontological importance. It is first a symbol of destruction and power lost and regained;and secondly, death, as love is in Sologub's eyes, is not only a transition to freedom, eternity, and infiniteness, but a synonym of creating new life.

通过对索洛古勃小说中仪式化死亡的主题的分析，我们可以得出结论，死在索洛古勃的宗教神话体系中同样具有本体论的地位，它首先具有破坏和权力交替的象征意义；其次，索洛古勃心目中的"死"同"爱"一样，是追求自由、永恒与无限的手段，是创造新天地的工具。

In his professional career Ali redefined heavyweight boxing with his speed and sublimely skillful performances in engrossing fights against Liston, Foreman and Frazier.

在他的职业拳坛生涯中，他以自己的速度和令人眼花缭乱的拳法彻底改写了重量级拳击在人们心目中的印象，也赢得了与里斯顿，弗里曼和弗雷泽的几场重要比赛。

The text is read and discussed within the theoretical framework of Orientalism.

西方人心目中的中国是在历史过程中形成的形象。

Nixon announced that he would not resign on a speech with the Chicago managers,because resignation meant to peccavi and debased the prestige of president in people's heart.

尼克松在对芝加哥管理人员进行的一次演说中宣布他不会辞职，因为辞职就意味着认罪，就会降低总统在人们心目中的威信。

One of Mr Ball's heroes is Sir D'Arcy Wentworth Thompson, a Scottish biologist and polymath, who in 1917 wrote "On Growth and Form". This mammoth and erudite tome, the first formal attempt to analyse patterns and shapes in nature, was described by a colleague, Sir Peter Medawar, as "the finest work of literature in all the annals of science that have been recorded in the English tongue."

鲍尔心目中的英雄之一是苏格兰的生物学家和博物学家达西·温特沃斯·汤普森，他在1917年写了一本包罗万象的大部头——《关于生长和形状》，这是有史以来第一次正式地尝试分析自然界中的图案和形状，这本书被他的同行彼得·梅达沃称作"用英语写作的所有科学年鉴中最好的一部"。

Err in data What the corporate culture is formed in long-term development by enterprises, and precipitating a kind of value idea in enterprise staff's mind, it is a kind of cultural philosophy.

企业文化是企业在长期的发展过程中所形成的、并沉淀在企业员工心目中的一种价值理念，它是一种文化哲学。

They who have no central purpose in their life fall an easy prey to petty worries, fears, troubles, and self-pitying, all of which are indications of weakness, which lead, just as surely as deliberately planned sins, to failure, unhappiness, and loss, for weakness cannot persist in a power evolving universe.

那些在生命中缺乏中心目标的人，很容易被一些微小的烦恼，恐惧，麻烦和自卑所吞噬，这些都是软弱的暗示，都会因一些不可避免的失误而导致失败，忧愁和损失，因为在这个崇尚力量的世界里，软弱是不可能再继续的。

I dare not thinking about it,but it can be told in a altisonant way,this is also called a kind of society,but no one saving the idol will be the leading actor,as a result, it is fated not be yours at the begining...

就像现在的我们都有着自己的偶像，处处都在模仿着心目中的英雄，觉得有一天，我们一定会变成他，而在这狂热的追寻中，我们往往失去了自我，挥霍掉太多的青春，我有个很要好的朋友，他是曾经的我，而那时的我，又是曾经的谁呢，我不敢太多的去想，但可以说的冠冕堂皇一点，这也叫江湖，不过除了偶像，谁也不是它的主角，因此这个江湖从开始时就注定不属于你。。。

Martin Luther King, Jr. passed away, but his spirit, together with the song that he citied in "I have a Dream" echoes forever in the American air

马丁·路德·金为追求平等献出了生命，但是他的精神，他在&我有一个梦想&演说中高唱的歌词还在美国的土地上，天空中，美国人的心目中，久久回荡，经久不息。。。。。。

Some of today's Western stereotypic visions of China are accumulated and shaped in the course of history.

西方人心目中的中国是在历史过程中形成的形象。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。