在...心目中

I knew what my hero Roy Rogers would do in this situation.

我知道我心目中的英雄罗杰在这种情况下会怎么做。

It is to us the most sacred spot on earth.

在基督徒的心目中，这是一个最神圣的地方。

Ancestral grave, it is the place that forefathers rests, the sacrosanctity is in Chinese memory " bethel ".

祖坟，是先人安息的地方，在中国人心目中是神圣不可侵犯的"圣地"。

He is a saint in her sight .

他在她心目中是圣人。

In their eyes, the very ground on which he trod was sanctified.

在他们的心目中，他脚踏的地面都是圣洁的。

In the teacher's heart, this be the problem of a severity.

在老师的心目中，这可是个严重的问题。

If Ken Shamrock's training is anything like his training during TUF, there's no doubt in my mind Tito Ortiz is going to win.

如果肯酢的训练是什么一样，他的训练期间， tuf ，这毫无疑问在我心目中铁托奥尔蒂斯是要取胜。

For Shang Yang, there is not too much rules and regulations.

在尚扬的心目中，没有太多的条条框框。

When more and more arises suddenly the public events come forth frequently in front of our government, how to deal with these sharp-edged crises effectively, and how to size the opportunity to set up the good government image, has become a test government being in power ability important issue.

面对着频繁出现的突发公共事件，政府采取什么样的措施和手段来处理公共危机，则已成为了考验政府执政能力的一个重大课题，同时它也对政府在公众心目中的形象起着重大的影响作用。

It will always be a paradox how a man who could so effortlessly connect with the public mood – sentimental after the death of Princess Diana in 1997, defiant after the London bombings in 2005 – could by the end become so associated in the public mind with shiftiness, spin and sleaze, against which, his professions of sincerity offer no defence.

在公众心目中，一个曾经极易与公众情感联系起来的人（1997年戴安娜王妃去世时的感伤、2005年伦敦爆炸事件后的坚强），最后怎么会与善变、炒作和肮脏勾当联系得如此紧密呢？这将永远是一个悖论。对于上述三种形象，他的诚挚表白无法提供有力的辩护。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。