在...心目中

That is, they should be able to resist projecting onto others the share of blame they themselves deserve.

这就是说，他们本应该能承受在别人心目中的印象：他们承担他们应得的指责。

The trim hedge,the grass,plot before the door,the little flower,bed bordered with snug box,the woodine trained up against the wall,and hanging its blossoms about the lattice,the pot of flowers in the window,the holly,providently planted about the house,to cheat winter of its dreariness,and to throw in a semblance of green summer to cheer the fireside:all these bespeak the influnce of taste,flowing down from high sources,and pervading the lowest levels of the public mind.

那整齐的树篱，草地，门前的小块空地，小花，床边镶有暖和的小盒子，树木靠着墙整齐地长成了一条直线，木格子上还悬挂着花蕾。窗台上的一钵钵的花儿。冬青树，富有远虑地装点着屋子，掩饰冬季的寂寞萧条，投来了夏的绿意，以振奋围坐在炉火周围的人们：所有这些都预示着这种品味所带来的影响，从高层富贵阶级流传而来，直至最底层大众的心目中。

In the pubic's heart ,he is a hero.

在公众的心目中他是一个英雄。

He is a hero in the opinion of public.

在公众的心目中他是一个英雄。

To many, he is a quintessentially Hong Kong artist.

在很多人心目中，麦显扬是一位非常有代表性的香港艺术家。

It may raise your eyebrows and adjust the pedestals on which you placed some of your favourite icons.

也许会使你睁大眼睛，并调整一些名人在你心目中的地位。

In their opinion, the water town in Jiangnan where they lived is ＂the Peach Blossom Spring＂ for reclusion.

在他们心目中，自身所处的江南水乡，即是隐居避世的＂桃花源＂之所在。

Yet champagne is usually associated in the public mind with celebration rather than remorse or recrimination.

不过，香槟在人们的心目中通常被视为社交时的欢庆用酒，而不是懊悔或自责时喝的。

In her mind's eye she had pictured herself spreading out a splendid repast.

在她的心目中，她已想象过自己正在摆出一桌美食佳肴。

After the rescindment of Wanzhou relocation Development Area, Wanzhou district still has great potential of tourism.

伴随万州移民开发区的撤消，在不少万州人的心目中，对万州区旅游的发展产生了一个降温过程。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。