在...心目中

Therefore, good sculptures are always praised as "concretionary music" and "tridimensional paintings". In the recent years, city construction and image building has become one of the key signs of city development.

城市雕塑艺术体现一座城市的文化档次和精神风貌，它用美的形式与内容来潜移默化地调节人的心理节奏，丰富城市色彩，美化城市环境，并逐渐在人们心目中占据了重要位置。

The position of Mac of of Mac copyist is already confirmed in user memory, do not have which copyist to be able to score a success up to now.

Mac模仿者 Mac的地位在用户心目中已经根深蒂固，迄今为止没有哪个模仿者能获得成功。

He is a hero in the mind of crowed.

在公众的心目中他是一个英雄。

The details of dally work are meaningful because they are not detached in the worker's mind from the product of the work.

日常工作的细枝末节之所以有意义，是因为在劳动者的心目中，它们与劳动的产品密不可分。

Good afternoon! Today I'm going to throw down a challenge to one of the deep-rooted ideas of Chinese people.

下午好！今天我演讲的内容对一些在我们心目中根深蒂固的观念来说，将是个不小的挑战。

This will detract a hell lot from what I think of you.

这将使你在我心目中的形象一落千丈。

A lot of people consider as illegal thing, in them I am forever in memory frame-up dry person. During marrying 7 years, husband and wife's disaccord, contend for brawl to make a noise.

有许多的人认为是违法的事情，在他们心目中我永远是个不正干的人。07年结婚期间，夫妻的不和，争争吵吵。

[offset:500] [00:00.00]Loreena McKennitt - Greensleeves [00:14.00] [00:28.27]Alas my love you do me wrong [00:36.29]To cast me off discourteously; [00:43.53]And I have loved you oh so long [00:49.98]Delighting in your company.

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Is not their own in someone else's eyes is so disdain?

是不是自己在别人的心目中是如此的不屑？

Purpose is to communicate with the public disseminator of information between the links enable enterprises to establish in the public mind a good image.

目的是沟通传播者与公众之间的信息联系，使企业在公众心目中树立良好的形象。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。