在...之间

We must distinguish, at least prima facie, between what is morally good or morally right and what is good in a nonmoral sense; between the morally good life and a life that is desirable, good, or worthwhile in itself in the sense in which a pleasant, happy, contemplative life, or a life of excellent activity or exercises of one's powers, may and have been said to be the good life; in this sense it is not a pleonasm to say, as many have, that the morally virtuous life is the good or best life.

至少，我们必须初步辨别，什么是道德意义上的好或正确与什么是非道德意义上的好之间的区分；什么是道德意义上的好生活与想要的、好的或在某种意义上值得过得的生活之间的区分，后者的好生活指高兴的、愉快的、深思的生活，或与极好的活动或某人能力相关的生活，可以和已经被认为是好的生活；在这个意义上它不是一种重复，正如许多人认为的道德上有德行的生活是好的或最好的生活。

From the perspective of these three indispensable factors, this article replaces the traditional "new verse" with "modern Chinese poetry" concept to investigate the historical continuity, characteristics of Chinese and the ontic characteristics of the poetry within the evolvement of poetry.

这样，现代汉诗的发生首先就牵涉到与中国知识分子的现代性宏伟目标、与汉语、与"诗打的观念、与西方语言特征的复杂关系。但诗歌作为一种特殊的言说，它的"发生"又是在个体经验、诗歌语言和特定的艺术形式之间展开的。这样，当我们辨析从晚清至"五四以来的诗歌文本，就会发现古典诗与现代诗在经验、语言和形式之间冲突与互动的丰富形态。

Ogawa: Influence of microhardness and inclusion on stress oriented hydrogen induced cracking of line pipe steel, ISIJ International, 1996, 36(3), 334-340

首秦高品质管线钢轧制后钢板中大尺寸 B 类夹杂物为 Al2O3含量在54－58%之间的 CaO-Al2O3夹杂物，这些夹杂物熔点在1495－1520℃之间，浇铸温度下处于液态，表明钢中 Al2O3夹杂物得到了良好的变性转变。

They graduate from school. They jump between employers, or in and out of employment.

他们从学校毕业出来，在雇主之间跳来换去，或在受聘和失业之间徘徊进出。

Results The proposed method was compared with partial least square regression and radial basis function neural network modeling methods.

结果 测定正交设计标样中的阿司匹林、对乙酰氨基酚和咖啡因的平均回收率分别在98.2%～101.2％之间，RSD在0.47%～0.91％之间。

The technique could pasteurize the compost at 57-62℃ for 10 h and keep the compost at 45-53℃ for 5 d.

该技术可以对堆肥进行10 h以上的巴氏灭菌（温度在57～62℃之间）处理和5 d的腐熟处理（温度在45～53℃之间）。

The distance between settled releaser and inlet of raw water is 180 cm, and the range of distance between pensile releaser and inlet of raw water is 60-90 cm. The flow of pensile releaser is 2-3 times as much as settled releaser.

较为合理的布置为：固定式释放器S与原水进水口距离为180 cm，悬挂式释放器P与原水进水口的距离在60～90 cm之间。P与S的流量比控制在2～3之间。

The poll of 1,003 adults taken between Friday and Sunday has a margin of error of three percentage points.

这份调查在1.003名成年人之间进行，从星期五到星期天进行。误差幅度在3个百分点之间。

Then the MEMS solenoid type electromagnetic actuating and novel, frictionless and wear-free, and simple structure are designed for fiber-deflecting type MEMS VOA: One of the two coupled single mode fibers is completely fastened in one of the three aligned U-shaped grooves while the deflectable fiber is partially fixed in another groove with a long front section suspending over the wider groove as a cantilever beam. The two fibers, any one for input and the other for output, are well aligned initially so that the insertion loss is very low. Beside the deflectable fiber is a solenoid microactuator with a U-shaped permalloy core attracting a permalloy piece glued on side of the fiber cantilever so that the fiber is deflected and the optical power coupled between the fibers decreased continuously. Using MEMS solenoid as a continuous actuator and the novel structure of VOA are not seen in literature.

为光纤偏移型MEMS可变光衰减器设计了MEMS螺线管电磁驱动方式以及新颖的避免了静摩擦、磨损而且简单的整体结构形式：在硅基片的三段V形槽结构中，将两个对接单模光纤之一完全固定在基片上，只将另一根光纤的稍后部位固定于基片上而使其前端的一定长度悬空，形成一个悬臂梁结构；初始对准后两根光纤之间的光传输损耗很小；通过U型铁芯MEMS螺线管吸引固定于光纤悬臂梁上的坡莫合金片，驱动光纤悬臂梁连续偏移以使两根光纤之间功率传输系数连续变化，从而达到光功率连续衰减的目的。

There is no sharp break between the photosphere and the outer atmosphere of the sun on one side and the solar interior on the other.

无论在光球与它上面的太阳大气之间，或是在光球层与它下面的太阳本体之间，都没有明显的突变。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。