圣母

The one on the right is entitled "The Magnificat".

在右边一个叫做"圣母颂歌"。

The Magnificat is taken directly from the Bible, from the Gospel of Luke: it is the prayer of Mary expressing her joy in the knowledge that she will bear the son of God.

'圣母玛利亚颂'直接取自圣经中卢克的《圣经·新约》福音书：这是玛丽亚的祈祷，为她得知自己将诞生上帝之子的喜悦之情。

In addition to operas, Cavalli wrote settings of the Magnificat in the grand Venetian polychoral style , settings of the Marian antiphons , other sacred music in a more conservative manner (notably a Requiem Mass in eight parts , probably intended for his own funeral), and some instrumental music.

除了歌剧，卡瓦利说八部分的中大威尼斯polychoral风格圣母颂，在玛丽安 antiphons 设置，其他更保守的方式宗教音乐（特别是一个安魂弥撒设置，可能是他自己的葬礼准备），和一些器乐。

Immediately on entering the house she was saluted by Elizabeth as the mother of her Lord, and then forthwith gave utterance to her hymn of thanksgiving (Luke 1:46-56; comp. 1 Samuel 2:1-10) commonly known as the 'Magnificat

她很快地被以利沙白作为神的母亲而致敬并且进入房子，然后毫不犹豫地给予她感恩的赞美诗（路加福音 1：46—56；可以与撒母尔一书2：1—10比较），普遍地被认为是"圣母玛利亚颂"。

The most important among them are: opera The Devils of Loudun (1968-69), Utrenya (1970), cantata Cosmogonia (written in 1970 for the United Nations), De Natura Sonoris No.2 (1971), Canticum Canticorum Salomonis (1973), Magnificat (1973), his second stage work Paradise Lost, Te Deum (1979/80), Requiem (1984), opera The Black Mask(1986), opera King Ubu (1991), Benedicamus Domino (1992), Seven Gates of Jerusalem (1996), Credo (1998) besides six symphonies, two violin concertos, two cello concertos and a viola concerto and many chamber music works.

从60年代以来，潘德列茨基创作了大量作品，其中最重要的有合唱与管弦乐作品《最后审判日》、《乌特伦亚》、《宇宙演化》、《所罗门之歌》、《圣母颂》、《感恩赞》、《波兰安魂曲》、《耶路撒冷的七座门》，歌剧《劳敦的魔鬼》、《失乐园》、《黑面具》、《乌布王》，管弦乐《声音的性质》以及六部交响曲、两部小提琴协奏曲、两部大提琴协奏曲、中提琴协奏曲和大量室内乐作品。

This essay, through a critical analysis of the women's images in Robert Browning's well-known dramatic monologue,"My Last Duchess", attempts to prove that the two women's images in this poem are in fact an embodiment of two archetypes of women, which were handed down from an early literary tradition, misogyny and Mariolatry.

通过对罗伯特·勃朗宁的著名戏剧独白诗《我的前公爵夫人》中的女性形象进行批评分析，旨在阐明这两个女性形象实际上所隐含的从早期文学传统，厌女症和对圣母马利亚的崇拜继承下来的两个女性原型

Cybele was worshipped in Rome and was also called the "Magna Mater", or the great queen mother goddess, which evolved into Catholic Mariology.

西布莉被罗马人尊敬也被称为" Magna Mater "，或伟大的母后女神，演化到天主教有关圣母马利亚的学说里去了。

The popular slacker term of in difference was found "most annoying in conversation" by 47 percent of Americans surveyed in a Marist College poll.

一项由美国圣母学院开展的民调显示，47%的受访者认为这个带有漠不关心意味的流行词是"交谈中最令人讨厌的用语"。

The popular slacker term of indifference was found "most annoying in conversation" by 47 percent of Americans surveyed in a Marist College poll.

一项由美国圣母学院开展的民调显示，47%的受访者认为这个带有漠不关心意味的流行词是"交谈中最令人讨厌的用语"。

The popular slackerterm of indifference was found "most annoying in conversation" by 47percent of Americans surveyed in a Marist College poll.

一项由美国圣母学院开展的民调显示，47%的受访者认为这个带有漠不关心意味的流行词是"交谈中最令人讨厌的用语"。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。