圣乐

Designed by Sandy Lynam Clough ...

设计沙质圣乐

An instrumental composition intended especially as an introduction to an extended work, such as an opera or oratorio .

器乐前奏曲一种器乐乐曲，尤被用作长作品（如一部歌剧或圣乐的导言部分

This instruments is especially popular in Punjabi folk music and the Sikh religious music known as Shabad.

今天在旁遮普邦的民谣和锡克教的圣乐 Shabad之中仍很流行。

Sacred music serves to help believers experience God's presence and be closer to Him during worship service.

圣乐可以帮助信徒在教会崇拜中更亲近和经历神的同在。

He touched with his forehead the ground made holy by the singing of the sacred music.

大地也因为圣乐而变得神圣，他用前额接触神圣的大地。

Sacred music is always deeply express to response God from the foundation of early Christian church to temporary church of the world.

从初代基督教教会的建立到今日普世教会，圣乐始终是信徒回应上帝的深切表达。

It was from the Vatican that the demand for sacred music in a historically antiquated style spread throughout the Catholic world as the style synonymous with sacredness.

这是从梵蒂冈说，在历史上过时的风格需求圣乐遍布作为风格的神圣天主教世界的代名词。

The shoes also had a two-tone effect, and the swell of celestial voices in David Motion's "Buoyancy" on the soundtrack underscored the twisted religiosity. The bi-collar was a foretaste of what can only be described as a male bikini, which combined a bib front with what appeared to be a visible jockstrap (or maybe male garter belt?) and closed at the back like a waistcoat. Wags instantly dubbed the look "wedgie chic," but it was more disturbing than that—as if traditional concepts of masculinity had been turned inside out. Of course, this is something Miuccia's talked about for years, but it was still striking to see it rendered so graphically. Even more so when a couple of back-buttoning blouses walked past—male vulnerability wrapped up in a shirt.

这是本季男装戏谑趣味又颠覆传统的其一；仿似神职人员的double小领结及以两种色调呈现的皮鞋、再搭上伦敦著名作曲配乐家David Motion综合了圣乐与电子节拍的秀场主题曲"Buoyancy"，成功的带出Miuccia意欲传递给大家的矛盾和滑稽；更夸张傻眼的紧接而来：儿童使用的围兜（也很像中国古代女人的性感肚兜）配上男运动员专用的弹性下体护身、穿在合身的双领衬衫外，就活像是男性比基尼的外穿，然后转过身来，我们更看到，肚兜上衣的背后或交叉缕空的有如女人的性感马甲、或呈排扣有如女性内衣。

Here he may have composed oratorios, but no evidence of this Roman repertoire survives.

在这里，他可能构成圣乐，但没有证据表明这个罗马剧目生存。

Between 1697 and 1698 performances of Caldara's earliest oratorios, of which he was to compose forty in his lifetime, took place.

在卡尔达拉最早的圣乐，其中他将在他的一生创作40，发生了表演和1698年至1697年。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。