圣乐

With the best faculties, like Professor Dr. Milton Lites, Professor Dr. Richard Lin, Dr. Professor Stephen Yik, Professor Dr. Lian-Hua Chuo, Professor Dr. Dorothy Braham, Professor Dr. Simon Hun, Professor Harry Chen, Assistant Professor Luke Chih, Assistant Professor Kenneth Lee, Assistant Professor I-Ming Huang, it provided the highest education of Church Music among the Chinese churches.

在多位资深的教授的教导下，有如赖明德博士、凌忍扬博士、易启年博士、周联华博士、彭蒙惠博士、洪善群博士、陈茂生教授、池如淮教授、李奎然教授、黄奕明教授，学院成为华人教会中水平最高的圣乐学校。

Rome exerted a steady influence on sacred music and for a time in the seventeenth century was an important center of opera and cantata; Florence had a brilliant period near the beginning of the seventeenth century.

在圣乐上，罗马坚决的施压，影响到17世纪最重要的歌剧和清唱套曲的中心。在接近17世纪初弗罗伦斯曾有一个绚烂的时期。

In five members of"the boy of the back street", Kevin and Brian are growths at be willing to the cousin of the virtuous 基 younger brother, come from deeply a family of being subjected to music and religious influence, since the childhood in the sacred music and the choirboy of church The smoked pottery descends to grow up, so practice the top-grade soul joy match a sound type to sing a chamber.

后街男孩』的五个成员中， Kevin和Brian是生长在肯德基的表兄弟，来自深受音乐及宗教影响的家庭，从小即在教堂圣乐和唱诗班的熏陶下长大，因此练就了一流的灵魂乐合音式唱腔。

The repertoire of a choral society will never be complete without a good selection of sacred music.

合唱团的演唱曲目中，如缺乏了圣乐，难以称得上完善。

Mr. Ying Yuandao ever summarized the discussions on the Christianity Localization Movement in China in the 1920s, and held that the so-called localized Christian churches should have the following characteristics:"First, churches of the Chinese; Second, set up according to the experiences of the Chinese Christians; Third, with rich quality of Chinese culture; Fourth, combine Christianity and Chinese culture into a whole; Fifth, suits the spirits and psychology of the Chinese People; Sixth, enables the religious life and experience of the Chinese Christians to be adapted to Chinese customs"1. In the 1960s, Japanese scholar Sumiko Yamamoto made more detailed summarization for the definition of the Localization Movement of the Churches in China in her article "The Independent Movement of Christianity in China in the 1920s":"First, churches are formed of Chinese; Second, churches are independent in administration and operation; Third, churches have independence in the economic aspect; Fourth, churches are adapted to the Chinese in the aspects of church building, divine music, divine painting and liturgy etc. Fifth, accommodate the sacrificial fete and customs of the Chinese and Christianize them; Sixth, churches must be involved in the practical issues in the State and the society of China; Seventh, churches must get rid the tradition and colors of the European and American churches; Eighth, churches must be able to control themselves, sustain themselves and spread by themselves."

应元道先生曾对20世纪20年代开展的中国基督教本色运动的讨论加以概括，认为所谓本色的基督教会应有以下几个特点："一是中华国民的教会；二是根据中国基督教徒自己的经验而设立的；三是富有中国文化的质素的；四是要把基督教与中国文化合而为一的；五是能适合中华民族的精神和心理的；六是能使中国基督徒的宗教生活和经验合乎中国风土的" [1]。60年代，日本学者山本澄子在其所著的《二十年代中国基督教的自立运动》一文中，对中国教会本色化运动的定义作了更详细的概括："一，以中国人为教会的构成；二，教会的行政与运作等方面的自立；三，教会在经济方面的自立；四，教会在教堂建筑、圣乐、圣画、礼拜仪式等方面的中国化；五，容纳中国人的祭祀与习俗，并与基督教化；六，教会要置身于中国国家与社会的现实问题之内；七，教会要除去欧美教会的传统与色彩；八，教会要能自治、自养、自传。"

Those rare dreamers, mysterious priests of the beautiful who silently confront everything with perfection, would have caught a glimpse in this little working-woman, through the transparency of her Parisian grace, of the ancient sacred euphony

偶然有些深思的人默默地用十全十美的标准来衡量一切事物，他们在这个小小女工的巴黎式的丰采中，也许会想见古代圣乐的和谐吧。

The chorus sings not only on the common church service and Christmas Eve, but also on other grand ceremony. For example, In 2005 the group sang songs 《 The Holy Savior 》、《 Incamation 》 on the completion celebration of Gulou Church, In 2008 the chorus performed songs 《 Sing Out Your Joy to God 》 and 《 Charles Gounod ,1818-1893》, on the Hangzhou Christian Hymns Groups Exchanging Conference which was held by ChongYi Church. On April 22nd ,2009 the group attended Zhang Weiqiao's Master Graduation Concert and performed the anthems 《 Commit the Heavy Burdens to the LORD 》、《 Charles Gounod 》、《 Sing Out Your Joy to God 》、《 The Angel Song 》、《 Pure Natus 》

城北堂圣歌团除了完成在教会平常礼拜时和历年在圣诞节的圣乐崇拜献唱之外，也于2005年杭州基督教会鼓楼堂的新堂落成庆典上献唱了《神圣救主》、《道生肉身》等曲；2008年杭州基督教会崇一堂举行的全杭州教会圣歌团交流会中献唱了弥赛亚神曲《向耶和华歌唱》和《上主怜悯我们》（ Charles Gounod ，1818-1893年）等曲，2009年4月22日在杭州音乐厅参加了杭州师范大学音乐学院2009届合唱指挥硕士研究生张维巧老师的毕业音乐会，并献演了《将你重担交托主》、《上主怜悯我们》、《向耶和华歌唱》、《天使歌声》、《天赐纯恩》等歌曲。

For the viewpoint of content, Western music may be classified as sacred music, secular music, concert music.

从内容分，西洋音乐有圣乐，俗乐和音乐会音乐3种。

Caldara was to find musical practices in Rome to be very different to those of his native Venice. 11 As a result of a papal ban on public opera performance private oratorios and semi – private performance replaced public opera and the grand spectacles of public worship at San Marco.

卡尔达拉是找到在罗马音乐的做法非常不同，他的家乡威尼斯的。11作为对公众的演出私人圣乐和半教皇禁令的结果-私人性能取代公共歌剧和圣公众礼拜大眼镜马可。

Mr. Ying Yuandao ever summarized the discussions on the Christianity Localization Movement in China in the 1920s, and held that the so-called localized Christian churches should have the following characteristics:"First, churches of the Chinese; Second, set up according to the experiences of the Chinese Christians; Third, with rich quality of Chinese culture; Fourth, combine Christianity and Chinese culture into a whole; Fifth, suits the spirits and psychology of the Chinese People; Sixth, enables the religious life and experience of the Chinese Christians to be adapted to Chinese customs"1. In the 1960s, Japanese scholar Sumiko Yamamoto made more detailed summarization for the definition of the Localization Movement of the Churches in China in her article "The Independent Movement of Christianity in China in the 1920s":"First, churches are formed of Chinese; Second, churches are independent in administration and operation; Third, churches have independence in the economic aspect; Fourth, churches are adapted to the Chinese in the aspects of church building, divine music, divine painting and liturgy etc. Fifth, accommodate the sacrificial fete and customs of the Chinese and Christianize them; Sixth, churches must be involved in the practical issues in the State and the society of China; Seventh, churches must get rid the tradition and colors of the European and American churches; Eighth, churches must be able to control themselves, sustain themselves and spread by themselves."

应元道先生曾对20世纪20年代开展的中国基督教本色运动的讨论加以概括，认为所谓本色的基督教会应有以下几个特点：&一是中华国民的教会；二是根据中国基督教徒自己的经验而设立的；三是富有中国文化的质素的；四是要把基督教与中国文化合而为一的；五是能适合中华民族的精神和心理的；六是能使中国基督徒的宗教生活和经验合乎中国风土的& [1]。60年代，日本学者山本澄子在其所著的《二十年代中国基督教的自立运动》一文中，对中国教会本色化运动的定义作了更详细的概括：&一，以中国人为教会的构成；二，教会的行政与运作等方面的自立；三，教会在经济方面的自立；四，教会在教堂建筑、圣乐、圣画、礼拜仪式等方面的中国化；五，容纳中国人的祭祀与习俗，并与基督教化；六，教会要置身于中国国家与社会的现实问题之内；七，教会要除去欧美教会的传统与色彩；八，教会要能自治、自养、自传。&

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。