土耳其

Turkish Delight is also mentioned in the song "Candy Shop", the first song off the album Hard Candy by American singer Madonna .

土耳其的喜悦也是这首歌中提到的"糖果店"的第一首歌从专辑硬糖果，美国歌手麦当娜。

By asking a few simple questions, the witch learned that Edmund's weakness was his love for a candy called Turkish Delight.

她问了几个简单的问题后，便发现爱德蒙酷爱一种名叫「土耳其软糖」的糖果，这是爱德蒙的弱点。

At last the Turkish Delight was all finished and Edmund was looking very hard at the empty box and wishing that she would ask him whether he would like some more.

最后，土耳其软糖全吃完了，爱德蒙的眼睛滴溜溜地看着那个空盒子，巴不得她再问他一声是不是还想吃。

Sales of Turkish Delight rose following the theatrical release of the film version of The Chronicles of Narnia: The Lion, the Witch and the Wardrobe .

销售额上升土耳其喜悦之后，戏院上映的电影版的纳尼亚传奇：狮子，女巫和衣橱。

Soon Edmund could think only about "trying to shovel down as much Turkish Delight as he could, and the more he ate the more he wanted."

要不了多久，爱德蒙满脑子里就只剩下「嘴里塞满土耳其软糖」的念头，而且他愈吃愈想吃。

The jelly candy inspired by Turkish delight was shaped into a bean and given a soft shell using a French process called "panning".

果冻糖果的喜悦鼓舞，土耳其是塑造成一个 bean ，并给予软壳使用法语过程被称为"淘金"。

Turkish Delight features as the addictive confection to which Edmund Pevensie succumbs in The Lion, the Witch and the Wardrobe by CS Lewis .

土耳其喜悦功能上瘾甜点的爱德蒙Pevensie屈从于狮子，女巫和衣橱的CS刘易斯。

The Queen let another drop fall from her bottle on to the snow, and instantly there appeared a round box, tied with green silk ribbon, which, when opened, turned out to contain several pounds of the best Turkish Delight.

于是，女王又从瓶子里倒出一滴东西滴到雪地上，地上立即出现了一个圆盒子，用绿丝带扎着，把它一打开，里面装着好几磅最好的土耳其软糖。

Sharon was the first Corr to become a millionaire, having received a 1,000,000 Turkish pound note from a friend.

Sharon是可儿兄妹中第一个富裕起来的，来自于朋友的纪录表示她当时已经拥有了1，000，000土耳其镑了。

Camel cigarettes contain a blend of Turkish and American tobacco, which made them easier to smoke.

骆驼烟中混合了土耳其和美国的烟草，从而使其抽起来口感更好。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。