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与 图画 相关的网络例句 [注:此内容来源于网络,仅供参考]

When Nobunaga saw the kakemono he was not able to conceal his surprise at the vividness of the work: demons and the tortured spirits actually appeared to move before his eyes, and he heard voices crying out of the picture; and the blood there represented seemed to be really flowing,- so that he could not help putting out his finger to feel if the painting was wet.

当信常看到那幅图画时,他无法隐藏对此画的生动而产生之惊讶:恶魔和死后在阴间受苦的鬼魂似乎真实地在他眼前走动,他听到哭声由图画中传出。画中所绘的血似乎正汩汩流出,──因此,他情不自禁地伸出指头摸摸字画,想知道是否是湿的。

The subject is therefore involving, evocative and fascinating, especially when we investigate the relationship between ceramics and music, broadening our enquiry to include the images of myth and reality, that universe of the Muses which occupied the position of honour in illustrated majolica, but which also came to include and hand down to us images of customs, usages and curiosities.

这是一个有影响的,有启发的,迷人的主题。特别是当我们研究制陶术和音乐的关系时,它让我们对神话和现实的肖象有更多的深思。陶器中的图画通常由神占据尊贵的位置,但也流传下来关于风俗习惯的图画,引起了我们的兴趣。

The first challenge for Jean Dunand's miniaturist is to reinterpret the original rectangular drawing onto the round surface of the onyx and a grid is used to plot the picture.

Jean Dunand微图画家的第一个挑战,是重新将原有的矩形图画绘制在黑玛瑙的圆形表面,使用了网络格来绘制图案。

With the combination of animation and film, the wonderful, wacky world of cartoons was born. In 1896, George Melies demonstrated that objects could be set in motion by rapidly projecting a series of drawings with slight progressive changes. Ten years later, animated drawings were introduced to film and it was only a matter of time before the world met Krazy Kat, Felix the Cat, Mickey Mouse, and a "rascally rabbit" named Bugs Bunny.

由於动画及影片的结合,我们得以一窥奇妙、古怪的卡通世界。1896年时,梅里叶向人们展示了快速投射一系列动作稍微改变的图画,就能产生物体行动错觉的技巧;十年后,影片开始使用动画图画,而疯狂猫、腓力猫、米老鼠及邦尼兔与世人见面早晚只是时间早晚的问题。

Compared with the gold standard of clinical diagnosis by a pediatric neurologist who had not seen the pictures,headache drawings depicting pounding pain, nausea or vomiting, recumbency, periorbital pain, photophobia, or visual scotoma had a sensitivity of 93.1%, a specificityof 82.7%, and a positive predictive value of 87.1% formigraine.

同未见过这些图画的儿科神经学医师用于临床诊断的黄金指标相比,描述出重击头痛、恶心或呕吐、斜卧、眼窝疼痛、畏光或视觉盲点的头痛图画,可预测偏头痛的灵敏度为93.1%,预测特异性为82.7%,阳性预测值为87.1%。

Qualifications:- minimum ten years interior design experience;- Expertise in both classic and modern design;- Strong hand drawing skills (scenograph and elevation drawings);- be acquainted with soft furnishings, furniture and lighting plans;- be familiar with fitment materials...

资格: -最小的十年室内设计经验;-古典作品和现代人设计的专长;-强烈的手图画技术(scenograph 和海拔图画);-熟悉软的家具,家具而且点计划;-家具材料熟悉。。。

While I was horrifically busy I returned to the office and I had received more dollar pictures from my fans. One picture read,"I wish that the US dollar had more colors to it, because that would make the colors of my picture more beautiful."

当我 忙得不可开交的时候,回到公司,又看到影迷寄来的图画图画上写著:「希望美元有不同的颜色,那麼我创作的画的色彩就更加漂亮。。。

Following the introduction of English lessons to primary school students in Taiwan in 2001, a number of researchers (Huang, 2002; Nantz, 2002) have discussed the benefits of integrating English picture story books into EFL teaching; few, however, have addressed the challenges of using English picture story books in EFL teaching.

随著小学英语课程的推动,如何将图画故事书运用在儿童英语教学上的研究也渐渐受到重视,然而这些研究鲜少论及老师在使用图画故事书时可能面临的挑战。

Compared with the gold standard of clinical diagnosis by a pediatric neurologist who had not seen the pictures,headache drawings depicting pounding pain, nausea or vomiting, recumbency, periorbital pain, photophobia, or visual scotoma had a sensitivity of 93.1%, a specificityof 82.7%, and a positive predictive value of 87.1% formigraine.

同未见过这些图画的儿科神经学医师用於临床诊断的黄金指标相比,描述出重击头痛、恶心或呕吐、斜卧、眼窝疼痛、畏光或视觉盲点的头痛图画,可预测偏头痛的灵敏度为93.1%,预测特异性为82.7%,阳性预测值为87.1%。

In the age of pictorial reproduction the meaning of paintings is no longer attached to them ;their meaning become transmittable :that is to say , it becomes information of a sort ,and, like all information , it is either put to use or ignored ;information carries no special authority within itself .

图画复制的时代,画作的含义不再是图画的附属品,而成了可以传送的:这就是说,它成了某种信息,而且如所有信息一般,若不被使用,就是被忽视;信息本身不带有任何特殊的权威。

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