图式的

I am not accustomed to be too serious to make self-speech gestures, but be more accustomed to leisure and casual words, which let me find the happiness of abreaction. A soaring flunky, let me experiences the change of roles of supervising and being supervised. Experiencing the different visions, driven by this, I continue the work called Bird Man Series .

我不习惯板着脸自我言语的姿态，而更热衷于嘻哈的咣语，歪说斜侃式的图话，这常使我在尺布间找到些发泄的快感，飞腾起来的小人，让我体会到审视与被审视的角色互换，体验着不同的视角，在这样驱使下，我喋喋不休地延续着这个我称之为《鸟人系列》的图式。

Therefore Dai Shenghong's painting language has no predefined metaphors. Her direct narration transforms meaningful realistic scenario into simple image patterns "awkwardly" presented on the canvas. The painting style also goes hand in hand with the subject. In the reverberant sounds achieved by the rich and greasy black color, and forceful clumsy strokes by scrapers and brushes, these simple graphic elements break loose from academic style, and the early post-impressionism represented by Van Gogh and Gauguin vaguely emerges from behind.

因而，代生红的图像语言没有隐喻的"设定"，其通过直叙，将触动自身生活的现实情景转化为朴拙的图式，表露于画布，而其画风更是与主题相得益彰，在稚拙有力的刮刀、笔触与腻黑、饱满的色彩融合下，这些质朴的绘图语素，竟游离出了所谓学院的手法和派头，隐约浮现出早期后印象主义如梵高与高更的格调。

This dissertation presents three segmentation algorithms for compressing image documents, with a high compression ratio of both color and monochromatic compound document images. The proposed algorithms greatly outperform the famous image compression methods, JPEG and DjVu, and enable the effective extraction of the text from a complex background, achieving a high compression ratio for compound document images.

本文中提出的切割方法应用於文件影像压缩，可以明显的看出压缩倍数与视觉品质优於JPEG或DjVu，而且在本文第三个切割方法中，提出新的区域性区块特徵分离与拼图式全图整合的方法，在解决复杂型复合式文件影像的文字切割问题时，即使在同一张完整的文件影像中，包含各种不同程度的复杂状况，也可以顺利的将不同颜色、不同复杂背景与不同交叠程度的文字切割出来，提高各种复杂型复合式文件影像的压缩品质。

VI Reviewing the status quo for abstract art creation assiduously, we can find out that there are two tendencies which differ from each other, one is the transformation of the expressionism painting into the individual diagrammatical symbol; the other is one which embodies the features of the post-modernism through rational cultural design.

如果刻意梳理一下多向杂陈的抽象艺术创作状态，大致可以看出有两种互不相同的倾向：一种是以表现主义的绘画性转变为图式化的个人符号；另一种则是以理性化的文化意义的设计，体现出一种后现代注意的特征。

Along with the establishment of individuality, the contemporary ink painting highlighted its aesthetic and graphic concern of daily experience and individual cognition, a tendency of which progressed the contemporary ink painting to gradually step out of the concept-supreme creative idea of the "experiment" period and the cultural stand of elitism and idolization, substituted by a post-modern stand of respecting the fun and differences, with more delicate and diversified individual expression becoming a potential feature of the contemporary ink painting.

随之而来的，是当代水墨在审美与图式上对日常经验、个体认知的重视——"实验"时代观念至上的艺术理念和精英化的文化立场正在被一种尊重趣味化与差异性的后现代立场所取代，更为个性化、多样化的表述风格组成了当下水墨创作纷呈而陆离的格局。

Guo: You are a painter who likes to work based on your own perception. In your work, there is a lot of Dadaist influence. To work on a Soviet style landscape painting, an electric blanket, including the adoption of Baselitz"s patterns in "New Residence painted in 2005, all of them are full of satire.

郭：你是一个喜欢按照自己的感受力去工作的画家，在你的作品中也有很多达达主义的痕迹，在一副苏式风景画上再加工，加热的电热毯包括采用巴塞利兹的图式在2005年画的那副《新居》，都充满了调侃的味道。

The style and space of Jataka murals is the inevitable result of the unbreaking development of history in spit of it"s investor, it"s material condition, and the attitude of public .It finally reveals the return and unity of space appearance, and the mature process of the prone of Chinese localization, i.e., the dynamic show of space awareness promoted by spirit-resonance life-motion.

无论是主体的窟主和画工，还是客观的物质条件与信众的接受程度，本生故事壁画的图式与空间形态的演变是历史的必然，其最终显现出空间形态的回归和统一，是中国本土化空间的探索和成熟的历程，意即&气韵生动&要求下空间意识的动态化体现。

Even though Liu Ke is attracted and inspired by Haring, it is not simple usage of the expression and picture concept of Haring. He finishes personal narration by more flexible and warmer lines after digesting Haring's way.

即使受到了哈林的吸引和启发，刘可并没有简单地挪用哈林的表现方式和图式概念，他通过学院的技巧训练巧妙地转化了哈林的模式，以一种更为灵活的、带有温度的&线条&来完成个人的叙述。

Wang Yin has pushed himself to constantly fight with two sides. On one hand, he revokes the symbolic tradition of socialist realism with experience and sensations, yet all of these efforts have been realized in his paintings of the "Soviet style". On the other hand, he creates "modern classics" in a playful approach, trying to mock the laughable obsession with "the originality of images" in contemporary art.

王音使自己陷入了一种两面作战的境界中，一方面用体验、感觉来消解社会主义现实主义的象征传统，但是所有的这些落实在画面上却是一种&苏式油画&的风格；另一方面，他用游戏方法制造的&现代经典&，有试图表明当代艺术中对&图式原创性&的可笑的偏执。

The denial of formula and virtual space helps painting free from the intervention of popular and traditional concept and helps it to be more direct presentation.

对图式以及虚拟空间的否定其实就是为了使到&何为绘画&这一个问题在避免了各种流行的、传统的观念的干扰后得到更为直接的呈现。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。