国画

His personal vision links his post-modern idiom to the ethos of the traditional guo hua landscape: the never ending unraveling of visual and imaginative possibilities.

魏青吉的个人视野将其后现代的艺术风格与传统国画领域的精神特质紧密相连，那就是视觉与想象空间的永无边际的自由拓展。

Of Chinese visual expression. His personal vision links his post-modern idiom to the ethos of the traditional guo hua landscape: the never ending unraveling of visual and imaginative possibilities.

魏青吉的个人视野将其后现代的艺术风格与传统国画领域的精神特质紧密相连，那就是视觉与想象空间的永无边际的自由拓展。

Wood painting box, wood together paintings, pyrography, root carving, relief,, pens painting, decorative painting, mosaics veneer, laser engraving painting, products, etc.

实木画框、木拼画、烙画、根雕、浮雕、圆雕、钢笔画、装饰国画、薄木镶嵌画、激光雕刻画、产品等30多个系列、600多个品种，最著名而且最具有特色的就是山核桃制作的工艺品

However, what traditional painting as a symbol of national art requires is not a superficial face-lift, but a thorough de-tangling and re-formation on a conceptual level.

但这不应该是"旧瓶装新酒"那样简单化的处理，而应该是在观念层面对传统的以"国画"为代表的民族绘画进行有效的清理与整合。

With this system, we can generate a variety of image series in real time.

该系统可以实时地自动生成国画风格的图像序列。

Whether Chinese painting is "realistic" is the object of frequent debate.

国画究竟是不是写实的经常成为辩论的主题。

Yet it is cetainly true that what has perished by destruction, loss and decay would outweigh many times the entire mass of medieval art work now in existence, and of this the larger portion was produced in the workshop of the cloister (see ARCHITECTURE; ECCLESIASTICAL ART; PAINTING; ILLUMINATION; RELIQUARY; SHRINE; SCULPTURE).

然而，这是cetainly不错，有什么灭亡销毁，损失和衰变会超过很多次，整个地下中世纪的艺术作品，现在存在的，这个较大的部分制作，在车间的修道院（见结构；教会艺术；国画；照明； reliquary ；靖国神社；雕塑）。

Cloisonne Product Has facial makeup of Beijing Opera, traditional Chinese painting, a variety of abstract art painting, colored sand painting, and other funeral supplies.

景泰蓝产品有京剧脸谱、国画，各种抽象艺术画，彩沙画，殡葬等用品。

So the water is oriental,solemn and quiet,pure,clear and distinct,wisdom,all figures as same as the traditional Chinese painting's ascthetic value trend.the color is she as a new human in 21th century under the global background of oriental and western civilize culture mix together,she just make the west serve the east,make the past serve the present,imbibe the style of variety natural bright colors in western oil painting and the artistic conception of classical eternity in Chinese traditional painting,meanwhile naturally reach a tacit agreement with her natural personality of seeking green enviormental protection as same as the brilliant sunshine and full of vitality,then forming herself special and unique original artistic conteption style and all the presents would leading the viewer far away from the post-modern mirage full of tattered chaos confussion contaminate,and just take the audience get into her pure spirital homeland of self-perfect and satisfactory.

而水彩的使用也是首先缘自老子的"至善若水"，因此"水"是东方的、静观的、纯粹的、清明的、智慧的，这点与中国传统画的审美价值取向一脉相承，而"彩"则是她作为21世纪的新人类，在全球化东西方文明交融的背景下，西为中用古为今用地吸收了色彩丰富自然鲜明的西方油画风格和古典隽永的国画意境，并与其绿色环保，阳光灿烂，生气勃勃的天性追求自然而然达成了一致默契，从而形成了自己独具匠心的艺术境界呈现，并以此来引领观者远离迷乱破碎污浊的后现代幻境而进入其纯粹自足完善的精神净土家园。

Although ,this approach, inherits the traditional Chinese painting techniques: hook, wrinkle, dyeing, thick, pale, dry, wet, yin, yang, forward, back, true, real, sparse, dense and remain, etc. Ultimately ,the results are very different ------the grass on the canvas is not only a simple fragrant thoroughwort which just has three or five leaves, but also a shape of the abstract and real, a cluster of weed which interweave death and life, fresh and new, warm and brilliant, unrestrained and tenderness------ grasses, weeds, absolute weeds.

这种手法，虽然传承了传统国画的技法：钩、皴、点、染，浓、淡、干、湿，阴、阳、向、背、虚、实、疏、密和留白等表现手法，结果却大相径庭，最终在画布或宣纸上形成的，不是简单的三五根摆拍的兰草，而是抽象又真实的形，一蓬纠缠着干枯与死亡，鲜嫩与新生的，热情与烂漫，奔放与温柔的草，野草，绝对的野草。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。