国家主义的

However, the development of the idea of role of law in some extent prevented the regression from " organic state" to autarchy.

不过，"法治国家"思想的发展在某种程度上防止了"有机国家"向绝对主义国家的回归。

During this period, the the social thoughts in the United States had experienced from the laissez-faire to the of national interventionist.

在这一时期，美国社会思潮的主流经历了由自由放任主义到国家干预主义的转变。

Although these three aspects all face their own difficulties to deepen the influences, the author lastly propose an optimistic legal feminism that does not focus on law's social effect or law's power to social change but on the reflexibility and possibility of prompt responses of legal feminism for social problems.

这三个面向使得作为法律继受国家的台湾，得以逐渐取得某程度的规范主体性，但也出现一些新的问题，亟待社会各界的努力。这问题包括法理重新建构的困难、法治推动的各方阻力、以及法意识上的落差。最后作者总结从法律多元主义的观点，提出一个乐观的女性主义法学，希冀从规范的「法社会创造」之观点，重新评价女性主义立法行动的积极意义。

Due to different conceptualization of the state, statism includes three approaches: unitary state approach domestic structure approach and institutional approach.

由于对"国家"概念界定的不同，国家主义包括三种不同的理论路径：单一国家路径、国内结构路径和制度路径。

State functions is an important conceptual basis of this paper, so I firstly give the analysis and definition of the Marxist theory of state functions in the introduction of this paper.

国家职能是本文的重要概念基础，因此，在引言中首先对马克思主义国家理论的国家职能进行了初步分析和界定。

They were all virulently pacifistic and anti-nationalistic.

他们坚持极度的和平主义和反国家主义。

Constructivism is a social science theory contemporarily popular in Europe and America, which is both a kind of cognition and a learning philosophy.

建构主义是当代欧美国家兴起的一门社会科学理论。建构主义既是一种认知理论，更是一种学习哲学。

The fourth part resurveys the Hesperian state theories in contemporary era, endeavoring to find a practical road of the states development from the animadverts on Nationalism and Economism.

第四部分结合马克思的国家观重新审视当代西方的国家理论，在对'国家主义&和&经济主义的批判中寻求一条国家发展的现实道路。

An essentialized and remarkably delimited Indian theatre consisting of just one genre, namely, the ancient Sanskrit theatre, with no space for the Ram Lila or other flourishing vernacular genres;(2) Histories from the nationalist period portray Indian theatre as primarily, though not exclusively, madeup of India's Western-influenced "modern" theatre genre but relegate the Ram Lila to the realm of unsophisticated folk theatre; and (3) Postcolonial-era histories offer a broad-based and plural Indian theatre encompassing all major genres, including the Ram Lila, but valorize postcolonial theatre withuntenable and extravagant claims.

我会在结论论证这些研究的源起，并列举三个现代印度文化和历史的不同阶段作为例证：（1）东方主义时期的印度剧场史，呈现出一个本质主义、明显画地自限的印度剧场，当中只有一个剧种：古老的梵文剧场，毫无肚量容纳罗魔节戏或其他盛极一时的地方戏剧；（2）国家主义时期的剧场史，此时最主要由深受西方文化影响的印度「现代」剧场构成，罗魔节戏被贬抑为难登大雅的地方小戏；（3）后殖民时期的剧场史，提供了一个宽广、多元，兼容并蓄的印度剧场，罗魔节戏也在其中，但此时期过於夸大了后殖民剧场的资产。

Point out: The state theory which Marxism founder puts forward and elucidates is mostly the state theory of a kind of criticism, to criticize and reveal the capitalist class country essence , to capture regime road state theory of " revolution " that science prove to proletariat.

指出：马克思主义创始人所提出和阐发的国家学说，更多的是一种批判的国家观，是对资产阶级国家本质的批判和揭露，是对无产阶级夺取政权道路科学说明的&革命&的国家观。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失