园林

The arrangement of landscape and building and the planting of flower usually relate to painting.

园林的山水布局、建筑及小品的安排，以及花木栽植，每每借用山水画论。

Mind-bending magic mushrooms, poisonous foxgloves, deadly nightshades, tobacco plants and wild lettuce tranquillisers are also among the 50 dangerous plants cultivated in the garden at Alnwick Castle, designed by Belgian landscape artist Peter Virtz.

扭曲思维的神奇蘑菇，有毒毛地黄，致命茄属植物，烟草，以及有镇定剂作用的野生莴苣也生长在这座花园的50种危险植物之中。该花园由比利时园林艺术家Peter Virtz设计，坐落在Alnwick 城堡内。

Yuan Ming Yuan is the most classic garden in China. It is the Chinese culture fruit and also is the precious world culture heritage.

圆明园作为中国最杰出的古典园林，是几千年来的人文历史所凝结出的璀璨硕果，是中华文化的基础架构，更是中国人民赠与世界珍贵的文化遗产。

You can always ask for help from an expert, and learn about the general fungicides that you can buy and spray on your garden plants.

你可以从一个专家求助，一般了解，你可以买到喷雾杀菌剂你园林植物。

Photo Gallery: The Open Road Middleton Place Plantation in South Carolina boasts what it calls the United States' oldest landscaped gardens.

意译：在开阔的道路上图片集。米德尔顿的地方种植园在南卡罗来纳州拥有它所谓的美国最古老的园林。

Had hidden system of traditional garden culture in China.

龟藏了中国传统园林文化的体系。

Garden stone is a culture of the Chinese Shangdan an important part has a long history.

园林石是中华赏石文化的一个重要组成部分，有着悠久的历史渊源。

So the soul of this project is " Chinese style garden + chinese traditional family culture + water culture".

所以这个项目的灵魂就是&中国园林+中国传统家文化+水文化&。

Landscape,especially Chinese garden landscape has unique human culture and valuable taste.

景观，尤其是中国的园林景观具有独特的人文因素和审美价值。

Modern European landscape architecture was born in the background of rich garden culture tradition and modern industrial civilization.

欧洲深厚的园林文化传统和现代工业文明蕴育了现代景观规划设计的诞生，它的发展经历了各种风格形式和思想观念的演变。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。