园林

Chinese traditional garden has a good feme "the mother of the gardener" over the world, but nowadays, all the landscape architecture is more and more like the western garden style.

中国传统古典园林有"世界园林之母"的美誉，它的形式却已成为"作壁上观"的古董；现代园林在西方的主导下有了长足的发展，却总逃不出西方园林的影子。

Corolla Shanghai Co., Ltd. is a garden landscape planning, design, construction, plant landscaping, green space conservation, and seedling floriation floral, flowers, sod production and marketing in one green environment specialist with the city landscape Qualification Level 3 , are landscaping a build, operate new company.

上海花冠园林有限公司是一个集园林绿化规划、设计、施工、植物造景、绿地养护、花艺花饰和苗木、花卉、草皮产销于一体的环境绿化专业公司，具有城市园林绿化三级企业资质等级，是园林绿化建设、经营的新型公司。

From those royal and private gardens which were the representation of privilege rank became population open to the construction of urban parks in Paris during the Haussmann's Time, from English-Chinese garden to eclecticism garden, and then to post-war reconstruction and with the emergence of modernism and postmodernism style gardens, and the last of the landscape garden design towards naturalism.

城市公园在巴黎的发展从初期那些象征特权阶层的皇家林苑与私人宅园对民众开放开始，到奥斯曼时期的巴黎大规模的城市公园建设；从英中式园林到折衷主义园林，再到战后城市重建以及现代主义、后现代主义园林的出现；最后到走向自然主义的风景园林设计。

Traditional Chinese landscape garden has the functional of travel and inhabitancy, this bring on the important role of architecture in landscape garden and caused landscape architecture developed rapidly as one type of Chinese architecture style.

中国传统园林所具有的可观、可游、可居的特点，使得园林建筑在园林中占有如人眼的重要作用，园林建筑也得到很大发展。

In the mean time, Chinese garden arts' introductioninto the West broke western classic garden art predomination and, new garden style,freedom layout of natural landscape garden appeared in the West.

与此同时，中国园林艺术传入西方，打破了西方古典园林艺术一统天下的局面，使西方产生了新的园林形式—自由布局的风景园林。

In the mean time, Chinese garden arts' introduction into the West broke western classic garden art predomination and, new garden style, freedom layout of natural landscape garden appeared in the West.

与此同时，中国园林艺术传入西方，打破了西方古典园林艺术一统天下的局面，使西方产生了新的园林形式—自由布局的风景园林。

The landscape design is based upon nature, ecology, landscape, culture and historical inheritage; the planning also takes combination of ecology, wetland, regional culture and landscape; the construction in addition integrates into a whole of long history, rich cultural basis and esthetics of landscape design. Thus a wetland scenic spot is made with beautiful harmony.

荆泉湿地园林的规划设计以尊重自然、生态优先，园林景观形神兼备，文化文脉、传承历史为设计理念；遵循生态、湿地、地域文脉与园林美的统一的原则；在可持续发展的生态观的前提下；融糅滕州悠久灿烂的城市历史、博大深厚的文化积淀以及园林艺术的造园手法、美学法则；规划设计出一个风景绮丽、钟灵毓秀、天人合一的和谐荆泉湿地风景区。

With the accelerated steps of urban construction, landscape designers firstly should focused not only on landscape cataloger, but also on the regulation of abroad range of scenery, to give full play of landscape and ecological environment to protection and utilizing nature reasonably. On the other hand, designers should deepen their understandings of nutural and cultural characteristics of the sites, and take the constructed nature as the main body of landscape design.

随着城市建设的脚步的加快，风景园林设计师一方面要跳出园林的范畴，关注更大范围的风景整治，最大限度地发挥风景园林在保护并合理利用自然方面的重要作用；另一方面应加深对场地自然特征、文化特征的认识，以营造的自然作为风景园林设计的主体。

Chinese traditional garden has a good feme "the mother of the gardener" over the world, but nowadays, all the landscape architecture is more and more like the western garden style.

中国传统古典园林有&世界园林之母&的美誉，它的形式却已成为&作壁上观&的古董；现代园林在西方的主导下有了长足的发展，却总逃不出西方园林的影子。

Finlay is also a great gardener by his greatest landscape work, Little Sparta. He combines his concrete poetry to his new garden so as to make it a modern intellectuals garden rich in cultural characteristics.

芬利也以优秀的园林作品——小斯巴达园而成为著名的园林设计师，他将自己的形体诗与园林结合起来，创造了具有浓郁文化特色的新时代&文人园林&。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。