因此

Thus, this is the reason why I caught a bad cold.

因此，这就是…的原因。因此，这就是…的原因。

Similarly, surface of society and mentality corespond to the normatively regulated action and dramaturgical action, respectively, both of which are further extension of the economy surface.

因此，要从农民自身的角度、政府角度及制度的角度去着力解决；在社会层面上，失地农民的社会交往具有很强的同质性，社会交往范围狭窄，不利于社会资源的获得，因此，要通过建立失地农民的&自组织&等积极的渠道，去拓展失地农民的交往层面，提高社会交往的质量；在心理层面上，失地农民社会认同感严重失调，因此要加强失地农民认同感的建构。

The extremities were titanic, and there was no response to touch stimulations.Our results suggested that Pentobarbital sodium inhibited neuronal firing through GABA_A receptors, therefore the local field potentials and neural firing rates were inhibited; Urethane acted on many kinds of receptors including inhibitory and excitory ones, so the local field potentials did not change significantly; however, because of the multiform receptors on the neurons, the changing of firing rates to different neurons were not the same; Ketamine mainly acted on the NMDA receptors, therefore the local field potentials and neural firing rates were enhanced, and most neural firing rates would be increased.

从这三种麻醉剂的底层作用机制来看，戊巴比妥钠通过作用于GABAA受体对神经细胞发挥抑制性作用，因此表现为场电位和神经元放电的降低；氨基甲酸乙酯同时作用于多种受体通道，既有兴奋性受体，也有抑制性受体，因此，对场电位的影响不大，但对单个神经元来说，每个神经细胞上的受体通道分布差异较大，因此，单个神经元的放电频率变化会有所不同；盐酸氯胺酮主要作用于兴奋性的NMDA受体，故整体场电位活性增加，多数神经元的放电频率也会有所升高。

This paper therefore examines the development of "the folklore Pai-Chang of Peking opera aria in Tainan city" through literature review depth-interview oral history and participant observation The concept frame is culture organism as the vertical axle and elements of a folklore activity as the transverse axle There are several significant findings about the general picture of this subject: During the late period of Japanese colonial era Tainan local people who played Peguan music learned Peking opera aria and tried to bring Peking opera aria into the folklore Pai-Chang which was one kind performance and traditional custom of Peguan music Some people who came from other places and played Peking opera aria had also known or learned "Pai-Chang" with touching Tainan local amateurs "Pai-Chang" used to be performed by amateurs for worship of god or goddess or for seasoning and wedding celebration without rewards Amateurs volunteered to perform "Pai-Chang" only for their duty temples and fraternity of Peking opera aria The majority of the audience is people who perform or like "Pai-Chang" or who live nearby There is a fixed pattern of the performance including the repertoire and the arrangement of the band The main meaning of this performace is to pray God's blessings therefore the procedure of "Ban-Hsian" is the most essential and ahead of Peking opera aria singing With time goes by the number of the amateurs has dropped; yet the demand for the worship ceremony remains; hence some of the amateurs have been trained to become professional performers Besides although the idea and the meaning of "Pai-Chang" remains the pattern of the performance has become simplified and rigid which is because of the performers' number decreasing and market adapting Nowadays the whole ecosystem of the folklore Pai-Chang of Peking opera aria in Tainan city keep changing which is mainly influenced by the transition of the society(such as the time and space of the industrial and commercial society being compressed and most people's pursuing of specialization and utilitarianism etc ) According to the findings in this paper the phenomenon can be regarded as the subject matter both of Peking opera and folklore studies For the studies of the Taiwanese culture however the subject not only enriches the subject matters of the Taiwanese culture(signifies the localization of Peking opera and a new pattern of Taiwanese folklore) but also reflects the characters of diversification integration adaptation and compromise of Taiwanese culture which used to be influenced by different regimes and the historical contexts Facing such a multicultural context this paper thus suggests researchers should show an open-minded attitude toward the complex of the Taiwanese culture studies and then important phenomenon would not be ignored or misunderstood

代表了什麼意义？对於上述疑惑，查既有研究成果，不消没有论述者，具体提即「京调排场」现象的可说没有，基於此，有必要对台南市及其周边之民俗性京调排场，不管是语汇来由或者其现象本身，做一番研究。本研究透过文献、访谈、口述史、参与观察等方法，以文化有机体之纵的发展概念为经，以民俗表演之横切面各主客要素为纬，试图先对此文化现象调查并推论出一概貌：台南市民俗性京调排场的形成，是在京调传入台南，台南本地北管子弟改习或兼习京调后，结合北管音乐文化所固有的排场表演型态及民俗演出传统，融合而成，形成时间至迟在日治晚期。而一些不同时期的外来京调人士(如原本生长於其他地区、后移住台湾的票友，和中国大陆琴师等等)，也曾透过与当地子弟的接触，而习得或知晓「排场」语汇以及本地京调排场习俗者。此项音乐民俗表演在过往多由业余子弟於神诞或民众婚俗做寿时，对其有义务或交陪的庙宇及子弟间做酬酢性的演出，不收报酬；聆赏者多是京调同好与邻近民众，也有少数路过者；演出模式包括节目安排、乐队编制皆有一定；表演意涵上以「扮仙」祈求神明赐福人间最为重要，因此排仙必不可少，且一定先於京调演唱。随著时间推移，京调排场表演活动的各要素都有变动，惟变迁速度不一，大体而言，业余表演者锐减，人们对酬神娱神节目的需求仍在，因此一些过往的业余表演者遂逐渐转型为职业表演者。此外，虽然表演意涵不变，但在职业表演人员少、又要适应市场的情况下，表演模式亦逐渐流於简化、僵化。目前京调排场整体生态仍在转变的过程中，而这种变化应与工商社会时间空间的被压缩、事事追求专业化与尼Q化等因素有关。再者，据此概貌，在结论部分厘清其意义、定位以及其对台湾文化研究之启示。台南市及其周边之民俗性京调排场现象，可视为京剧研究与民俗研究的一环，然而对於台湾文化研究，除了其题材本身标志了京剧的本土化与台湾民俗活动之新类型，进一步扩充整体台湾文化研究的内容外，更重要的是现象背后所反映的台湾文化的多元融合与妥协适应取向。台湾的海岛地理位置与长期被不同文化背景政权所殖民的历史，其文化自然容易随社会环境改变而弹性适应变迁，呈现多元纷呈、多重覆叠的特色，因此展望未来，从事台湾文化研究应秉除单一观点，保持一定程度之开放与客观胸襟，方不忽视或误识更多重要的文化现象。

This week teacher has asked as about the learning puzzle, our puzzle is that we do not have enough courage to express our idea to others, so that if the teacher start to ask question to us, we might refuged from out group, we are also to be afraid of English, although it may not so difficult, but once if we feel scared and we can not express our idea clearly. So that the teacher suggested that we should started form the easy part, just like the children sketchbook or some English songs, first we should solve all the puzzles we have come up against and not to avoid it, so that we can love it truely, and not only just for the examination or study English, therefore we can understand it indeed.

本周老師問了我們的學習困難，我們的問題在於沒有勇氣做表達，也因此只要老師一開始問問題，我們就會有逃避的動作，也因此對英文有逃避的感覺，或許原本沒有這麼困難，但是只要一逃避就無法正確的表達出心裡想說的話，因此老師建議說我們可以從比較簡單的項目開始練習，像是兒童繪本，或是英文歌，先讓自己不要去逃避，同時可以是真正的喜歡它，而不單單只是為了考試或是學習而學習，如此一來才能夠真正的學會它。

That is why some hydrophobic ingredients should be added in order to made floating tablet with ideal floating duration other than decreasing the tableting pressure alone.According to the eroding kinetics, the floating tablet made of HPMC with greater viscosity as K100 MCR and K15 MCR is better than that made of HPMC E 15 LV. The erosion of the tablet made of HPMC E 15LV followed the first order kinetics. 20% of the tablet eroded with 4 hours which is 22 times that of the tablet made of HPMC K 100 MCR. The fast erosion of the tablet made of HPMC E15 LV led to quick buoyancy decrease. The quick swelling of floating tablet made of CMC-Na led to quicker water uptake.

溶蚀动力学表明，以高粘度HPMC K100MCR和K15 MCR制备的漂浮片，其漂浮性能要优于低粘度的HPMC如E15-LV，后者的溶蚀符合一级动力学规律，4小时内片面溶蚀达20％，溶蚀速度比前者大22倍，由于速度太快，漂浮制剂的漂浮力因此会迅速降低；高分子材料CMC-Na制备的漂浮片，虽然遇水后迅速膨胀使体积增大，但是，由于水渗入的速度大于体积膨胀的速度，因此不能产生足够的浮力和维持理想的持续浮力，另外，这种材料制备的漂浮片的溶蚀速度太快，4小时内片面溶蚀达30％，漂浮制剂的漂浮力也因此会迅速降低。

Make us worthy, make us proud Teach us not to be to loud We'll try and fit in with the crowd But we are St Trinians We cant fake the way we feel We were born to keep it real Hockey sticks and balls of steel We are St Trinians You bite us, we'll bite you back Better be scared when we attack Feel the fear we're maniacs St Trinians Check out our battle cry A song to terrify No one can stand in our way We are the best, so screw the rest We do as we damn well please Until the end, St Trinians Defenders of anarchy So scam all the toffs the neats and the freaks, Blackmail the goths, the slappers and the geeks, And if they complain we'll do it all again We do as we damn well please ASBOs, the chavs, the emos and their mates, To torment the slags we offer special rates, And if they complain we'll do it all again Defenders of anarchy We are the best, so screw the rest We do as we damn well please Until the end, St Trinians Defenders of anarchy St Trinians So scam all the toffs, the neats and the freaks, Blackmail the goths, the slappers and the geeks, And if they complain we'll do it all again We do as we damn well please ASBOs, the chavs, the emos and their mates, To torment the slags we offer special rates, And if they complain we'll do it all again Defenders of anacrchy Check out our battle cry A song to terrify No one can stand in our way We are the best, so screw the rest We do as we damn well please Until the end, St Trinians Defenders of anarchy Victorious, Rebellious We do as we damn well please Until the end, St Trinians Defenders of anarchy St Trinians Don't let the bastards get you down

使我们值得，使我们自豪地教我们不是我们将大声尝试和符合人群，但我们是圣我们倾斜伪造品方式我们感到的Trinians 我们出生保留它我们是圣Trinians您咬住我们钢的真正的曲棍和球，我们将咬住您改善被惊吓，当我们攻击感觉我们是疯子圣Trinians 检查我们的害怕没人的标语A歌曲可以站立用我们的方式我们最很好的恐惧时，因此拧紧我们做的休息和我们咒骂很好喜欢直到末端，无政府状态圣 Trinians防御者如此诈欺所有toffs neats和畸形人，敲诈goths、slappers和怪杰，并且，如果他们抱怨我们将做它全部我们再做作为我们咒骂很好取乐 ASBOs， chavs， emos和他们的伙伴，折磨我们提供特殊费率的炉渣，并且，如果他们抱怨我们将再做它全部我们最很好无政府状态的防御者，因此拧紧我们做的休息和我们咒骂很好喜欢直到末端，无政府状态圣 Trinians圣Trinians 防御者如此诈欺所有toffs、neats和畸形人，敲诈goths、slappers和怪杰，并且，如果他们抱怨我们将做它全部我们再做作为我们咒骂很好取乐 ASBOs， chavs， emos和他们的伙伴，折磨我们提供特殊费率的炉渣，并且，如果他们抱怨我们将再做它全部 anacrchy检查的防御者我们的标语 A歌曲害怕没人可以站立用我们最很好的我们的方式，因此拧紧我们做的休息和我们咒骂很好喜欢直到末端，无政府状态圣 Trinians防御者战胜，反叛我们做和我们咒骂很好喜欢直到末端，无政府状态圣 Trinians圣Trinians 防御者不让坏蛋传达您到

One can call this a reflection of the feudal structures left untouched by many a pseudo-revolutions; one can point to the long history of the pir/spiritual guide's extension into the political realm; one can blame lack of political education and access to corridors of power for the members of PPP; and one can acknowledge that the military regimes have sufficiently retarded all venues of political legitimacy, such that there simply cannot be any alternatives to the once-future leaders - Bhuttos, Jatois, Bugtis, Sharifs.

这种情况可视为封建制度的一种，因此许多革命表面上是革命，实际上却渗入封建因子。在漫漫历史中，我们可以发现某些精神领袖因此深入政治领域。也许可以怪罪於缺乏政治教育，或是无法撬开人民党权力中心的大门。另外，军权政治早就掩盖了政权的合法性，因此未来领袖名单，根本就落到这些人身上，例如布托家族、贾托伊家族、布格蒂、沙利夫家族。

BE, enthusiasm such as the fire similar Ran exert, once saw too many, experience too many, all of enthusiasm all became numbness with cold, slowly see through everything, all no longer show interest to anything, extremely self-conceited, perhaps the person slowly grew up, these destine of rotate such as life toss about of match to leave, just, the season be not old go to, can't lose, either, life but have no so long long, also have no be able to with round the season for return, be I run about in the breeze, the scenery be a similar scenery, the road be a similar road and throw but world of mortals how much matter, hold 1 ground to fall a dust, Wan setting sun remnants Jin, step the twilight of setting sun to look for in a kind ofly quitely a peaceful, walk in the hullabaloo of the crowd, total felling oneself don't belong to over here, hence inhospitality, hence silent, although this not I be original meaning, be step the color of night stroll under the sky that dark, when the any pleasant breeze kiss noodles, I felling perhaps I have already walk too far, have already coulded not return first, I think me is destine standing alone of.

是，热情例如相似的火跑了一次施加，看见了太多，体验太多，所有热情全部成为了与寒冷的麻木，慢慢地把一切，全部进行下去不再显示兴趣对任何东西，极端自负，或许人慢慢地长大，这些注定转动例如生活抛比赛离开，季节不是老去对，不可能丢失，任一，生活，但是有没有，因此长期长期，也有没有能对与圆回归的季节，是我跑在微风，风景是一处相似的风景，路是一条相似的路和投掷，但是人类多少问题，拿着1地面落尘土，苍白落日残余金世界，跨步落日微明寻找在种类ofly quitely平安的，在人群的喧嚣，在这不属于的总砍伐，因此不好客的步行，因此沈默，虽然这不是我是原义，或许是步夜漫步的颜色在黑暗的天空下，当所有宜人的微风亲吻面条， I砍伐我太时已经有步行，首先已经不是回归，我认为我是单独注定常设。

He's unbelievable Chorus So tonight I'm gonna get him Got a rendezvous at seven Faire l'amour toujours, so funny Wanna spend all of this money Should I wear a dress and high heels Should I go out in my blue jeans He's the boy I met in my dreams And I tell you girls He's unbelievable Verse 1 Sisters, only sometimes You can meet the kind of boy Who will always give you joy Then grab him, never let him Take him deep into your world Be aware of their girls He's so unbelievable Finally it is me, see me happy Today I have found him He's the boy of my dreams And he's unbelievable So tonight I'm gonna get him Got a rendezvous at seven Faire l'amour toujours, so funny Wanna spend all of this money Verse 2 Brothers, only mothers Have the right to decide What is wrong or what is right But you maybe find a baby Who is no the kind of girl To fit in your mother's world He's so unbelievable Ain't a doubt shout it out that you love her Only such a tough guy Could become my only one Cause he's unbelievable Chorus C-part Sharp dressed you may face your rendezvous Depressed if he's not good looking too Maybe he's a lazy kind of lad Don't forget he could turn into a prince in bed Be sure that he's standing by your side Cowards are a waste of time Get it on if he's always on your mind But avoid being love-blind Look out for his sensitivity Check out if he knows just what it means To give everything that a lady needs To prove that his love is pretty real Some guys only show their sex appeal And who knows why the lord had made 'em If you think he's the right guy fall in love If he's not keepin' your hands off Chorus So tonight I'm gonna get him Got a rendezvous at seven Faire l'amour toujours, so funny Wanna spend all of this money Should I wear a dress and high heels Should I go out in my blue jeans He's the boy I met in my dreams And I tell you girls He's unbelievable Supernatural things will happen I can call you at eleven I will tell you every detail If he's worth it or if he failed But I know he drives me crazy And I want to have his baby So you must excuse me, ladies Did I tell you that He's unbelievable

他难以置信合唱团因此，今晚我一定让他有7个约会放任倾慕始终，所以好笑想花的所有钱如果我穿衣服和高跟鞋我应该走出去在我的蓝色牛仔裤他是我遇到的男孩在我的梦想我告诉你女孩他难以置信新诗1 姐妹们，有时只你能满足什么样的男孩谁将永远给你快乐然后抓住他，从未让他他深入到你的世界知道自己的女孩他是如此难以置信最后，就是我，见我高兴今天，我发现他他是男孩，我的梦想他的令人难以置信因此，今晚我一定让他有7个约会放任倾慕始终，所以好笑想花的所有钱诗二兄弟，只有母亲有权决定什么是错误的或什么是正确的但是，你也许找到一个婴儿没有谁是什么样的女孩以适合您母亲的世界他是如此难以置信不是一个疑问喊出来，你爱她只有这样一个硬汉可以成为我的唯一原因，他难以置信合唱团架C -一部分夏普穿着你可能面临的会合抑郁症患者，如果他不是太漂亮也许他是一个懒惰的小伙子不要忘记他可以变成一个王子在床上可以肯定，他站在你身边懦夫是在浪费时间获取它如果他总是在你心里但是，避免被爱情盲目请注意他的敏感性退房，如果他知道刚才这意味着什么为了让所有需要一位女士为了证明他的爱很真实有的人只展示自己的性吸引力谁知道，为什么大人了他们如果您认为他的权利人爱上如果他不是keepin '你的手离开合唱团因此，今晚我一定让他有7个约会放任倾慕始终，所以好笑想花的所有钱如果我穿衣服和高跟鞋我应该走出去在我的蓝色牛仔裤他是我遇到的男孩在我的梦想我告诉你女孩他难以置信超自然的事情会发生我可以打电话给您， 11 我会告诉你，每一个细节如果他的价值，或者，如果他失败但是我知道他硬盘我疯了和我想他的孩子所以，你必须原谅我，各位我告诉你，他难以置信

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了