因斯布鲁克

Almost all of the artists known to us, including Dürer of Renaissance, Rafeal, Holbein and Bruegel of 16th century, Rembrandt of 17th century, Goya of 18th century, Delacroix, Daumier, Gauguin and Munch of 19th century, Paul Klee, Picasso, Matisse, Brac, Rouault of 20th century, as well as some famous painters in modern period, have ever created some print paintings.

像大家都熟知的文艺复兴时期的丢勒、十六世纪的拉斐尔、贺尔拜因、布鲁盖尔、十七世纪的伦勃朗、十八世纪的戈雅、十九世纪的德拉克洛瓦、杜米埃、劳特莱克、高更、孟克、二十世纪的保尔·克利、毕加索、马蒂斯、布拉克、鲁奥……以及至近代的许多知名画家几乎没有不从事版画创作的。

The battle once begun, its very various changes,--the resistance of Hougomont; the tenacity of La Haie-Sainte; the killing of Bauduin; the disabling of Foy; the unexpected wall against which Soye's brigade was shattered; Guilleminot's fatal heedlessness when he had neither petard nor powder sacks; the miring of the batteries; the fifteen unescorted pieces overwhelmed in a hollow way by Uxbridge; the small effect of the bombs falling in the English lines, and there embedding themselves in the rain-soaked soil, and only succeeding in producing volcanoes of mud, so that the canister was turned into a splash; the uselessness of Pire's demonstration on Braine-l'Alleud; all that cavalry, fifteen squadrons, almost exterminated; the right wing of the English badly alarmed, the left wing badly cut into; Ney's strange mistake in massing, instead of echelonning the four divisions of the first corps; men delivered over to grape-shot, arranged in ranks twenty-seven deep and with a frontage of two hundred; the frightful holes made in these masses by the cannon-balls; attacking columns disorganized; the side-battery suddenly unmasked on their flank; Bourgeois, Donzelot, and Durutte compromised; Quiot repulsed; Lieutenant Vieux, that Hercules graduated at the Polytechnic School, wounded at the moment when he was beating in with an axe the door of La Haie-Sainte under the downright fire of the English barricade which barred the angle of the road from Genappe to Brussels; Marcognet's division caught between the infantry and the cavalry, shot down at the very muzzle of the guns amid the grain by Best and Pack, put to the sword by Ponsonby; his battery of seven pieces spiked; the Prince of Saxe-Weimar holding and guarding, in spite of the Comte d'Erlon, both Frischemont and Smohain; the flag of the 105th taken, the flag of the 45th captured; that black Prussian hussar stopped by runners of the flying column of three hundred light cavalry on the scout between Wavre and Plancenoit; the alarming things that had been said by prisoners; Grouchy's delay; fifteen hundred men killed in the orchard of Hougomont in less than an hour; eighteen hundred men overthrown in a still shorter time about La Haie-Sainte,--all these stormy incidents passing like the clouds of battle before Napoleon, had hardly troubled his gaze and had not overshadowed that face of imperial certainty.

交锋以后，战争的非常复杂惊险的变化，乌古蒙的阻力，圣拉埃的顽抗，博丹的阵亡，富瓦战斗能力的丧失，使索亚旅部受到创伤的那道意外的墙，无弹无药的吉埃米诺的那种见死不退的顽强，炮队的陷入泥淖，被阿克斯布里吉击溃在一条凹路里的那十五尊无人护卫的炮，炸弹落入英军防线效果不大，土被雨水浸透了，炸弹陷入，只能喷出一些泥土，以致开花弹全变成了烂泥泡，比雷在布兰拉勒出击无功，十五营骑兵几乎全部覆没，英军右翼应战的镇静，左翼防守的周密，内伊不把第一军的四师人散开，反把他们聚拢的那种奇怪的误会，每排二百人，前后连接二十七排，许多那样的队形齐头并进去和开花弹对抗，炮弹对那些密集队伍的骇人的射击，失去连络的先锋队，从侧面进攻的炮队突然受到拦腰的袭击，布尔热瓦、东泽洛和迪吕特被围困，吉奥被击退，来自综合工科学校的大力士维安中尉，冒着英军防守热纳普到布鲁塞尔那条路转角处的炮火，在抡起板斧去砍圣拉埃大门时受了伤，马科涅师被困在步兵和骑兵的夹击中，在麦田里受到了贝司特和派克的劈面射击和庞森比的砍斫，他炮队的七尊炮的火眼全被钉塞，戴尔隆伯爵夺不下萨克森－魏玛亲王防守的弗里谢蒙和斯莫安，第一○五联队的军旗被夺，第四十五联队的军旗被夺，那个普鲁士黑轻骑军士被三百名在瓦弗和普朗尚努瓦一带策应的狙击队所获，那俘虏所说的种种悚听的危言，格鲁希的迟迟不来，一下便倒在圣拉埃周围的那一千八百人，比在乌古蒙果园中不到一个钟头便被杀尽的那一千五百人死得更快，凡此种种迅雷疾风似的意外，有如阵阵战云，在拿破仑的眼前掠过，几乎不曾扰乱他的视线，他那副极度自信的龙颜，绝不因这些变幻而稍露忧色。

Bruce Hocking, an Australian doctor who specializes in occupational and environmental medicine, argues that the Japanese study had key flaws.

布鲁斯。哈克因是一名专攻职业病和环境医学的医生，他指出日本的研究存在一些关键的缺陷。

"Booth:Family of actors, including Junius Brutus, a British-born Shakespearean actor who in 1821 immigrated to the United States, and his sons Edwin Thomas, noted for his portrayal of Hamlet, and John Wilkes, the assassin of President abraham Lincoln."

布思：家族演员家庭，包括朱尼斯·布鲁特斯，英裔莎士比亚戏剧演员，1821年迁居美国，他的儿子们爱德华·托马斯，因扮演哈姆雷特而著名，和约翰·魏克斯，是谋杀亚伯拉罕·林肯总统的刺客。

Besides Aaron Brooks, Kyle Lowery, and Trevor Ariza, I think you will enjoy watching Chase Budinger and Jermaine Taylor.

除了布鲁克斯、凯尔-洛瑞和特沃尔-阿里扎之外，你们也应该喜欢看查斯-巴丁格和杰梅因-泰勒的表演。

In 《China Mansion》, scenes are collected from all the masters in the western art history such as Angres, Courbet, Monet, Gauguin, Klein, Jones, Boucher, Rembrandt,Rubens, David, Renoir etc.The scene is decorated with coarsely copied traditional Chinese furniture,cheap copies of the western small objects, the numerous figures are all modeled by the vulgar nude, strikingly raffish and vulgar, the "nude" and the "bed"are the only point of connection with the original paintings. This cross time and space"cultural exchange"is utterly absurd creating many uncertain concepts (Wang Qingsong's words), but it is the portrait of the current blind cultural exchange.

中国之家》集合了西方艺术史大师如安格尔，库尔贝，莫奈、高更、克莱因、琼斯、布歇、伦勃朗、鲁本斯、大卫特、雷诺阿等经典作品的场景，场景以粗糙仿制的中国古典家具布置，廉价仿制的外国小玩意儿装饰，场景中众多的人物全部以粗俗的裸体模特扮演，充满中国当下的艳俗气息，裸体和"床"是唯一保留的与西方古典原作的联系点，这种跨时空的"文化交流"十分荒诞，"产生了许多不确定的概念"，但却是中国当下盲目的文化交流的写照。

Sabine Meyer is a committed chamber music player and, in addition to her work with the Trio di Clarone which she founded in 1983, she has performed with Barbara Hendricks, Bruno Canino, Aloys Kontarsky, Heinrich Schiff, Gidon Kremer, Sandor Vegh, the Alban Berg Quartett, the Cleveland Quartet, the Hagen Quartet and the Vienna String Sextet. In 1988 she formed the Bl serensemble Sabine Meyer which performs regularly in Europe and Japan.

萨宾娜·迈耶是一位忠诚的室内乐演奏家，除了她与1983年创建的克拉罗内三重奏一起工作之外，她与芭芭拉·亨德里克、布鲁诺·卡尼诺、阿罗伊斯·康塔斯基、海因里希·席夫、吉顿·克莱默、桑多尔·维、阿尔班·贝尔格四重奏、克利夫兰四重奏、哈根四重奏、维也纳弦乐六重奏合作演出。1988年她成立了定期在欧洲和日本演出的萨宾娜·迈耶吹奏乐团。

As the title of Brooke Masters's new biography suggests, Mr Spitzer is a combative fellow. He can be admirably plain-spoken, too.

布鲁克·马斯特斯的新传记标题表明，斯皮策是个好斗之人，同时也因说话直来直去而受人钦佩。

As the title of Brooke Masterss new biography suggests, Mr Spitzer is a combative fellow. He can be admirably plain-spoken, too.

布鲁克·马斯特斯的新传记标题表明，斯皮策是个好斗之人，同时也因说话直来直去而受人钦佩。

In addition I have used the unpublished diaries of Fedor von Bock,Erhard Milch,Erich von Manstein,Wilhelm Leeb,Erwin Lahousen,and Eduard Wagner－whose widow allowed me to copy some two thousand pages of his private letters.Christa Schroeder,one of Hitler's private secretaries,made available exclusively to me her important contemporary papers.Julius Schaub's family let me copy all his manuscripts about his twenty years as Hitler's senior aide,as did Wilhelm Bruckner's son.

另外，我还使用了从未出版的费多尔·冯·博克，埃哈德·米尔希，埃里希·冯·曼施坦因，威廉·李伯，埃尔温·拉霍乌森和爱德华·瓦格纳日记——瓦格纳的遗孀允许我复制了两千页的他的私人信件；希特勒的私人秘书之一克丽斯塔·施罗德给了我一份独家的她当年的重要文件；尤里乌斯·肖布的家庭则让我复制他当年身为希特勒高级副官的二十年内所有的原稿；威廉·布鲁克纳的儿子也这么做了。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失