回手

He remembered the boomerang that Ken had pressed into his hands.

他记得了回飞棒那一个肯恩已经进入他的手之内压。

On the forced heart return you pitch a club from dummy and ruff in hand.

在他被迫回出的红心上你明手垫一张梅花手上将吃。

And when she buries a Man, that action concernes me: All mankinde is of one Author, and is one volume; when one Man dies, one Chapter is not torne out of the booke, but translated into a better language; and every Chapter must be so translated; God emploies several translators; some peeces are translated by age, some by sicknesse, some by warre, some by justice; but Gods hand is in every translation; and his hand shall binde up all our scattered leaves againe, for that Librarie where every booke shall lie open to one another: As therefore the Bell that rings to a Sermon, calls not upon the Preacher onely, but upon the Congregation to come; so this Bell calls us all: but how much more mee, who am brought so neere the doore by this sicknesse.

当教堂埋葬了一个人，这个行为亦涉及到我：芸芸众生，可看作一卷书籍，其作者只有一个；当一个人死去，代表他的那一章并没有从书中撕去，而是被翻译成一种更好的语言；书中的每一章都会被这样译成更好的语言；上帝雇佣了几个翻译家；有的章节由"年迈"翻译，有的由"疾病"翻译，有的由"战祸"翻译，还有的由"司法"来翻译；不过在所有的译作里都看得见上帝的手；他的手把我们全部散落的书页又重新装订在一起，送回图书馆，那儿，每本书相互敞开，一本挨着一本放好：所以，正如宣布讲道开始的钟声不仅呼唤讲道者开讲，也呼唤信众来听讲一样，这口丧钟呼唤的是我们大家：尤其是呼唤我，呼唤我这个被疾病带到离门口如此之近的人。

Jorge Posada hit a leadoff single, reaching third when centerfielder Torii Hunter let it get past him, and scored on Silva's wild pitch. Matsui doubled and scored on a single by Abreu, who was safe when shortstop Jason Bartlett failed to hold the throw on an attempted steal. One out later, Cano was hit by a pitch by Juan Rincon. After the runners moved up on Damon's comebacker, Cabrera singled to drive in both. He took second on the throw to the plate and scored the fifth run of the inning on the second of Jeter's three hits.

Jorge Posada率先击出安打，并且因为中外野手Torii Hunter 让球滚到身后而登上三垒，再趁Silva的暴投得分，松井击出二垒安打后靠著Abreu的一垒安打得分，Abreu则因游击手Jason Bartlett无法接住传来的球而盗上二垒，在一人出局之后，Cano被Juan Rincon的触身球打上一垒，两位跑者靠著Damon打回给投手的滚地球推进之后，Cabrera击出一垒安打把他们都送了回来，并趁球传回本垒时上到二垒，最后靠Jeter三支安打中的第二支得到该局的第五分。

Boyd then ruffed dummy's last club with the 8, but was overruffed by West, who exited with a diamond, ducked to East's king.

西家方块脱手，忍让到董家的 DK ，伯伊德手中赢得方块回攻，用明手的S10将吃了第4张红心，但是，当他试图兑现明手的方块

Most conventional methods for the extraction of substrate network were based on the use of frequency behavior of Y22 + Y21. However, we found that the feedback signal through the internal circuit elements makes the conductance of the substrate network underestimated while makes the susceptance of the substrate network overestimated. If conventional methods are directly performed on large area SiGe HBTs, a negative effective substrate resistance will be extracted. In the first part of the thesis, a new extraction method for the substrate network parameters of SiGe HBTs is proposed. When extracting the substrate network parameters, the feedback signal through internal circuit elements is considered. All the circuit elements of substrate network are extracted from Ysub instead of Y22 + Y21. The extracted substrate network parameters show a different bias dependence as compared to the conventional methods. By using a simple n+-p junction, we successfully explained the extracted bias dependent substrate network parameters. We developed a series linear regression equation to extracted the intrinsic circuit elements from the ABCD parameters. Compared with the conventional methods which extracted the circuit elements from Y-parameters or Z-parameters, the proposed method is much simple and easy to implement in the computer programs.

传统方法在萃取基板网路参数时，常常由所量得的Y22 + Y21来著手，但我们的研究发现，利用Y22 + Y21的频率关系来萃取基板参数时，基板网路的电导会被低估而基板网路的电纳则会被高估，另外传统基板网路参数萃取方法在萃取大尺寸元件基板网路参数时会得到负值基板等效电阻，以上的非理想效应皆因忽略部份信号会经由本质参数对基板网路做回授的影响，因此本论文中提出一个新的基板网路参数萃取方法，在萃取基板网路参数时考虑了由本质参数所回授的信号，并且由Ysub而非Y22 + Y21萃取基板等效电阻、基板等效电容及基板与集极空乏电容，成功的解决上述的一些非理想效应，所得到的基板网路参数与集极偏压的关系与传统方法所得的趋势相异，经由一个简单的模型成功的解释了所萃取得到的基板网路参数与偏压的关系，在萃取本质参数时，我们舍弃传统萃取方法中常用的Y参数或Z参数萃取方程式，而改用ABCD参数，并提出一系列的线性回归方程式，萃取所有的本质参数，与传统方法比较起来，比较简单而且容易建立在使用者的参数萃取软体中。

Group Exhibitions: in 2006, Process and Expression, The Scale of Picture Determines Attitude: the 1st 5x7 Photo Biennale, Direction, Mixture of Clear and Obscure: Chinese Contemporary Arts Exhibition; in 2005, Fan Shou Wei Yun Fu Shou Wei Yu: the 1st Exhibition of Beijing TS1 Contemporary Art Center, Skin of City—Research on the Possibility of Contemporary City Image (Tap Seac Gallery of Macao, Shenzhen Art Museum), Transparent Box, Untitled—Self-Project:'05 China Pingyao International Photograph Exhibition, Ten Points and Ten Colors (Soka Contemporary Space, Beijing), Tian An Men (Amsterdam Photo Museum, Holland), The 2nd Chengdu Biennale, Tomorrow without Glancing Back: Chinese Contemporary Art Exhibition (Kuandu Museum of Fine Arts, Taipei); in 2004, Meet by Chance, One to One: Their Sight (Chambers Fine Arts, New York, USA), Chinese Photo and Image Fine Arts, Times of Imitating Images; in 2003, Distance—Contemporary Art Invitational Exhibition of Guangdong Museum of Art (Guangdong Museum of Art, Guangdong), Left Hand and Right Hand: China and Germany Contemporary Art United Exhibition (Beijing 798 Space), Expression and Condition, Chinese Photo and Image Fine Arts (Art Museum of Beijing Normal University), Blue Sky without Defense; in 2002, Speak to Oneself, Chinese New Photo and Image Exhibition, Bridge: Contemporary Art Invitational Exhibition, Legend-Fabrication-Copy, Phenomenon, Chuang Ku Exhibition (Shanghai Dongdaming Chuang Ku Exhibition); in 2001, Knowledge is Power; in 1999, Contemporary Chinese Art Exhibition; in 1998, Surprise to Existence, In the City: Opening Oneself; in 1997, Chinese Art General Exhibition: Contemporary Oil Painting Exhibition.

联 展：2006年Process And Expression。&画幅决定态度&首届5x7照相双年展方向、虚虚实实—中国当代艺术展；2005年&翻手为云，覆手为雨&—北京 TS1当代艺术中心第一回展、城市的皮肤—当代都市影像的可能性研究（澳门塔石艺文馆、深圳美术馆）、透明的盒子北京SOHOU现代城）无题—自我投射2005中国平遥国际摄影大展、士点十色、天安门（荷兰阿姆斯特丹摄影博物馆）、第二届成都双年展、明日，不回眸—中国当代艺术展；2004年邂逅、&一对一&他们的目光、中国影像绘画、拟像时代；2003年&左手与右手&中、德当代艺术联展、表情与状态、中国影像绘画展、距离·广东美术馆当代艺术邀请展、蓝天不设防；2002年自言自语、中国新影像展、桥·当代艺术邀请展、演义·捏造·复制、现象、创库展；2001年知识就是力量；1999年当代中国艺术展；1998年对于存在的惊奇、在城市中—开放的自我；1997年中国艺术大展·当代油画艺术展·当代油画艺术展。

"Dog Flea" is a ring game song in which kids hold hands and circle around one person in the middle. That person tries to break out of the circle on the line "dog flea is a bitin' me," and the group responds,"don't keer caint git outa here." When someone finally does break out of the circle, everyone chases him or her until that person is caught.

狗身上的跳蚤」是一首围圈歌唱游戏，游戏进行时，孩子们围成一圈站立，手牵手把一人围在圈中；当唱到「我被跳蚤咬了一下」( dog flea is a bitin' me )时，站在圈中的必须试着破圈而出，而在同时，围成圆圈的孩子们则回以「你不能从我这儿出去」( don't keer caint git outa here )；最后，当有人破圈而出时，所有的人会开始追逐那个人，直到那个人被抓住为止。

"Dog Flea" is a ring game song in which kids hold hands and circle around one person in the middle. That person tries to break out of the circle on the line "dog flea is a bitin' me," and the group responds,"don't keer caint git outa here." When someone finally does break out of the circle, everyone chases him or her until that person is caught.

狗身上的跳蚤」是一首围圈歌唱游戏，游戏进行时，孩子们围成一圈站立，手牵手把一人围在圈中；当唱到「我被跳蚤咬了一下」( dog flea is a bitin' me )时，站在圈中的必须试著破圈而出，而在同时，围成圆圈的孩子们则回以「你不能从我这儿出去」( don't keer caint git outa here )；最后，当有人破圈而出时，所有的人会开始追逐那个人，直到那个人被抓住为止。

Performance to take part in Beijing after Yichang, Yichang Chen Juan asked party secretary市文联Shangrong Wong, compatibility with Yichang City Disaster Relief Charity Federation jointly organized the evening performance, at once be黄书记and strong support of other leaders of the party group in the evening of May 26 "bear shake hand "large-scale disaster relief benefit event in the Three Gorges in Yichang City Star Auditorium brilliant, Chen Juan and a popular country singing star of the Arab-Israeli duo David evening performance of the theme song" Making the Most of the hands of "Song of the Green Gold Cup was the original eco-group From "brothers and sisters soil Miller" combination Wang Aimin, WANG Ai-hua, ZHANG Ming-xia, WU Juan and other famous artists also take part in disaster relief in the performance, for this evening has brought a powerful force of love.

参加北京义演回宜昌后，陈涓请示宜昌市文联党组书记黄尚荣，能否与宜昌市慈善总会联合举办赈灾义演晚会，马上得到黄书记及党组其他领导大力支持，于5月26日晚&紧握的手&三峡大型赈灾义演晚会在宜昌城区星光灿烂演艺厅举行，陈涓与国家当红明星阿幼朵唱响了当晚义演的主题歌《紧握的手》，青歌赛原生态组金奖获得者&土苗兄妹&组合王爱民、王爱华、张明霞、吴娟等知名艺人也参加了此次赈灾义演，为此次晚会带来了强大的爱心力量。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。