回归的

A method for estimating 3D space face pose was proposed based on affine transformation and linear regression.

提出了一种由仿射变换关系到线性回归的3D人脸空间姿态估计方法。

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上，本文以意象分析法为贯穿全文的主要方法，通过对意象的具体分析来透视凉山诗群的诗歌世界；在诗人的选择上以其作品的影响力及意义为标准，选择了这一诗群的七位诗人展开论述，他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加；在论述过程上，笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索，着重探讨了这一诗群创作的三个主要倾向和三个主要领域，前者详论，后者略述，具体表现在对前三位诗人的论述以诗人论的形式详细展开，探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向，即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构，对后四位诗人的论述则以主题的方式展开，探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索；在文章结构上，全文主要分为两大板块，一是对各位诗人创作的具体意象分析，二是在前文分析的基础上进行理论的整合，以此将前面散珠似的论述贯穿成一个有机整体；在结论上，我们通过整合得出：1、凉山诗人群新时期以来诗歌创作的大致发展脉络：在母族文化的基质之上的多元诗艺探索，其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态；2、新时期彝族凉山诗人群汉语诗歌创作的特点，即民族文化意识的深层自觉，对诗性的关注和探索；3、新时期彝族凉山诗人群汉语诗歌创作的缺陷，即情感意蕴的雷同和创作格局的狭小。

The higher the risk of capital expenditure, the higher the expectation of interest return.

更高资本支出风险，更高兴趣回归的期望。

Listen, I think capital punishment is—it's about time it came back.

我认为死刑——是该回归的时候了。

The way for the return is expected to be taken by CDR (that is, China Depository Receipts)...

对于此次回归的方式，预计将采取 CDR。。。。

They have ties to China that will compel them to return.

他们在中国具有能迫使其回归的约束力。

It proposes an adaptive process scheduling approach based on the curvilinear regression that can be transformed to a linear regression.

4提出一种基于可化为线性回归的自适应调度方法。

Through to Gao Juexin and the Jia Baoyu character image analysis, promulgates them from to leave in a hurry to the return inevitability, because their thought deep place was still being rooted in the traditional values and the outlook on life, the ultra realistic thought, could not find the appropriate docking soil actually in the reality, thus returned feudal the old route to step onto "leaves in a hurry - the return" the pattern, but the tradition and the ultra realistic values were still waging the intense struggle, they could not again turn the feudalism defender of traditional moral principles.

通过对高觉新与贾宝玉人物形象分析，揭示他们从出走到回归的必然性，由于他们的思想深处仍根植着传统的价值观和人生观，超现实思想，在现实中却找不到合适的对接土壤，从而转回封建的老路走上"出走—回归"模式，但传统和超现实价值观仍然在进行激烈的斗争，他们不会再变成封建的卫道者。

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上，本文以意象分析法为贯穿全文的主要方法，通过对意象的具体分析来****凉山诗群的诗歌世界；在诗人的选择上以其作品的影响力及意义为标准，选择了这一诗群的七位诗人展开论述，他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加；在论述过程上，笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索，着重探讨了这一诗群创作的三个主要倾向和三个主要领域，前者详论，后者略述，具体表现在对前三位诗人的论述以诗人论的形式详细展开，探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向，即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构，对后四位诗人的论述则以主题的方式展开，探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索；在文章结构上，全文主要分为两大板块，一是对各位诗人创作的具体意象分析，二是在前文分析的基础上进行理论的整合，以此将前面散珠似的论述贯穿成一个有机整体；在结论上，我们通过整合得出：1、凉山诗人群新时期以来诗歌创作的大致发展脉络：在母族文化的基质之上的多元诗艺探索，其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态；2、新时期彝族凉山诗人群汉语诗歌创作的特点，即民族文化意识的深层自觉，对诗性的关注和探索；3、新时期彝族凉山诗人群汉语诗歌创作的缺陷，即情感意蕴的雷同和创作格局的狭小。

BE, enthusiasm such as the fire similar Ran exert, once saw too many, experience too many, all of enthusiasm all became numbness with cold, slowly see through everything, all no longer show interest to anything, extremely self-conceited, perhaps the person slowly grew up, these destine of rotate such as life toss about of match to leave, just, the season be not old go to, can't lose, either, life but have no so long long, also have no be able to with round the season for return, be I run about in the breeze, the scenery be a similar scenery, the road be a similar road and throw but world of mortals how much matter, hold 1 ground to fall a dust, Wan setting sun remnants Jin, step the twilight of setting sun to look for in a kind ofly quitely a peaceful, walk in the hullabaloo of the crowd, total felling oneself don't belong to over here, hence inhospitality, hence silent, although this not I be original meaning, be step the color of night stroll under the sky that dark, when the any pleasant breeze kiss noodles, I felling perhaps I have already walk too far, have already coulded not return first, I think me is destine standing alone of.

是，热情例如相似的火跑了一次施加，看见了太多，体验太多，所有热情全部成为了与寒冷的麻木，慢慢地把一切，全部进行下去不再显示兴趣对任何东西，极端自负，或许人慢慢地长大，这些注定转动例如生活抛比赛离开，季节不是老去对，不可能丢失，任一，生活，但是有没有，因此长期长期，也有没有能对与圆回归的季节，是我跑在微风，风景是一处相似的风景，路是一条相似的路和投掷，但是人类多少问题，拿着1地面落尘土，苍白落日残余金世界，跨步落日微明寻找在种类ofly quitely平安的，在人群的喧嚣，在这不属于的总砍伐，因此不好客的步行，因此沈默，虽然这不是我是原义，或许是步夜漫步的颜色在黑暗的天空下，当所有宜人的微风亲吻面条， I砍伐我太时已经有步行，首先已经不是回归，我认为我是单独注定常设。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。