四重奏

Haydn: String Quartet in G major, Op. 76 No. 1

海顿 ： G 大调弦乐四重奏，作品 76 第 1 首

Through researching the composition skill of Debussy's """"g Minor String Quartet"""", this paper is trying to explore the diversity of composer's composition style in this quartet.

本文通过对德彪西《g小调弦乐四重奏》创作技法的研究，试图探讨在这首作品中所反映出的德彪西创作风格的多样性。

DEBUSSY: String Quartet in G Minor, Opus 10

德彪西：弦乐四重奏，G小调，作品10

Like a lean jazz quartet, Herms sets the mood as much with what is there as with what is not.

就像一个精干爵士四重奏，Herms设置与有什么与什么是没有太大的情绪。

When I studied composition with the late Leonard Stein , one of my regular assignments was to compose minuets for string quartet "in the style of Mozart and Haydn."

当我追随伦纳德·斯坦（ http：//orpheus.ucsd.edu/speccoll/testing/html/mss0219a.html ）学习作曲时，有一项平时作业就是为弦乐四重奏写一首&莫扎特和海顿风格&的小步舞曲。

One indication of Baptiste's growing popularity in Europe is that he is able to keep the sidemen in his quartet employed - a rare feat in Britain.

有一件事可以表明丹尼斯·巴普蒂斯特在欧洲越来越受欢迎──他一直没有让他的四重奏乐队的乐手们失业，这在英国是件非常罕见和了不起的事。

Hearing the combination of Baker's lazy West Coast swing and the driving push of his East Coast sidemen on uptempo numbers like "You're Driving Me Crazy" or "My Heart Stood Still" is an undoubted treat, but it's smoky ballads such as "I'm Old Fashioned" and the swaying title track that win the most points.

当Mulligan因携带毒品被捕后，Baker与钢琴演奏家Russ Free一起创建了自己的四重奏小组。1955年，Baker在欧洲各国进行了巡演活动，他也因此在小号演奏和演唱两个方面引起了乐迷的广泛关注，正在Baker事业处于急速上升阶段，他却于1960年被关进了意大利监狱，为了强行戒毒，Baker被敲下了所有的牙齿，这样一来他也只能暂时告别乐坛。

After Mozart's death, the older composer even seems to have experienced something akin to survivor's guilt; he declined a request to write string quintets and refused permission for his early operas to be performed, on the grounds that Mozart's work in these genres was supreme.

莫扎特去世后，海顿似乎感到了生者之愧，他拒绝了弦乐四重奏的作曲委托，以及他早期创作的歌剧的演出请求，因为莫扎特的作品是这些领域的颠峰之作。

They had taken quartets by Beethoven and Bartok and two Mozart quintets, said the first violinist, Robert Mann, whose remarks were recorded by the scholar Harry Woolf.

第一小提琴手Robert Mann说，他们选了贝多芬和巴尔托克的四重奏和莫扎特的两段五重奏。Robert Mann的评论当时被学者Harry Woolf作了录音。

In the antechamber, three violins and a flute softly played quartettes by Haydn .

在候见室里有三把小提琴和一支笛子在轻声演奏着海顿的四重奏。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。