四重奏

Three works were written in different periods of time, study three twelve-tone techniques String Quartet at different stages of manifestation of a deeper understanding for creative thinking composers, styles and other characteristics of the evolution of great significance.

三个作品分别创作于不同的时期，研究三首弦乐四重奏十二音技法在不同阶段的表现形式，对于深入了解作曲家的创作思路、风格特征的演变等具有重要意义。

Chapter III of the Eighth String Quartet in general background, the main use of free music twelve-tone material with multi-style combination of collage techniques and the formation of a new organic unity.

第三章大致阐述第八弦乐四重奏创作背景，该曲主要运用自由十二音与多元风格材料拼贴技法相结合，并组成新的有机统一体。

Chapter II of the Seventh String Quartet in general on the background, with pitch-class set theory analysis of three replacement sound relationship between the unified group of pitch throughout the whole idea of music, as well as the theme of fragment replacement pitch twelve-tone theme with a free form.

第二章大致阐述第七弦乐四重奏创作背景，用音级集合理论分析出三音组音高置换关系统一贯穿全曲的思路，以及主题片段音高置换与自由十二音主题形态。

In the fall of 2001, Mr. Silverstein toured major European cities as a member of a piano quartet that includes Pierre-Laurent Aimard, pianist; Tabea Zimmermann, violist, and Jean-Guihen Queyras, cellist.

在2001年秋，西尔夫斯坦先生作为四重奏乐团的在欧洲主要城市举行了巡回演奏，乐团的其他成员是：钢琴家皮埃尔-洛朗·艾马尔、中提琴家齐默曼和大提琴家尚-古汉·奎拉斯

Try remembering all the trophies they have collectively won and the answer is devastatingly conclusive.

四重奏试着回忆所有的奖杯，他们有集体赢了和答案是轻易盖棺定论。

A great number of his works ranging from symphonies and operatic excerpts to string quartets,ongs and piano pieces were included in the programme. In 1969 the theme of the estival was a country--Italy. One of the items on the programme was the Florence Opera, which performed four operas including, very appropriately, Donizetti's Maria Stuarta.

节目包括他的大量作品，从交响曲、歌剧选段到弦乐四重奏曲、歌曲和钢琴曲，应有尽有。1969年艺术节的主题是一个国家——意大利，其中有佛罗伦萨歌剧院，上演4部歌剧，并十分贴切地包括了多尼采蒂的《玛丽亚，斯徒亚塔》。

Previously an associate member of Motorpsycho and until now their co-producer, Helge Sten is probably best known as founder member and producer of freeform quartet Supersilent.

Helge Sten最广为人知的是他挪威传奇前卫四重奏Supersilent的创始团员身份，不过当他以Deathprod名义走进自己的audio virus 实验室时，一切总是让人难以预料。

They are lullingly musical—indeed, one entire sequence is a kind of loose interpretation of a quartet by the composer, Anton Webern.

诗行如催人安息的乐曲，更具体来说类似作曲家Anton Webern的四重奏。

She was also, she says, the first to play jazz on the pipa.

她是第一个把琵琶与乌干达竖琴、阿帕拉契五弦琴以及弦乐四重奏组合在一起的人，也是第一个用琵琶弹奏爵士乐的人。

This quar tet represents a major new tr end in modern music .

这个四重奏代表现代音乐的一种主要新趋势。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。