四处

Swanning round as he did, paying for everything with crisp wads of notes, he naturally funnelled money to French politicians, right or left, who caught his eye.

他在法国四处游访，为任何东西付账总是掏出一卷卷清脆的钞票，他也很自然的漏点钱给引起他注意的法国政客，左翼或右翼的。

Animals closest to the wolf at the back end of the herd looked like a blanket unraveling and tattering, which, from the wolf's perspective, must have been extremely confusing.

离狼最近且在鹿群末端的鹿跑起来就像一张被拆碎的地毯四处而逃，而对狼来说，这种现象肯定是非常让它不知所措。

For them, the president's wanderings are welcome evidence of his thumbing his nose at the court.

对他们而言，总统的四处造访是他藐视刑事法庭的证据，而他们很欢迎这点。

With this you can move about, and you already have water, tender, torches and a sword.

使用这个你就能四处转转，而且你已经有了水、幼芽、火把和一把剑。

Toting a toddler around is great for shapely arm muscles, but there's more to a sexy body than biceps alone.

常抱着孩子四处走的确能塑造完美的手臂肌肉，但是性感的身材不是只有二头肌就行的。

In Europe and Asia, an industry group that includes Nokia has been touting a standard called DVB-H.

而在欧洲和亚洲，一个有诺基亚参与的标准联盟也在四处游说和推广其DVB-H标准。

She traduces her husband everywhere.

她四处中伤她的丈夫。

Count yourself lucky if you live in one these cities, trams are a great way of getting around.

要是你生活在其中一个城市，那就太幸运了，坐电车四处观光真是太棒了。

And when once it is written, every composition is trundled about everywhere in the same way, in the presence both of those who know about the subject and of those who have nothing to do with it, and it does not know how to address those it should address and not those it should not.

一当文字被写下来，每个作品以同一方式被四处推动，既在那些懂得其主题的人那里出现，也在那些与主题无关的人那里出现，而且这些文字并不知道如何陈述它应该陈述的而不是那些它不应该陈述的。

As the rover trundled around, its wheels kicked up soil rich in sulphate.

当漫游车四处工作时，车轮拖出了富含硫酸盐的泥土。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。