四处

The door opened on to a tube-shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats - the hobbit was fond of visitors.

大门打开之后，是一个圆管状像是隧道的客厅：这是个没有烟雾的舒适客厅，有着精心装饰的墙壁，地板上铺着地毯和磁砖，四处还摆着许多打磨光亮的椅子。

The dooropenedon toatube-shaped halllike a tunnel: a very comfortabletunnelwithoutsmoke, with panelled walls, and floors tiled and carpeted,providedwith polished chairs,and lotsand lots of pegs for hats and coats - the hobbit was fond of visitors.

大门打开之后，是一个圆管状像是隧道的客厅：这是个没有烟雾的舒适客厅，有着精心装饰的墙壁，地板上铺着地毯和磁砖，四处还摆着许多打磨光亮的椅子。

I, like a big, foolish storm, of a sudden come rushing on and try to rend my being and scatter it parcelled in a whirl of passion.

我像巨大而愚蠢的风景，蓦然间隆隆而来，试图撕碎自己的躯体，并把它裹在激情的旋风里，四处飘散。

I looked around and could not see anyone. Then I heard peals of thunder!

我四处张望，但空无一人，跟著我听到隆隆的雷声！

At least, that is the stereotype peddled by a thousand women's magazines.

至少这已经成为被1000余本女性杂志四处宣扬的公理。

He peddles the Anglocentric myth that Britain was "alone" in the summer of 1940 (insultingly forgetting Greece, Poland and the entire British empire).

他四处兜售那套以英格兰为中心的故事，称在1940年夏天不列颠是&孤立的&（完全是侮辱性地无视了希腊，波兰和整个大英帝国）。

He often walked about in the daytime holding a lighted lantern,peering around as if he were looking for

他经常在白天点着灯笼四处走动、张望，像是在找什么东西似的。

He often walked about daytime holding a lighted lantern, peering around as if he was looking for something.

他经常在白天点着灯笼四处走动、张望，像是在找什么东西似的。

In the end, my mother scraped together a few pesos here and a few there, packed her schoolgirl

到最后，我妈妈四处搜刮了几个比索，拾掇好了小姑娘时的书包，只带一张回程票就上路了。

2Methodical searches with bloodhounds, helicopters, and phalanxes of police have failed to turn up any clues.

警犬、直升机、大批警察四处寻找，没有得到任何线索。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。