四处

IN THIS ARTICLE: The Spice ads, Britain's most popular music group of the 1990s, are a modern marketing phenomenon, put together, passed around, and merchandised like soap.

本文简介：英国20世纪90年代最受欢迎的流行音乐组合一一辣妹演唱组，是一个现代行销惊人之作；她们被组合在一起，四处演出，像肥皂一样被推销出去。

Either way, a planned town hall-style event timed to the end of today's show hours was poorly attended so, unlike similar gatherings in more tumultuous years, any complaints exhibitors might have wanted to make to the TIA must not have been worth sticking around for.

无论哪种方式，有计划的市政厅式的事件定时到今天的展览时间结束时，出席者甚少，因此，有别于在更为激烈的几年类似的聚会，任何投诉参展商可能要作出交通影响评估，必须从未值得坚持四处。

He moused about for money.

他偷偷摸摸地四处寻找钱。

Louis, moused around, shook his head, looked wise, and made that sort of astounding success which members of that craft usually achieve.

他四处调查，摇头晃脑，看起来颇为不凡，还像他的同行们一样，取得了惊人的进展。

Louis, moused around, shook his head, looked wise, and made that sort of astounding success which members of that craft usually achieve.

他四处调查，摇头晃脑，看起来颇为不凡，还像他的同行们一样，取得了惊人的进展。那就是说，他&找到了线索&。但是，你总不能

They are presented as bearing loads of silk or carrying musicians on their backs, their heads raised as if neighing.

她不时地四处张望，好像在找什么人似的。

We're just noodling around.

我们只是四处逛逛。

Their passionate outcries unnerve some impalas , and they scatter every which way .

它们多情的叫声吓坏了一些黑斑羚，让它们四处逃散。

There is use also of ambitious men, in pulling down the greatness of any subject that overtops; as Tiberius used Marco, in the pulling down of Sejanus.

因为除了这种野心勃勃的人——他象一只被缝住眼睛的鸽子那样，因为看不见周围的情况而四处乱飞，没有人愿意去充当这种角色。

There is use also of ambitious men,in pulling down the greatness of any subject that overtops;as Tiberius used Marco,in the pulling down of Sejanus.

因为除了这种野心勃勃的人-他像一只被缝住眼睛的鸽子那样，因为看不见周围的情况而四处乱飞，没有人愿意去充当这种角色。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。