嗜酒

I decided that the top priority for my unmanageable life was to recover from the effects of alcoholism.

我决定对于我失控的生活，最优先的是从嗜酒问题的影响中康复。

Wine-bibber," he cried,"with the face of a dog and the heart of a hind, you never dare to go out with the host in fight, nor yet with our chosen men in ambuscade.

你这嗜酒如命的家伙，长着恶狗的眼睛，一颗雌鹿的心！你从来没有这份勇气，把自己武装，和伙伴们一起拼搏，也从未汇同阿开亚人的豪杰，阻杀伏击。

And there his womenfolk, a bibulous mother and three dingy sisters, pounced upon him for his wages.

家里的女人们——嗜酒如命的母亲和三个邋里邋遢的妹妹扑向他问他要他的工资。

The result, as a rule, is premature rigidity, crustiness, stereotypy, fanatical one-sidedness, obstinacy, pedantry, or else resignation, weariness, sloppiness, irresponsibility, and finally a childish ramollissement with a tendency to alcohol.

通常结果是，早发性的刻板，固执，盲目的片面，固执，买弄学识，或者辞职，疲劳，无责任能力，嗜酒倾向。

Ackroyd was a dipsomaniac. She succeeded in drinking herself into her grave four years after her marriage.

直率一点说，艾克罗伊德太太是一个嗜酒狂，婚后四年因酗酒而命归黄泉。

I don't know what to do about my drinking.

我不知道如何解决我的嗜酒问题。

Further described his portrayal of Stark as "a challenge of making a wealthy, establishmentarian, weapons-manufacturing, hard-drinking, womanizing prick into a character who is likable and a hero."

小罗伯特·唐尼更进一步地称他将饰演斯塔克作为"一个挑战，即将一位富有、拥护国教、制造武器、嗜酒成性、妖里妖气的疯子转变成一个受人喜爱的英雄。"

It was set in rural Wiltshire, and its hero, Johnny "Rooster" Byron, was a drug taker and dealer, a seducer of adolescent girls, a hard-drinking and hard-swearing romantic fantasist.

故事发生在威尔特郡乡间，主人公"雄鸡"拜伦，不仅吸毒贩毒，还是玩弄未成年少女感情的骗子，同时又是个强烈嗜酒、满嘴愤恨的空想家。

These are very important things that need to be looked at before the "I do's" start flying around.

你的另一半有过毒瘾或嗜酒的记录吗？他/她是一个有暴力倾向的人吗？

They get drunk and sometimes fight, says Irvin Sarmany, a municipal official.

市政官员伊万·萨曼尼说，他们嗜酒，有时还会聚众斗殴。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。