商业上

Like to repeat the success that magnifies oneself are experienced even to differ with leader of a lot of business, plum Yan Hong is told those who do poineering work is difficult, talk the roundabout way that live, tell poineering success to be hard to go up blue sky.

和很多商业领袖喜欢重复甚至放大自己经历的成功不同，李彦宏讲创业之难，讲走过的弯路，讲创业成功难于上青天。

The programme is, based on the important theories of business development of the recent 50 years and combines with the professor's research in China's busine...

该方案的基础上，企业的近50年，并与教授在中国的业务发展实践相结合的研究发展的重要理论引入了对中国业务的发展，适应商业现实的理论模式设置。

Had " big motion picture " ideal, hu Shufen did not abandon going up in the network " do sth over and over again ", his judgement is:"Line of new media courtyard " forming, careless root DV also had commercial space gradually.

有了"大电影"的理想，胡淑芬并没有放弃在网络上的"折腾"，他的判断是："新媒体院线"正在形成，草根DV也逐渐有了商业空间。

AgustaWestland, a Finmeccanica company, is a technology leader in its markets and has an unrivalled range of rotorcraft products designed to satisfy the requirements of commercial and military customers.

AgustaWestland是芬梅卡尼卡的下属公司，该公司在其市场上处于领先地位，它的所设计的各种类型的旋翼飞机可以满足商业和军事用户的不同需求。

Tracing Warhol's origins as the sickly child of Ruthenian immigrants in working-class Pittsburgh to his transformation into New York's dark prince of Pop and finally into the world's most successful business artist, Andy Warhol "Giant" Size provides an appropriately larger-than-life look at the celebrated artist's career.

追查沃霍尔的起源为体弱多病的孩子鲁塞尼亚移民工人阶级的匹兹堡，他转变成纽约的黑暗王子的流行，并最终成为世界上最成功的商业艺术家安迪沃霍尔"巨人"提供了一个适当大小大于生活的期待在著名画家的生涯。

Tracing Warhol's origins as the sickly child of Ruthenian immigrants in working-class Pittsburgh to his transformation into New York's dark prince of Pop and finally into the world's most successful 'business artist',"Andy Warhol "Giant" Size" provides an appropriately larger-than-life look at the celebrated artist's career.

追溯到Warhol's出生作为体弱多病的孩子在工人阶级的匹兹堡Ruthenian 的移民转变成纽约黑暗王子的流行并最终变成世界上最成功的"商业艺术家"。"Andy Warhol "Giant" Size"提供了一个恰当的机会让我们看到了一个带有传奇色彩的著名艺术家生涯。

But the village's businesses operate on a strictly capitalist basis, competing in China's ruthlessly competitive market.

但是，村里的商业运作在严格的资本主义的基础上，中国的残酷竞争激烈的市场竞争。

The idea that there is a public safety net to catch the Princes when they all fall off the tightrope at once–that they are not actually rugged Randite individualists running great risks–that they are people in the right place at the right time with enough low animal cunning to cover themselves with glue and then step outside at 57th and Park or on Canary Wharf as the money blows by so that a bunch of the money sticks to them–well, this strikes those who speak for the Princes of Wall Street on the editorial page of the Wall Street Journal or in Investors' Business Daily as a betrayal of the moral order.

但是，事实上却存在着这样一张安全网，当那些巨头们突然滑落到千钧一发之际时紧紧的托住他们，而他们其实也并不是敢于承担巨大风险的个人主义者，他们只是在正确的时间出现在正确的地点，用从低等动物身上学到的诡计来隐藏行踪，直到金钱流动时才现身纽约第57公园路和商业区，所以金钱和他们息息相关。这种说法指出了华尔街巨头们对于道德秩序的背离，这对于那些在华尔街日报或者投资商业日报的社论版上对其大加赞赏的人来说无疑是一个巨大的打击。

For a brief time, Sand Hill Road was home to the most expensive commercial real estate in the world, and the booming economy resulted in severe traffic congestion.

进行了短暂的时间，砂山道是家里最昂贵的商业房地产在世界上，和蓬勃发展的经济造成了严重的交通拥堵。

If we have this wonderful future, the world would have some graceful singing, magnificent posture and happy smile. Every candied princess would use our loveliness and sapience to foster much more great wisdom who could be dispassion when they face all kinds of attention. Because we could bring much more edification of gospel, education of goodness, fruition of beauty and the strength of love when we have so much wisdom which come from government, business circles and academia.

如果有那么一天，那么整个世界上一定会多一些动听的歌声、华美的身姿、幸福的笑脸，所有的糖果公主会用自己的魅力和智慧让世界涌现出更多在横看成岭侧成峰的关注面前泰然处之的睿智大家，因为只有多一些这样的文化、商业、政治大家才能给更多人带来真的启迪、善的引导、美的享受和爱的力量。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。