唯物主义

He takes philosophy of dialectical materialism as his guidance and persists in analyzing and researching on psychological phenomena with dialectic and systematology.

他以辩证唯物主义的哲学观为指导，坚持用辩证法和系统观来分析并研究心理现象。

The difference of the technical value appraisal principle and the criterion is deciding to the difference of understanding tec...

在马克思的历史唯物主义理论视域中，生存论的原则以及历史的和人性的尺度才是技术价值评价的根本原则和尺度。

Therefore, historical materialism has the theoretical characteristics of both historical science and historical teleology.

历史唯物主义学说因此具有历史科学性和历史目的论的双重理论特质。

Historical materialism believes all social forms have historical temporariness and the historical certainty of perishing eventually .

历史唯物主义认为，一切社会形态都具有历史的暂时性和最终灭亡的历史必然性，这种历史必然性取决于该社会生产方式的内在矛盾运动。

The first article of themis an overall criticism of idealism and previous materialism.

其中第一条是对唯心主义和旧唯物主义的总体性批判。

Different orientations of theory determine the different emphasizes through which these theoretician criti-...

他们重构历史唯物主义三种不同的理论维度，决定了他们对西方资本主义社会生态批判的不同侧重点。

It has been developed by taking advantage of the success of The New Economy Policy after October Revolution in Russia, critically absorbing SUN Zhongshan's Three Principles of the People and summing up the experience and lesson in CPC's way of handling Capitalism.

它是依据历史唯物主义的基本原理，借鉴俄国"新经济政策"的成功经验，批判地吸收孙中山新三民主义思想，总结党处理私人资本主义的经验教训而形成和发展的。

From 1976 to 1985,he stuck to Dialectical Materialism as a guideline,reflected on the literary and artistic characteristics of the "Art in its special way grasp the world "," Art has its own independent special targets " and other important proposition to do an in-depth exposition. He also made a brilliant insights about artistic typicalness; From 1985 to 1992, he gradually realized Epistemological Literary Theory couldn't explain all the literary phenomenon, so instead of Human Ontology of Literary Theory,on departure from the Human Ontology to interpret the literary phenomenon,str...essing that " Aesthetic is the life of one of the leading activities "," Art is essentially aesthetic ";Before and after 1992, he re-converted research perspective, explaining aesthetic and artistic on the basis of theValue of Philosophy, saying that the beauty is a form of value.

他从1976年到1985年，以辩证唯物主义认识论为指针，反思文学艺术的特性，对"艺术以其特殊的方式掌握世界"、"艺术有自己独立的特殊对象"等重要命题做了深入的阐发，并就艺术典型提出了精辟的见解；从1985年到1992年，他逐渐意识到认识论文艺学无法解释一切文艺现象，于是转而研究人类本体论文艺学，从人类本体论哲学出发去解释文艺现象，强调"审美是人的生命活动主要方式之一"，"艺术在本质上是审美的"；1992年前后，他再度转换研究视角，从价值论哲学出发去解释审美和艺术，认为美就是一种价值形态。

This philosophy sight has unfastened the mystery of the social life, human beings history, and the existence and development of mankind.

马克思的这些观点集中体现和表达了一种崭新的哲学观——实践唯物主义哲学观。

But in capitalist society,contradictions between the request of the internal structure harmonious uniform and the legal reflection of economic basis exist and there is no way to overcome.

一、马克思主义关于法体系与经济基础的理论马克思和恩格斯创立的历史唯物主义法律观，是一个开放的、不断前进和发展的法律思想体系。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。